Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
While I'm certain there are those who may be growing weary of scratching, I couldn't resist posting this great mix by Alister Flint, who is truly a master mixologist extraordinaire - he didn't even have individual tracks to work with! Al was too…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
While I'm certain there are those who may be growing weary of scratching, I couldn't resist posting this great mix by Alister Flint, who is truly a master mixologist extraordinaire - he didn't even have individual tracks to work with! Al was too…
While I'm certain there are those who may be growing weary of scratching, I couldn't resist posting this great mix by Alister Flint, who is truly a master mixologist extraordinaire - he didn't even have individual tracks to work with! Al was too…
While I'm certain there are those who may be growing weary of scratching, I couldn't resist posting this great mix by Alister Flint, who is truly a master mixologist extraordinaire - he didn't even have individual tracks to work with! Al was too…
My mind was read!! I was getting ready to suggest to someone that all those parts should be combined - Great job with this, Mr. Flint!!
Dynomiiiiiite!!!!
While I'm certain there are those who may be growing weary of scratching, I couldn't resist posting this great mix by Alister Flint, who is truly a master mixologist extraordinaire - he didn't even have individual tracks to work with! Al was too…
This is one stereo track of 6 conga drums tuned, by ear, to roughly a chromatic scale (I don't know which one - perhaps I've gone micro-tonal!) coupled with a single track of ad-lib quinto (the high drum) and a "shuffle" groove on trap-set…
This is one stereo track of 6 conga drums tuned, by ear, to roughly a chromatic scale (I don't know which one - perhaps I've gone micro-tonal!) coupled with a single track of ad-lib quinto (the high drum) and a "shuffle" groove on trap-set…
Yep. It's official. I finally broke through micro-tonally! Vaisvil plotted the conga scale sample at the end of the track on his V-vocal software, which demonstrated the 6 note scale I used ran from F to C#. So much for tuning via my tin ear - but on the other hand maybe my micro-tonal appreciation is just maturing.
This is one stereo track of 6 conga drums tuned, by ear, to roughly a chromatic scale (I don't know which one - perhaps I've gone micro-tonal!) coupled with a single track of ad-lib quinto (the high drum) and a "shuffle" groove on trap-set…
This is one stereo track of 6 conga drums tuned, by ear, to roughly a chromatic scale (I don't know which one - perhaps I've gone micro-tonal!) coupled with a single track of ad-lib quinto (the high drum) and a "shuffle" groove on trap-set…
This is one stereo track of 6 conga drums tuned, by ear, to roughly a chromatic scale (I don't know which one - perhaps I've gone micro-tonal!) coupled with a single track of ad-lib quinto (the high drum) and a "shuffle" groove on trap-set…
This is one stereo track of 6 conga drums tuned, by ear, to roughly a chromatic scale (I don't know which one - perhaps I've gone micro-tonal!) coupled with a single track of ad-lib quinto (the high drum) and a "shuffle" groove on trap-set…
This is one stereo track of 6 conga drums tuned, by ear, to roughly a chromatic scale (I don't know which one - perhaps I've gone micro-tonal!) coupled with a single track of ad-lib quinto (the high drum) and a "shuffle" groove on trap-set…
This is one stereo track of 6 conga drums tuned, by ear, to roughly a chromatic scale (I don't know which one - perhaps I've gone micro-tonal!) coupled with a single track of ad-lib quinto (the high drum) and a "shuffle" groove on trap-set…
This is one stereo track of 6 conga drums tuned, by ear, to roughly a chromatic scale (I don't know which one - perhaps I've gone micro-tonal!) coupled with a single track of ad-lib quinto (the high drum) and a "shuffle" groove on trap-set…
This is one stereo track of 6 conga drums tuned, by ear, to roughly a chromatic scale (I don't know which one - perhaps I've gone micro-tonal!) coupled with a single track of ad-lib quinto (the high drum) and a "shuffle" groove on trap-set…
Improvisation on congas and very fragile, clay Moroccan bongos (which my brother found for me from an African display at some zoo!). These bongos are basically clay pots with permanent, very thin goat skins stretched over the top - they can not…
You're just kidding yourself if you thought I could resist the chance to add a bit of percussion to this wonderful song by Osckilo & Launched. I used Paiste Sound Discs to create a 3vs.4 polyrhythm against the delightful underlying 4/4 Spanish…
There are a bunch of bass tracks going on here. Headphones help pick out what's going on. This one came to me leaving Taos on the drive back to Phoenix, coming down out of the canyon. I suddenly became conscious of a disturbing dream from the…
Deadlines, freeways, appointments, things to do lists, expectations, getting older, not enough hours in the day to get everything done? ..... make each day and moment count! Thanks to Dave Matthews for a lick I threw in there. Enjoy!
title is self-explanatory, past tense however.
i really wanted a song that had the flow, emotional intensity and unpredictability of an ocean. perhaps that's a bit cliche.
done over the period of two months in a little dark room with an…
*apology for the artifacts
so this was a song sitting around for a while, didn't know what to do with...common occurrence. anyways, i wanted to create a song that had a bit of a 'grainy' vinyl feel to it, with nice, slightly distorted highs…
Its my first attempt at writing a piece for piano. I think this would probably best be played by two players..
if I ever write out the piece on paper, it might have to be so.
I would value any of your comments greatly, as I greatly want to improve…
My second attempt at writing a piece for solo piano. Quite obviously the inspiration were Philip Glass Steve Reich and Terry Riley.
I hope you like it.
Ha! I couldn't believe it when I heard this. I've got to tell you that I have played this very pattern on my congas many times - it is the quintessential consonant (i.e. congruent, enharmonic) 1.5:1 polymeter – aka 4 vs.6. The higher pitched piano notes playing 6 beats/bar and the lower (basically) 4 beats/bar. "The 4 pushes the 6 like a gorilla pushing a swing". It is easy to get lost in patterns like this because it can be listened to from the vantage point of either the 4 or 6. One of my favorite examples of this effect is "Carol of the Bells". Nice work.
This is our little bundle of joy now grown up to be 10 years old. She took up the flute this year at school and this is her first effort in front of my microphone.
She decided on the flute after watching some vids of Ian Anderson and Jethro Tull…
As the song says, this is a song I wrote for the RPM Challenge. I simply took my actual experience beginning at 12 midnight on February 1st, and a couple or three hours later I had my first song. The player takes away the intensity of this track…
Jarvis, yes it does have a "Wipeout" sound to it - I was trying to get that sort of vintage surf music feel into a drum pattern. Now if I can only find a guitarist to do that quick decending "doodle-loodoo-loodle-loodle-loodle-loodle-loodle" surf guitar lick at the very beginning... what in the world do you call that cool sound anyway?
Comments on Norm's stuff
@MTC: Please! Feel free to add something to my coffee. That's why I post this stuff.
Great job to all!! Killer mix Alister...nice and clear. Loved every last bit of it.
This one's pretty sweet! Would it be alright to try a few things with it?
Now all we need is a name. How about Captain GeNorm and the hound of the Bazevils
now *that* was satisfying!
My mind was read!! I was getting ready to suggest to someone that all those parts should be combined - Great job with this, Mr. Flint!! Dynomiiiiiite!!!!
Agreed on all three points. A cool jam!
How Cool! Love how you can hear a melody in the drums
Yep. It's official. I finally broke through micro-tonally! Vaisvil plotted the conga scale sample at the end of the track on his V-vocal software, which demonstrated the 6 note scale I used ran from F to C#. So much for tuning via my tin ear - but on the other hand maybe my micro-tonal appreciation is just maturing.
Daddy got offspring.
Wow, you the daddy!
played your congas like a bass, eh! i think it works pretty well, and a sweet java flavor to it (not the indonesian folk)..
I like the Fx's with the percs. hahah, I really like the hidden Easter egg at the end too
Awesome Norm!
Love it! It's a song within itself. Great job, guys!
Holy Sh*t! That is really something bro! Amazing that it is all Drums! Has a Great Melody! Faved!
great work my friend!!
this is a wonderful jam keep postin man
I think you've started an epidemic. Break out the scratch relief cream.
sounds extra mystical now!
Comments made by Norm
Very spooky indeed!
Nice jam!
Wow! Fantastic!
Outstanding!
Excellent!
Groovy!
This is my personal favorite of all your beatiful pieces. Well done!
I'll bet that this beautiful concerto is an absolute treasure to your daughter.
Beautiful.
Debussy was truly one of the pioneer rock stars... thanks for illustrating that for us!
Massive. Nice work!
Your best yet! Awesome!
Way cool. Man, that's a lot of tracks!! Epic.
I find it fascinating that your first attempt at writing a piece for piano is in 7/8 time signature! Cool beans!
Ha! I couldn't believe it when I heard this. I've got to tell you that I have played this very pattern on my congas many times - it is the quintessential consonant (i.e. congruent, enharmonic) 1.5:1 polymeter – aka 4 vs.6. The higher pitched piano notes playing 6 beats/bar and the lower (basically) 4 beats/bar. "The 4 pushes the 6 like a gorilla pushing a swing". It is easy to get lost in patterns like this because it can be listened to from the vantage point of either the 4 or 6. One of my favorite examples of this effect is "Carol of the Bells". Nice work.
Nice work, Nina! My 12 year old son plays the flute as well, and Ian Anderson is a huge hit around our house too. Great collaboration.
Hilarious! Well done! **drooling**
Those must be space pants, because this is out of this world!
I must admit that I actually WAS singing along! Good one!
Jarvis, yes it does have a "Wipeout" sound to it - I was trying to get that sort of vintage surf music feel into a drum pattern. Now if I can only find a guitarist to do that quick decending "doodle-loodoo-loodle-loodle-loodle-loodle-loodle" surf guitar lick at the very beginning... what in the world do you call that cool sound anyway?