"In a reformatted world with deleted people, there are still enough dead links that some individuals might indirectly be aware of the existence of those deleted. To everybody else, they'd seem either spiritual and/or mentally imbalanced…
with the manipulated concertina/accordion and the harpsichord and synths, i was going to try and describe this, but i think you say it best in the about section.
Even the cosmos needs system maintenance. When its IT department decides to delete something, sometimes that something doesn't want to go without a fight. Even computer viruses will do what they can to avoid the reaping hand of a virus checker…
Oh crap - somebody broke the multiverse. I should have known those #?%! black holes were a serious security flaw.
We were really meaning to fix that, but never got around to it. (It would have cut into our golf time.)
The monitors of the omniverse are bored out of their mind, and wish something would happen to break the monotony.
There are some things that transcend the laws of physics - Murphy's Law is one of those things.
----
May be a little soft for…
Hurtling towards oblivion thanks to a giant catapult owned by a foul-mouthed voodoo child, he sends a final lewd finger gesture back to the world he sought escape from.
Unbeknownst to him, Voodoo Boy may have a vested interest in using him…
The final version of this track:
When escaping events that are falling apart, be leery of strangers offering gifts - particularly when they look like something out of Children Of The Corn and they offer to lob you into orbit with a giant catapult…
The monitors of the omniverse are bored out of their mind, and wish something would happen to break the monotony.
There are some things that transcend the laws of physics - Murphy's Law is one of those things.
----
May be a little soft for…
Remastered the levels slightly on 3/4/09.
An attempt at a progressive metal-inspired piece with time signature changes.
Moral of the story: Kind of a demented play on Charlotte's Web - if you give somebody wings and they hate your guts…
Even the cosmos needs system maintenance. When its IT department decides to delete something, sometimes that something doesn't want to go without a fight. Even computer viruses will do what they can to avoid the reaping hand of a virus checker…
Oh crap - somebody broke the multiverse. I should have known those #?%! black holes were a serious security flaw.
We were really meaning to fix that, but never got around to it. (It would have cut into our golf time.)
From the RPM Challenge 2009 album - "Like A Dark Mirror Keeping Its Secrets":
Native American Industrial?
Sample credits will appear with album info once posted.
Remastered the levels slightly on 3/4/09.
An attempt at a progressive metal-inspired piece with time signature changes.
Moral of the story: Kind of a demented play on Charlotte's Web - if you give somebody wings and they hate your guts…
What an experience.. glad i had my headphones on for this one. Alot of it would have been lost on my crappy laptop speakers. Nothing obvious here... was literally surprised every couple of seconds. class.
Remastered the levels slightly on 3/4/09.
An attempt at a progressive metal-inspired piece with time signature changes.
Moral of the story: Kind of a demented play on Charlotte's Web - if you give somebody wings and they hate your guts…
A draft from RPM 2009 Challenge.
The lyrics are strange and could easily be misunderstood, so let me help:
So -- you have this bummed out fellow, the same one from my Alonetone 'album in a day' contest submission.
He's wandering around…
It's not much of a life trapped inside a cocoon of your own making.
Finale from "Dead In The Water" album.
A longer track, but it's worth the time to fully digest.
It's not much of a life trapped inside a cocoon of your own making.
Finale from "Dead In The Water" album.
A longer track, but it's worth the time to fully digest.
Trapped, Suffocating Inside A Snowglobe.
Written in 2007 after a particularly brutal winter. (Spring was taking its precious time manifesting.)
It kind of expanded from there, taking on a new meaning, as the lyrics perculated.
You get good separation on the drums here, frequency-wise. Everything stands out individually, and I find with this sort of music, it's very easy for it all to blend together into a big mess.
Who is that singing at the very end? It was kind of a surprise - I wasn't expecting it.
The year was 1989 and my high school rock band, Tempest Fero, was feelin' proggie! I can't remember who wrote what for this one. I do know we were quite stoked to have the little 4/4 to 3/4 to 6/8 thing at the end of the quiet parts. I also…
Cry (if you want to) – Steve Harris 990211
Run into these open arms my love, sad you’re breaking
But on the outside you’re so tough
You’re not fooling me, enough’s enough
Cry if you want to, cry…..
I’ll be here till someone comes…
I like the unstructured nature of this -- while it doesn't really have any rhythm or beat to it, the drone would be nice for drifting off to sleep. (You might have peculiar dreams, though.)
RPM 2013
I'm not who I was
don't judge me
on memories and dust
they're nothing
but footprints in my past
forgotten
never coming back
I've lost them
but I'm searching pretty hard
for new life
step out from the dark
into light…
A song about a tough day at the office.
This one turned into more of a project that it deserved. My first take on the vocals seemed okay at the time but was really unacceptable. I went back and fixed the problems and ended up clipping the…
From a mastering perspective, this is great - you can hear all the different instruments clearly.
I'm impressed you were able to master it so well in a four week period.
Stoner rock with a hint of Grunge. Inspired by Queens of the Stone Age, Kyuss, Monster Magnet, Masters of Reality, Karma to Burn, Joy Division, Fu Manchu, Nirvana, Clutch. Desert Rock. Space rock. Garage rock.
Based on a poem by William Sharp that I found while researching my family history.
The poem has been put to music once already, by one Christopher Goldsack, http://www.sundown.pair.com/Sharp/piratepoem.htm but I wanted to put my own little…
Spun around like a seer's needle
A philosopher so lost in his riddle
Tries to speak but no longer able
Drifting in the deepest dream
---
This one took me a while [years!] to complete - how did it come out?
Freesound samples used…
Comments on AMUC's stuff
Oh very cool intro! Great re-imagining of a Gumbo classic!
with the manipulated concertina/accordion and the harpsichord and synths, i was going to try and describe this, but i think you say it best in the about section.
i'm supposed to go practice guitar, but i can't stop listening to this album. it's captivating.
i love that patch you're using, it's sublime, you know, the gurgly one.
the way you juxtapose your half-sung/half-spoken vocals with such original music is uncanny and quite an accomplishment.
love that exotic lead rhythm, that could've kept going, and the beats...reminds me of my own stuff :)
AMUC, you're right on my wavelength: bizarre, original, intriguing, crazy out there...speak to me o strange one.
My favorite so far.
Very interesting. I like the alterations in the vocal as different "speakers". What's a "freesound credit?"
flange me baby, yeah. very original like it
wow cosmic man. very cool
Is this what is known as an eclectic album - well I like it :)
Dark, brooding. This is not a car I want to ride in.
Great intro. Love the metal percussion.
What an experience.. glad i had my headphones on for this one. Alot of it would have been lost on my crappy laptop speakers. Nothing obvious here... was literally surprised every couple of seconds. class.
hope you are enjoying the month of music writing. I am really digging your track on Myspace-Trapped Behind a Mask. cheers
This is ameeeeeeezin!
Wow- an awful lot going on with this one. Love it. Very ambitious
Yes, I'd say you have. GREAT track.
Bright! Expansive. This is wide and really nice! Great images. Nice vox. Effective simplicities and rhythms. Jazzyishness!
Comments made by AMUC
I like this one - it's catchy. Just pure lyrics being driven along by an acoustic accompaniment.
Creepy barotone. I like how it interacts with the stereo soundscape in the background.
You get good separation on the drums here, frequency-wise. Everything stands out individually, and I find with this sort of music, it's very easy for it all to blend together into a big mess. Who is that singing at the very end? It was kind of a surprise - I wasn't expecting it.
I'm really digging these tracks -- it's great background music when you're lounging around on the couch and trying to relax.
I'm digging the twists and turns this song is taking. The mix sounds really good.
Beautiful. This is the sort of thing I could fall asleep to. (It's a great soundtrack to dreams.)
I like the sudden tempo change between the verses and the chorus. It caught me off guard.
This is really nice - it's probably the most cohesive (non-improvised) item from this particular playlist.
Nice! Is this entirely electronic, or are you mixing in electronic elements with real instruments? (The guitars sound real to me.)
Nice -- this sounds fantastic through headphones. I like how the bass is clearly separated out from the higher instruments.
I'm really digging this -- the vocals play nicely with the subdued instrumentation. (Cool concept too.)
I am so jealous of the production. It's absolutely flawless. Good work. The vocals remind me a lot of Neil Morse formerly of Spock's Beard.
I like the unstructured nature of this -- while it doesn't really have any rhythm or beat to it, the drone would be nice for drifting off to sleep. (You might have peculiar dreams, though.)
This album is very nice -- I'm not sure I'd call it sleeping music, but I found it very relaxing to listen to while working at my computer.
This kicks butt -- I like how the different vocal layers interact with the stringed instrument (cello?) and the drum track.
From a mastering perspective, this is great - you can hear all the different instruments clearly. I'm impressed you were able to master it so well in a four week period.
Very strong vocals and a solid mix. I'm impressed.
I like this. It has a really creepy vibe to it.
I like this - it's a nice clean synthesizer sound and an elaborate melody. It definitely moves the neurons around in my head.
I re-recorded Proteus [I] to try and get the levels better. How does it sound now? Any feedback would be appreciated.