This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
I read what you wrote....I listened to what you played......I liked what you played and got perplexed at what you wrote...so I'll stick with my ears....80)
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
Very sweet :) I wonder if you were thinking...."if all these damn guitarists are just going to make crossover patterns from my beats, i'll just make a crossover pattern mayself. ;) haha FAV'D
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
Out on the lawn there arose such a clatter!
Sometimes, as they say, Christmas do come early. I found Johnny Stone's "Christmas Rock In Oz" under the tree and couldn't wait until Yuletide to unwrap it. What a rockin' gift! I know a bit about…
It was a curious and wondrous thing.
One night I was in my studio adding some percussion to the "Quiet Rituals" track by Barry van Oudtshoorn, when my 4 young children (with whom I was long over-due to be tucking into bed and reading a bed…
A single track of improvised chromatically tuned congas in 7/8, accented with clave, guiro, cajon and quinto.
(For those who may be interested in collaborating on this, the triplet phrasing of this groove may be most easily counted like this…
It was a curious and wondrous thing.
One night I was in my studio adding some percussion to the "Quiet Rituals" track by Barry van Oudtshoorn, when my 4 young children (with whom I was long over-due to be tucking into bed and reading a bed…
There are a bunch of bass tracks going on here. Headphones help pick out what's going on. This one came to me leaving Taos on the drive back to Phoenix, coming down out of the canyon. I suddenly became conscious of a disturbing dream from the…
Deadlines, freeways, appointments, things to do lists, expectations, getting older, not enough hours in the day to get everything done? ..... make each day and moment count! Thanks to Dave Matthews for a lick I threw in there. Enjoy!
title is self-explanatory, past tense however.
i really wanted a song that had the flow, emotional intensity and unpredictability of an ocean. perhaps that's a bit cliche.
done over the period of two months in a little dark room with an…
*apology for the artifacts
so this was a song sitting around for a while, didn't know what to do with...common occurrence. anyways, i wanted to create a song that had a bit of a 'grainy' vinyl feel to it, with nice, slightly distorted highs…
Its my first attempt at writing a piece for piano. I think this would probably best be played by two players..
if I ever write out the piece on paper, it might have to be so.
I would value any of your comments greatly, as I greatly want to improve…
My second attempt at writing a piece for solo piano. Quite obviously the inspiration were Philip Glass Steve Reich and Terry Riley.
I hope you like it.
Ha! I couldn't believe it when I heard this. I've got to tell you that I have played this very pattern on my congas many times - it is the quintessential consonant (i.e. congruent, enharmonic) 1.5:1 polymeter – aka 4 vs.6. The higher pitched piano notes playing 6 beats/bar and the lower (basically) 4 beats/bar. "The 4 pushes the 6 like a gorilla pushing a swing". It is easy to get lost in patterns like this because it can be listened to from the vantage point of either the 4 or 6. One of my favorite examples of this effect is "Carol of the Bells". Nice work.
This is our little bundle of joy now grown up to be 10 years old. She took up the flute this year at school and this is her first effort in front of my microphone.
She decided on the flute after watching some vids of Ian Anderson and Jethro Tull…
As the song says, this is a song I wrote for the RPM Challenge. I simply took my actual experience beginning at 12 midnight on February 1st, and a couple or three hours later I had my first song. The player takes away the intensity of this track…
Jarvis, yes it does have a "Wipeout" sound to it - I was trying to get that sort of vintage surf music feel into a drum pattern. Now if I can only find a guitarist to do that quick decending "doodle-loodoo-loodle-loodle-loodle-loodle-loodle" surf guitar lick at the very beginning... what in the world do you call that cool sound anyway?
Comments on Norm's stuff
very nice,, if i could not play the piano (when i grow up) i would like to be a percussionist,, you make it sound soooo good
You make this sound easy. You ole pro you.
@Jarvis: Stick to your ears - musically speaking, nothing else matters. Thanks!
I read what you wrote....I listened to what you played......I liked what you played and got perplexed at what you wrote...so I'll stick with my ears....80)
I found myself rocking back and forth a little while listening. This is very addictive!
Love It!!!
I like the percussion instrument choices and the way additional instruments are progressively added in waves, clean track
:)
@MTC: Ha! Cross-overs are fun no matter who makes them. But it's cool you get the concept. Thanks.
way to get those rolls in there as well. killer.
Very sweet :) I wonder if you were thinking...."if all these damn guitarists are just going to make crossover patterns from my beats, i'll just make a crossover pattern mayself. ;) haha FAV'D
Another great piece Norm....just love your sense of rhythm
So what happened to Johnny? This is the only thing that remains. Did I miss something?
Still beautiful........
Damn- How did I miss this? Brilliant!
I'm trying to find the words to say why I liked this. The best I can come up with: "it's real".
4/4 bpm...awesome!
Sweet groove
You got the beat man.
the individual samples for propane are stretched (and filtered) but not the composition.
Comments made by Norm
Very spooky indeed!
Nice jam!
Wow! Fantastic!
Outstanding!
Excellent!
Groovy!
This is my personal favorite of all your beatiful pieces. Well done!
I'll bet that this beautiful concerto is an absolute treasure to your daughter.
Beautiful.
Debussy was truly one of the pioneer rock stars... thanks for illustrating that for us!
Massive. Nice work!
Your best yet! Awesome!
Way cool. Man, that's a lot of tracks!! Epic.
I find it fascinating that your first attempt at writing a piece for piano is in 7/8 time signature! Cool beans!
Ha! I couldn't believe it when I heard this. I've got to tell you that I have played this very pattern on my congas many times - it is the quintessential consonant (i.e. congruent, enharmonic) 1.5:1 polymeter – aka 4 vs.6. The higher pitched piano notes playing 6 beats/bar and the lower (basically) 4 beats/bar. "The 4 pushes the 6 like a gorilla pushing a swing". It is easy to get lost in patterns like this because it can be listened to from the vantage point of either the 4 or 6. One of my favorite examples of this effect is "Carol of the Bells". Nice work.
Nice work, Nina! My 12 year old son plays the flute as well, and Ian Anderson is a huge hit around our house too. Great collaboration.
Hilarious! Well done! **drooling**
Those must be space pants, because this is out of this world!
I must admit that I actually WAS singing along! Good one!
Jarvis, yes it does have a "Wipeout" sound to it - I was trying to get that sort of vintage surf music feel into a drum pattern. Now if I can only find a guitarist to do that quick decending "doodle-loodoo-loodle-loodle-loodle-loodle-loodle" surf guitar lick at the very beginning... what in the world do you call that cool sound anyway?