Full name is "The Morphing Architecture Of The New England Vatican". This is another RPM 2010 track.
I have weird dreams where your average New England city is juxtaposed with some holy Old World locale. The music and lyrics arose from that…
Toughest thing to mix on the entire album. Synthesizer music for the attention-impaired.
If you don't like the current melody, wait five seconds.
Song name comes from my workplace addiction - I was going through a bag of cough drops weekly…
Toughest thing to mix on the entire album. Synthesizer music for the attention-impaired.
If you don't like the current melody, wait five seconds.
Song name comes from my workplace addiction - I was going through a bag of cough drops weekly…
The last track from my RPM Challenge album, "The Loudest Silence".
The story is loosely based on something I read, but there's a lot of poetic interpretation involved. It deals with people who spend a lot of time staring at the stars - like the…
This is probably the least electronic-sounding of everything that I did from RPM 2010, although it still heavily uses samples (either self-sampled or from Freesound).
That is me playing the harmonica, though. (No, really!)
If the song makes…
Toughest thing to mix on the entire album. Synthesizer music for the attention-impaired.
If you don't like the current melody, wait five seconds.
Song name comes from my workplace addiction - I was going through a bag of cough drops weekly…
Toughest thing to mix on the entire album. Synthesizer music for the attention-impaired.
If you don't like the current melody, wait five seconds.
Song name comes from my workplace addiction - I was going through a bag of cough drops weekly…
Toughest thing to mix on the entire album. Synthesizer music for the attention-impaired.
If you don't like the current melody, wait five seconds.
Song name comes from my workplace addiction - I was going through a bag of cough drops weekly…
Toughest thing to mix on the entire album. Synthesizer music for the attention-impaired.
If you don't like the current melody, wait five seconds.
Song name comes from my workplace addiction - I was going through a bag of cough drops weekly…
The last track from my RPM Challenge album, "The Loudest Silence".
The story is loosely based on something I read, but there's a lot of poetic interpretation involved. It deals with people who spend a lot of time staring at the stars - like the…
The last track from my RPM Challenge album, "The Loudest Silence".
The story is loosely based on something I read, but there's a lot of poetic interpretation involved. It deals with people who spend a lot of time staring at the stars - like the…
The last track from my RPM Challenge album, "The Loudest Silence".
The story is loosely based on something I read, but there's a lot of poetic interpretation involved. It deals with people who spend a lot of time staring at the stars - like the…
This is probably the least electronic-sounding of everything that I did from RPM 2010, although it still heavily uses samples (either self-sampled or from Freesound).
That is me playing the harmonica, though. (No, really!)
If the song makes…
This is probably the least electronic-sounding of everything that I did from RPM 2010, although it still heavily uses samples (either self-sampled or from Freesound).
That is me playing the harmonica, though. (No, really!)
If the song makes…
This is probably the least electronic-sounding of everything that I did from RPM 2010, although it still heavily uses samples (either self-sampled or from Freesound).
That is me playing the harmonica, though. (No, really!)
If the song makes…
Format Sea - Part Two
Based on the age-old concept that a person is born anew every seven years. It's technically meant in terms of physiology - you develop all new bones/muscle/fat in a seven year period. I kind of add a spiritual/alien abduction…
An unusual traditional tune from the first Scartaglen album way back in 1984. Going through stuff the other day and ran across the LP and couldn't even remember the tune or having recorded it. I played guitar on this track
Looking at nowhere by Pasha is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.Based on a work at alonetone.com.
Admittedly rushed out for the holidays, here's a 5 song EP of techno christmasness. By next year, it'll be a full record with lots more sleigh bells and sirens.
*apology for the artifacts
so this was a song sitting around for a while, didn't know what to do with...common occurrence. anyways, i wanted to create a song that had a bit of a 'grainy' vinyl feel to it, with nice, slightly distorted highs…
.. only words will remain when the $h!t hits the fan.
It was a quote from an older song I wrote [Terrestrial Epitaph In Shortwave], and I felt the need to develop it further here.
It amazes me how much free advice there is out there etched…
I originally thought this would be way too long to hold my attention, but it's done a surprisingly good job - I'm at the 11 minute mark now.
I'm impressed how clear the high end is - you can hear all the hi-hats and cymbals very clearly.
You really have to be in the right sort of mood to absorb something like this, though. It feels like the sort of thing that would be great listening to while nearly asleep. (It would make for some interesting dreams.)
When I stepped into that night I felt at home for the very first time in a long, long time. When I stepped into that street I felt complete for the very first time in a long, long time. I didn't wonder where you'd been all day. Or maybe I did…
In reference to your question on the vocals, you might want to raise them slightly, but they're not that bad. It's not so low in volume that you're straining to hear it.
This is very catchy, in an off-kilter sort of way. I like how it straddles the fine-line between electronic and rock. (It sounds like a crossbreed of Self and VAST.)
Emperor of Evil Dissonance is from the machinima movie produced and directed by SS Productions for the Sims International Film Festival. The movie is due for release on 15 September 2010 at www.youtube.com/user/SSMusicProd...
As the songs were…
Year: 2010
Album:
bent classics
Artist's description:
I don't know.
Contributors:
an old exercise from piano class
jo guest
the amateurs of alt.binaries.sound.erotica
freesound.org
kontak4
absynth
an evil kitty who made me do it.
a terrier…
Lyrics
The Good Lifeless has Become Boundless
such that it is written,
went where and windly
with pentacles of pie
like know our way
down the screem
when we find what it
is that can been and be we of their
2 tracks of hobnox…
Full name is "The Morphing Architecture Of The New England Vatican". This is another RPM 2010 track.
I have weird dreams where your average New England city is juxtaposed with some holy Old World locale. The music and lyrics arose from that…
Comments on AMUC's stuff
Love this opening track!
Nice mate dig it very cool
great beat mate
Excellent production and intense clarity to the driving beats and sounds. Very original and engaging.
Great sounds mate
Nice one mate very cool sound
Nice one mate very cool.
What a trip! Cool!
Wild tune.
Very cool electronic piece! -KAC
Hypnotic melodies and awesome beats! Nice track!
Stirring stuff!
whoa cool sounds!
big yes from me! love the synth especially...
Interesting, and very very weird.
This is killer - Had to loop it for a bit. Woostah, huh? I'm a stones throw away in So. Nampshah!
Woah! Departure! Cool sounds here!
I love the panning.
Shadow, Shadow, Shadow, Shadow.
This sounds very psychedelic. Brilliant application of sound effects.
Comments made by AMUC
I want quantum knees. That sounds cool.
This totally kicks posterior. =)
This really appeals to my Irish half. There's something about Irish folk music that brings a smile to one's face.
For a 'not professional' singer, you sound great, IMHO. The whole song flows well - you can tell a lot of effort was put into the sound production.
Listening to this, I feel the need to hang up the disco ball while playing ample amounts of 8 bit Nintendo. =)
I like the trippily-demented jazz section around 4:45.. That caught my attention.
Thanks for the feedback on this one - I'm rewriting it, though. I thought it came out sort of rough around the edges.
I envision this is probably what heaven sounds like, assuming the place exists. Fantastic harmonies..
I like the percussion on this one -- it sounds very real. (I'm a dumb sucker for conga drums.)
I like this - it's very immersive. It sounds like it should be the score for some 2001-esque space movie.
I originally thought this would be way too long to hold my attention, but it's done a surprisingly good job - I'm at the 11 minute mark now. I'm impressed how clear the high end is - you can hear all the hi-hats and cymbals very clearly. You really have to be in the right sort of mood to absorb something like this, though. It feels like the sort of thing that would be great listening to while nearly asleep. (It would make for some interesting dreams.)
In reference to your question on the vocals, you might want to raise them slightly, but they're not that bad. It's not so low in volume that you're straining to hear it.
This is very catchy, in an off-kilter sort of way. I like how it straddles the fine-line between electronic and rock. (It sounds like a crossbreed of Self and VAST.)
The interplay of the different voices creates a nice texture. It reminds me of Ayreon - how he uses different vocalists to establish different moods.
Wow. This totally mucks with your brain - I feel like I'm drowning in it by wearing headphones.
Quirkily harmonic. This one sounds like it deserves a music video (and a really strange one at that.)
Well done. The vocals/lyrics are haunting. I like how it goes from symphonic to crunchy at about the two minutes mark.
This is catchy - it has a trip-hoppy Beach Boys sort of feel.
I remixed this RPM track - sounds a lot better now..
I love the wordplay here. "A part" vs "Apart"..