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Lyrics and inspiration from the wonderful Louise Peacock (Weezy) Music and vocals by Jay. Louise has this great set of lyrics with a message and has been offering them up to other artists that want to contribute their take on it. You can go here…
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This track was born out of an annual project or "artbomb" at New Year's, where a bunch of artists get together, pick a word or "theme" and all upload our musical interpretations of said word or theme. This was from a couple of years ago when the…
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John Lennon started it with God pt.I, U2 followed with God pt.II, and I was presumptuous enough to think I could do God pt.III. A wee nod here and there to the first two tracks with my own twist.
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And your gravity fails and negativity don't pull you through
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Title track from FREE EP "Let's Go Out and Get Fucked", released exclusively to our mailing list subscribers. Psychedelic Pop for the modern age!!
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Originally recorded for the album "Up Chanky!" in 2000. Re-recorded in 2007. Psychedelic Pop for the modern age!!
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An old hymn given the John Fahey acoustic instrumental treatment.
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I think this is my favorite song ive done but idk you decide.
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well....this song was written after a long conversation with a friend of mine. We talked about making a difference in the lives of those around us. How is that done? Is it done by working like mad? never seeing the kids? What are we taking with…
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Skryxl is aggressive free improv doom-core from the Southern USA, featuring Marshall Marrotte on bass, Jeff McLeod on guitar and Jeremy Trotter on drums and harmonica.
All tracks were recorded live in single takes on a single day in a small…
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Skryxl is aggressive free improv doom-core from the Southern USA, featuring Marshall Marrotte on bass, Jeff McLeod on guitar and Jeremy Trotter on drums and harmonica.
All tracks were recorded live in single takes on a single day in a small…
Uploaded
Skryxl is aggressive free improv doom-core from the Southern USA, featuring Marshall Marrotte on bass, Jeff McLeod on guitar and Jeremy Trotter on drums and harmonica.
All tracks were recorded live in single takes on a single day in a small…
Uploaded
Skryxl is aggressive free improv doom-core from the Southern USA, featuring Marshall Marrotte on bass, Jeff McLeod on guitar and Jeremy Trotter on drums and harmonica.
All tracks were recorded live in single takes on a single day in a small…
Uploaded
Skryxl is aggressive free improv doom-core from the Southern USA, featuring Marshall Marrotte on bass, Jeff McLeod on guitar and Jeremy Trotter on drums and harmonica.
All tracks were recorded live in single takes on a single day in a small…
Uploaded
Happy Elf is the name of multi instrumentalist Jeroen Elfferich’s soloproject. He has released 8 albums since 1999.
Happy Elf’s main instruments are his 2 analogue synthesizers, the Roland Juno 6 and Yamaha CS10. But we also hear electric guitar…
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Happy Elf is the name of multi instrumentalist Jeroen Elfferich’s soloproject. He has released 8 albums since 1999.
Happy Elf’s main instruments are his 2 analogue synthesizers, the Roland Juno 6 and Yamaha CS10. But we also hear electric guitar…
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Happy Elf is the name of multi instrumentalist Jeroen Elfferich’s soloproject. He has released 8 albums since 1999.
Happy Elf’s main instruments are his 2 analogue synthesizers, the Roland Juno 6 and Yamaha CS10. But we also hear electric guitar…
Uploaded
Happy Elf is the name of multi instrumentalist Jeroen Elfferich’s soloproject. He has released 8 albums since 1999.
Happy Elf’s main instruments are his 2 analogue synthesizers, the Roland Juno 6 and Yamaha CS10. But we also hear electric guitar…
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This song is taken from the upcoming album from Nathaniel Roberts titled "Surrealizm" in stores September 30, 2008.
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Early one as well, created in 2000..... tribal housey
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One of my new master pieces... or so I like to think....
Ambient flavored..
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One of my earliest tunes, created in the summer of '92
Ambient flavored...
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A downtempo tune,
A creation that came forth after a argument ....
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A track from the compilation "Water, Wind and Sails", the first release on WM Recordings ever.
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A track from the compilation "Water, Wind and Sails", released in 2004.
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Early Prime Meridian song, also known as "Mega Closer" as we used to stretch out the ending in huge Rock fashion.
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Written during Spring Break 2001. Can you guess which day it comes from? The lyric is about how I was on day 4 and had already run out of ideas. Kinda typical.
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The first full song I ever wrote and, you know, I think it sounds better like this.
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A little instrumental collaboration with John MacDonald on guitar.
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A tune that I wrote when we did a live soundtrack for "The Cabinet of Dr. Caligari" to benefit the Portsmouth NH Halloween Parade!
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Another one from the 1st Color recording session to 2 trk
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Matt tribute to... Mr. Hagens, I'll find out his 1st name sometime :-/
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Originally a Tongue & Groove tune... Color made it our own!
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I believe this was the 1st ever Color, recorded at the very 1st Color recording session!! 1993!!! Direct to my Pioneer 1/4" 2 track deck... woop
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From a rehearsal DAT tape... unfortunately, we've never been able to reproduce it live for crap... it's a one time only thing that I'm glad we caught on something other than the trusty boom box ;)
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Colaboring with Bainsey, a local blundering magician. Old words from the dessert.
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Getting silly with home made muffins. I know I can do better, hopefully the embarasment of having this out there will kick in to concentrating enough to get some quality in to my recordings again.
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Sound module 01 for the Desynkroniseringens Remix project.
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As a christian we are looking forward to the 2nd coming of Christ. The phrase 'Are You Ready' been bouncing around in my head for a few days. Friday night the first verse pop into my head as I was going to bed. Saturday morning I wrote the…
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apocalyptic zombie thrash!
an old song that a band of mine wrote. its not great quality, but i think the roughness fits well with the style of music. comments on the song are appreciated!
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When CobSOn was 6 years old, mom and dad Cobson sent her to the local music school (in the suburbs of Toulouse) where she started to play the piano. The course lasted 11 years.
During the summer 2002, she wrote her first words, "give the slip…
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When CobSOn was 6 years old, mom and dad Cobson sent her to the local music school (in the suburbs of Toulouse) where she started to play the piano. The course lasted 11 years.
During the summer 2002, she wrote her first words, "give the slip…
Uploaded
When CobSOn was 6 years old, mom and dad Cobson sent her to the local music school (in the suburbs of Toulouse) where she started to play the piano. The course lasted 11 years.
During the summer 2002, she wrote her first words, "give the slip…
Uploaded
When CobSOn was 6 years old, mom and dad Cobson sent her to the local music school (in the suburbs of Toulouse) where she started to play the piano. The course lasted 11 years.
During the summer 2002, she wrote her first words, "give the slip…
Uploaded
When CobSOn was 6 years old, mom and dad Cobson sent her to the local music school (in the suburbs of Toulouse) where she started to play the piano. The course lasted 11 years.
During the summer 2002, she wrote her first words, "give the slip…
Uploaded
When CobSOn was 6 years old, mom and dad Cobson sent her to the local music school (in the suburbs of Toulouse) where she started to play the piano. The course lasted 11 years.
During the summer 2002, she wrote her first words, "give the slip…
Uploaded
This song made a little splash in the New Music blogosphere back in July 2008. With possibly the first diss rap directed at modern chamber music groups, Hybrid Groove Project (that's DJ Dubble8 and new music saxophonist Brian Sacawa) brought some…
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"putting new dope twists on licks that Philip Glass wrote"
-Hybrid Groove Project, "HGP Anthem"
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De la produccion "ALEGRIA DEL MUNDO, LATINOAMERICA"
www.renatopaonemusic.com
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De la produccion "ALEGRIA DEL MUNDO, LATINOAMERICA"
www.renatopaonemusic.com
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Cuento de Eve Bail
De la producción "ALEGRIA DEL MUNDO, LATINOAMERICA"
www.renatopaonemusic.com
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De Tania, "ALEGRIA DEL MUNDO, LATINOAMERICA". www.renatopaonemusic.com
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De Gerald Marks y Seymour Simons en 1931, Jazz."SECCION B" Saxo y Guitarra.
www.renatopaonemusic.com
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De Consuelo Velasquez, 1940, Jazz. "SECCION B" Saxo y Guitarra.
www.renatopaonemusic.com
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De Eduardo Gomez Bueno, Torbellino. "SECCION B" Saxo y Guitarra, www.renatopaonemusic.com
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Vinicius de Moraes y A. Carlos Jobim, 1962, Bossa. "SECCION B" Saxo y Guitarra, www.renatopaonemusic.com
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Ave Maria Schubert. Saxo Midi y Guitarra. "SECCION B" www.renatopaonemusic.com
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I went back and upped the volume on this one and added a little audio from Futurama for fun....it's a little bit of me messing around on the guitar -- kind of bluesy this time. Pretty much all "off the cuff" improv stuff.
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Again, a little bit of me having some fun on the guitar, mostly just improv really. Another clip from Futurama thrown in for laughs.
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A little bit more of me messing around on the guitar. I thought it sounded kind of "Shaft-ish" so I added a brief "Shaft" parody from Futurama.
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More of the same flavor for me right now: some improv w/ some more Futurama.
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A Cover of Izzy Stradlin's "Like A Dog," with a quick cameo from Futurama's "Bender's Big Score."
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Some improv w/ some Futurama. Hopefully this isn't becoming a stale formula! It isn't for me! heh.
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This music talk about when you have a relationship and the another person come and say you that you could be together anymore and go, you lleft when you're herat broken but later the another person give count that make a big mistake, and wanna…
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This is a pre-release of a song from my new album. The song still needs some polish and rubbing. I will change it out once i get done with the final version. The lyric was written a long time ago, of what could or couldn't have been:) Thats the…
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A 12-string guitar instrumental in drop D tuning.
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In the summer of 2001, I took a road trip across the United States with two friends on some grant money from my grad school program. Our mission was to make a multimedia art documentary about people's relationship to water in different parts of…
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This piece was written for the Vance Quartet, a student clarinet quartet at Oberlin in 2002. My wife is one of the 2 bass clarinetists heard on this recording-- we'd known each other for a few months at this point. The electronic sound collage…
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