i like where this takes me and i would love to know what you are using to generate the sound scape. i need to get some software with the kinds of controls that generate these tones
tim
Incredible! So creative! I had no idea you existed until Patrick El Meliani sent me the link to his page "polymood," which has two of your songs on it. Wow!
John (creator of SonicMood)
love the bass... love the claps, taps...wow.. I am really impressed with this album so far. this stuff inspires! so fluid... and not the least bit banal for a 12 minute track... it's constantly moving. you guys pulled it off.. the violins at 05:30 are so awesome. I hear a bit of dissonance in there too. Shit, I might as well be reviewing your album with these lengthy comment chapters. good stuff... You guys really made something special.
I like the overall idea but I have a couple suggestions for the lyrics. First, it's a little clumsy; I've never heard "401k" sound poetic. Second, you sing about a character who's lost his future, but you don't show how this happened. Especially in light of the "401k" and "faceless concerns" lines, the picture that I'm getting is of a guy who's been trapped by his own choices, both productive (career) and consumptive -- while this absolutely can be a compelling story, it has to told, and with some introspection. Jess used to tell me, "Show it, don't say it". I think the key album to listen to for songs of this sort is Bruce Springsteen's The River, especially the title track. For all his characters that have lost there futures, there's a story.
Sorry if I'm being a lyrics snob, it's just what I am. Thanks for writing about these ideas, it needs to be done.
A 7/8 improvisation on a set of 3 Bata drums, accented with afucha, tube shekere and cowbell.
The number 7 is a symbol for perfection or completeness: 7 colors in a rainbow, 7 musical notes in a scale, 7 days = a week, etc.
In Cuba, the…
I couldn't resist crossing swords with Alex on this deft song of his which left me quite touchéd!
*Inspired in part at least by accidental meat on meat.*
Here's the original track.
The berimbau is a Brazilian instrument associated with Capoeira, which is a Brazilian art form that combines elements of martial arts, sports, and music. It was created in Brazil mainly by descendants of African slaves with Brazilian native…
~timeless~
Rhythms of modern life, which comes from the environment and force us to follow, are often (let say, always) does not correspond to our inner rhythms. First, we do not have time to stop, think, or simply do nothing. Then when we…
Just a simple humble ditty, one of a handful I've been playing on the piano lately.
I haven't been in the mood to do much recording in the last months — or more specifically, haven't been in the mood to flesh out and arrange tunes. So this…
This is a recording of Norm and me playing together a few months ago. I didnt have any percussion instruments so Norm was on a Roland electric trap set and I had a cello. I looped some of the stuff we did that night, and retrofitted the rest…
Well, here's a quick stripped-down version of a song that I wrote a couple of weeks ago and needed to record just to get it out of my head... Also my first crack at harmonizing with myself (kinda cool, but a bit weird for me to hear me singing…
From 2006 or 2007. One of the first (and one of just a few) pieces I wrote using Reason. I was definitely listening to Patrick O'Hearne at the time...might have to buy some real piano samples.
Guitars/Keyboards/Pennywhistles: Doug Sparling
Composer: Doug Sparling
Recorded: 2005
This was my "signature" track several years ago. I wrote this on guitar in the mid-90s while I was getting divorced, but later renamed it and recorded it…
Minor tweaks to the original upload: Better balancing of volume level, subtle changes to dynamics of the piano chords, and the addition of a very low-key counter-melody line on the third go-round of the main verse.
Originally on my [24-hour album](http://alonetone.com/colingarvey/playlists/24-hours-of-aargh) back in 2008, I've added an invisible rhythm section and remixed it.
I may do this with a few more old tracks I didn't quite get right first time round.
Easter Sunday,, soft bubbly white clouds float across a pale blue sky,, above a green green field, filled with rows of those who have passed away,,, my mother and father lie in one such.... fresh flowers, quiet, and sometimes not so, words drift…
Comments on another cultural landslide's stuff
One of the coolest intros I've ever heard. Fantastic track, lot's going on, with great sound and never over done!
Love It! How did you record the voice inside my head?
Love this track!
that was me, who said that. I thought I was logged in ^_^ really, though, I hear a lot of highly personally compatible grooves in this track.
i'm promoting this track. It must be listened!!!
wow, we should hang out. !!
i like where this takes me and i would love to know what you are using to generate the sound scape. i need to get some software with the kinds of controls that generate these tones tim
Incredible! So creative! I had no idea you existed until Patrick El Meliani sent me the link to his page "polymood," which has two of your songs on it. Wow! John (creator of SonicMood)
Wow! You have created a great song! I also like the comment about "home of the industrial-sized mosquito!" :) John (creator of SonicMood)
i'm promoting this track...it flows so well. really, you guys pulled it off! you should be proud!
Extremely tasteful layers on top of the perfect groove. Love it!
Great song! I like everything. And I agree with glu - this is a hit!
f**K! this is a hit! You guys really nailed the current sentiment. what an important song. The American dream...it's an anachronism. wake up America!
love the bass... love the claps, taps...wow.. I am really impressed with this album so far. this stuff inspires! so fluid... and not the least bit banal for a 12 minute track... it's constantly moving. you guys pulled it off.. the violins at 05:30 are so awesome. I hear a bit of dissonance in there too. Shit, I might as well be reviewing your album with these lengthy comment chapters. good stuff... You guys really made something special.
W, you have such fantastic pitch - it's quite incredible.
I like the overall idea but I have a couple suggestions for the lyrics. First, it's a little clumsy; I've never heard "401k" sound poetic. Second, you sing about a character who's lost his future, but you don't show how this happened. Especially in light of the "401k" and "faceless concerns" lines, the picture that I'm getting is of a guy who's been trapped by his own choices, both productive (career) and consumptive -- while this absolutely can be a compelling story, it has to told, and with some introspection. Jess used to tell me, "Show it, don't say it". I think the key album to listen to for songs of this sort is Bruce Springsteen's The River, especially the title track. For all his characters that have lost there futures, there's a story. Sorry if I'm being a lyrics snob, it's just what I am. Thanks for writing about these ideas, it needs to be done.
Very poignant - a 21st century parallel to Phil Ochs.
Love the organ and the way the lullaby weaves in and out!
god i love this. EPIC!! Futures dont often arrive on time do they? Mines late now..
Eclectic, provocative, cool, new, beautiful; a wonderful list. Love the rhythms in this one.
Comments made by another cultural landslide
This track kicks! Dig! w:-)
Awesome track! w:-)
Very, very nice! Beautiful! w;-)
Absolutely cool track! Excellent concept! w;-)
All I can say is...OH WOW! I love it! w;-)
Ok, I want one! Sounds soooo cool! w;-)
Dig w;-)
Absolutely beautiful! w;-)
What a kick as track! w;-)
Put a vocal with this...I like it! w;-)
Hot track! w;-)
Excellent track Keith! w;-)
Light & pretty! w;-)
Lovely! And, how did I miss it? Shame on me! w;-)
Ok, how did I miss this track? Lovely! Brilliant vocal by both of you! w;-)
Ok, how'd I miss this? Cool! w;-)
Beautiful... w;-)
Oh yeah... w;-)
Beautiful Richard... w;-)
L-O-V-E! w;-)