(Remastered 22/10/2021)
And here's another song from 1994, with a sparkling new "Andrew Russe Band" arrangement fresh from the broom-cupboard.
Like most of my songs, it was written with an acoustic guitar, a pen, and an A4 pad. The ones…
1994 offered just the kind of eye opener a nano second can unexpectedly bring you. You have a great soundtrack going for 1994. Please continue to indulge us.
(Remastered 22/10/2021)
And here's another song from 1994, with a sparkling new "Andrew Russe Band" arrangement fresh from the broom-cupboard.
Like most of my songs, it was written with an acoustic guitar, a pen, and an A4 pad. The ones…
Good to get a discussion going now, even if a bit round the houses!! Glad it wasn’t just me re the Floyd thing on this track, and now reading other comments from your thread, I can agree some Tull influence too...a rather excellent combination! I was late to the Floyd party, to be fair, being a total Genesis nut since forever, but then when I was invited to join a PF tribute in 2008 for a few years, grew to love their music totally.....
(Remastered 22/10/2021)
And here's another song from 1994, with a sparkling new "Andrew Russe Band" arrangement fresh from the broom-cupboard.
Like most of my songs, it was written with an acoustic guitar, a pen, and an A4 pad. The ones…
Hi there...this is the only was I can see to thank you for your regular positive comments for my orchestrations and Soundscapes!! But can I also now say that I love the feel of this track...may I say a bit reminiscent of Pink Floyd?....especially the lead solo..
(Remastered 22/10/2021)
And here's another song from 1994, with a sparkling new "Andrew Russe Band" arrangement fresh from the broom-cupboard.
Like most of my songs, it was written with an acoustic guitar, a pen, and an A4 pad. The ones…
That shoe box from 1994 must literally be vibrating with energy.... Like someone up in outer space could see it's energy field from a million miles away. This one is gut wrenchingly beautiful. Amazing emotion.
(Remastered 22/10/2021)
And here's another song from 1994, with a sparkling new "Andrew Russe Band" arrangement fresh from the broom-cupboard.
Like most of my songs, it was written with an acoustic guitar, a pen, and an A4 pad. The ones…
(Remastered 22/10/2021)
And here's another song from 1994, with a sparkling new "Andrew Russe Band" arrangement fresh from the broom-cupboard.
Like most of my songs, it was written with an acoustic guitar, a pen, and an A4 pad. The ones…
(Remastered 22/10/2021)
And here's another song from 1994, with a sparkling new "Andrew Russe Band" arrangement fresh from the broom-cupboard.
Like most of my songs, it was written with an acoustic guitar, a pen, and an A4 pad. The ones…
(Remastered 22/10/2021)
I was asked (told?) to upload something happy. Hmmm, I thought. This will end well...
So, a few days later, I was rehearsing a pleasant little thing I wrote several years ago that has a working title of "She Was…
(Remastered 22/10/2021)
And here's another song from 1994, with a sparkling new "Andrew Russe Band" arrangement fresh from the broom-cupboard.
Like most of my songs, it was written with an acoustic guitar, a pen, and an A4 pad. The ones…
(Remastered 22/10/2021)
And here's another song from 1994, with a sparkling new "Andrew Russe Band" arrangement fresh from the broom-cupboard.
Like most of my songs, it was written with an acoustic guitar, a pen, and an A4 pad. The ones…
(Remastered 22/10/2021)
And this is the last of the little threesome of In Your Hands, Little Thing, and this one, When I Try To Be Me.
It's in the key of 4th fret and was written just over a month later than the other two, on 19th March…
morning Andrew. Your secret Celtic self is peeking out here, I think you should be your self more often on this highland rank , cus I think its sweeeeeeet
(Remastered 22/10/2021)
And this is the last of the little threesome of In Your Hands, Little Thing, and this one, When I Try To Be Me.
It's in the key of 4th fret and was written just over a month later than the other two, on 19th March…
(Remastered 22/10/2021)
And this is the last of the little threesome of In Your Hands, Little Thing, and this one, When I Try To Be Me.
It's in the key of 4th fret and was written just over a month later than the other two, on 19th March…
(Remastered 22/10/2021)
And this is the last of the little threesome of In Your Hands, Little Thing, and this one, When I Try To Be Me.
It's in the key of 4th fret and was written just over a month later than the other two, on 19th March…
(Remastered 22/10/2021)
And this is the last of the little threesome of In Your Hands, Little Thing, and this one, When I Try To Be Me.
It's in the key of 4th fret and was written just over a month later than the other two, on 19th March…
(Remastered 22/10/2021)
Here's the very latest from the broom-cupboard.
I wrote it one dark night over 23 years ago.
****
**All I Have To Do - A A J Russe**
There isn’t much time to get this out
You won’t hear me if I have to…
Ok, grabbed me right away with that unexpected chord shift in the intro. I love your songwriting, man. The variety, the sonic palettes, the lyrics, the playing, the inventiveness, all of it really; it's such a pleasure to sit, listen, and lose myself in the song.
(Remastered 22/10/2021)
I was asked (told?) to upload something happy. Hmmm, I thought. This will end well...
So, a few days later, I was rehearsing a pleasant little thing I wrote several years ago that has a working title of "She Was…
(Remastered 22/10/2021)
And here we go - Edith FINALLY gets it...
Actually, she's been getting it ever since I wrote it on the 29th May. I thought it would take a week or so, but it proved to be more of a fight than I was expecting.
On…
Oh yeah...the slide just kicked in and the hair on the back of my neck stood up. Killer groove, the bass and drum lock up, along with the Rhodes...... Love the space in this mix too. Damn, Andrew, you are on fire. It's good to hear you making music again. Selfishly speaking, it's inspiring.
(Remastered 22/10/2021)
OK, let's delve once more into the magical shoebox of unused songs...
I've already recorded several that were written in 1994 (Sleeping with the Ghost, Elizabeth's Room, With Mum Again, If You Knew, A Hundred and…
Exhales...man. I'll just say this is really, really powerful. And tough to listen to since I think I know where this is from. On a production note, whatever mics you are alluding to where a good acquisition. I love how your acoustic has been sounding on these cuts this morning.
(Remastered 22/10/2021)
Now here's a bit of an oldie - the second song I ever wrote. In... 1978!
I think I played it once, or maybe twice, at school assemblies. My musical peers and colleagues back then dismissed it as corny/rancid pop music…
I'm listening to your tracks while I'm emailing in another window. Loving it all.
This one made me come and have a look - I'm so glad it's called Home. I very much like the concept of "home", always have, always will.
This is an ode for a good friend of mine that had took his own life at the end of last year. I was in the midst of writing some other songs and it stopped me in my tracks. I just wrote basically how I felt about this tragic ending to a very special…
This one's really growing on me.
And I didn't notice the story behind it when I was first listening (although I suspected something along those lines from the song itself).
A sad tale, but a gorgeous song.
Forgot I had this one, till it popped up on my Ipod on the way to work this week. I thought,'I know that song !!??!!' Can't help it, it comes with age !!!!
The "Ahhhhhs" (Sleeping with the Ghost)- it's just patience, close mic-ing and using your "head voice" (try and sing as much like a girl as you can lol). And then for "harder" sounds, "wail" at it.
Lots of voices with uniform performances produce "smooth" and "rich"; less and varied performances (as in not the same everytime) produce sharper sounds. Mix the two up as necessary in layers.
Also think about recording the "breath" in the notes as well.
You're actually getting VERY close to it with the vox on here - think about using different tones of voice and it will all become clear :)
Also there's a bunch of EQing tricks - a cut at 3K (Q 1.0) on the bvox will increase the breathy, soft sound (and keep them out of the way of the lead).
THIS IS THE OLD YEURGH MIX - THERE IS ANOTHER ONE HIGHER UP THE LIST NOW, FULLY LOVED BY AR. THIS ONE IS LEFT HERE AS A MONUMENT TO SOMETHING OR OTHER (AND IN CASE YOU PREFER IT)
Acoustic ghost story. Recorded 2010.
Easter 2010 I decided…
Cheers folks :)
This one is (out of what I've managed to record so far) actually my favourite AR song.
I am hopefully about to post, hopefully today, a remix of it - the mess-up on the EQ has always p1ssed me off so much. For me this version isn't anything like it should have been. What I've got sat upstairs on the desk waiting for me, same performances, is a lot closer...
But, that's just me, so I'm gonna leave this one here in case anyone prefers this approach (and I've got various links pointing at it that I can't be bothered to find and sort out!! lol)
With my buddy Tod's killer drum track! Miss all you guys, I can't keep up...
Created on the Boss Micro BR.
I'm a faker, a shaker
A melody maker
At the bottom of my bowl
Is an oatmeal quaker
A grampy, a bampy
Make a killer shrimp scampi
Got…
Now, you see what you miss when someone isn't "followed"? lol
This is fab too.
Actually, I don't think I've listened to anything of yours since mebbe a year or so back on songcrafters. Well, I'll be back later and check it all out.
Actually, same here - hadn't clicked that button Follow button on yours either - fixed now!
Might as well listen to this again while I'm doing it lol
That chorus is brilliant. The backing vox, and then those descending chords at the end of it.
Back for another slice... and this is even better than I thought... but I've already clicked fave... typical
Tie the woman to the chair, stick the headphones on her and make her listen (that's what I do lol)
This is an ode for a good friend of mine that had took his own life at the end of last year. I was in the midst of writing some other songs and it stopped me in my tracks. I just wrote basically how I felt about this tragic ending to a very special…
This was the first in this set of 3 songs I am posting. I was gaining alot of inspiration from the likes, of Justin Currie and Jackson Browne at the time.
Recorded using Reaper DAW & Jamstix virtual drummer software.
... But this one's just amazing.
You've got more like this up your sleeve - mebbe not written yet - but I'm pretty sure you've got them just waiting to come out.
While I was writing 'Afterall' I was also putting this song together. This is about a ghost who is haunted by his own past and what mistakes he had made in his former life.
Recorded using Reaper DAW & Jamstix virtual drummer software.
Woo, listening to them again, and this one's a grower.
It was late when I was first listening, and this one is stuck between two special ones, and it didn't force it's attention so much.
But it's a cutie on it's own.
How many nights am I just about to hit the sheets for the night and then a riff appears. I'll just rough record it but it always turns into a late night.
This was the first in this set of 3 songs I am posting. I was gaining alot of inspiration from the likes, of Justin Currie and Jackson Browne at the time.
Recorded using Reaper DAW & Jamstix virtual drummer software.
I love all three. But this is the one that does it most for me.
I love the swing of it, those "icing" guitars, and the song... woo
Excellent work, sir. More!
This is an ode for a good friend of mine that had took his own life at the end of last year. I was in the midst of writing some other songs and it stopped me in my tracks. I just wrote basically how I felt about this tragic ending to a very special…
While I was writing 'Afterall' I was also putting this song together. This is about a ghost who is haunted by his own past and what mistakes he had made in his former life.
Recorded using Reaper DAW & Jamstix virtual drummer software.
Comments on Andrew Russe's stuff
1994 offered just the kind of eye opener a nano second can unexpectedly bring you. You have a great soundtrack going for 1994. Please continue to indulge us.
Good to get a discussion going now, even if a bit round the houses!! Glad it wasn’t just me re the Floyd thing on this track, and now reading other comments from your thread, I can agree some Tull influence too...a rather excellent combination! I was late to the Floyd party, to be fair, being a total Genesis nut since forever, but then when I was invited to join a PF tribute in 2008 for a few years, grew to love their music totally.....
Hi there...this is the only was I can see to thank you for your regular positive comments for my orchestrations and Soundscapes!! But can I also now say that I love the feel of this track...may I say a bit reminiscent of Pink Floyd?....especially the lead solo..
That shoe box from 1994 must literally be vibrating with energy.... Like someone up in outer space could see it's energy field from a million miles away. This one is gut wrenchingly beautiful. Amazing emotion.
Oh so descending front ending then ascend to a massive middle eight . Great forward motion . Cutting slicing lyrics. Does it for me Jethro
Absolutely top-drawer in terms of composition, performance and sonically 👏
Different and beautiful. I like the build and drop, high/low contrast in the song.
Just had my daily listen to this song ...love everything about it 😎
Love the slow pace of this piece, gives it a bit of a solemn vibe Very well written and performed Good one, Andrew! KC
Haunting ... and beautifully arranged. Definitely well described as “glass completely bluddy empty” though
morning Andrew. Your secret Celtic self is peeking out here, I think you should be your self more often on this highland rank , cus I think its sweeeeeeet
Love the guitar on this :) They've certainly stood the test of time! x
Love that unexpected chord change in the middle eight - Great work!
I love that wooden acoustic sound. Nice little hook in there. It’s another winner Andrew.
This group of songs is just amazing. To think about you writing them in '94... amazing. Your guitar is just gorgeous on this one. Awesome all around.
Ok, grabbed me right away with that unexpected chord shift in the intro. I love your songwriting, man. The variety, the sonic palettes, the lyrics, the playing, the inventiveness, all of it really; it's such a pleasure to sit, listen, and lose myself in the song.
This is great, simply great. I love how you are able to sing this so well, even with your tongue firmly planted in your cheek.
Oh yeah...the slide just kicked in and the hair on the back of my neck stood up. Killer groove, the bass and drum lock up, along with the Rhodes...... Love the space in this mix too. Damn, Andrew, you are on fire. It's good to hear you making music again. Selfishly speaking, it's inspiring.
Exhales...man. I'll just say this is really, really powerful. And tough to listen to since I think I know where this is from. On a production note, whatever mics you are alluding to where a good acquisition. I love how your acoustic has been sounding on these cuts this morning.
Oh, and the ending...love the fade out flourish.
Comments made by Andrew Russe
I'm listening to your tracks while I'm emailing in another window. Loving it all. This one made me come and have a look - I'm so glad it's called Home. I very much like the concept of "home", always have, always will.
Oh this is wonderful. It's woken me up (7am) and relaxed me at the same time.
This one's really growing on me. And I didn't notice the story behind it when I was first listening (although I suspected something along those lines from the song itself). A sad tale, but a gorgeous song.
Wonderful listening. I've got a piano, but it don't work like that one does. That was superb.
Yeah, this one rolls along real nice.
The "Ahhhhhs" (Sleeping with the Ghost)- it's just patience, close mic-ing and using your "head voice" (try and sing as much like a girl as you can lol). And then for "harder" sounds, "wail" at it. Lots of voices with uniform performances produce "smooth" and "rich"; less and varied performances (as in not the same everytime) produce sharper sounds. Mix the two up as necessary in layers. Also think about recording the "breath" in the notes as well. You're actually getting VERY close to it with the vox on here - think about using different tones of voice and it will all become clear :) Also there's a bunch of EQing tricks - a cut at 3K (Q 1.0) on the bvox will increase the breathy, soft sound (and keep them out of the way of the lead).
Oh I'll listen to it again here... Awwwwwww... Complete class.
Listening to it on songcrafters right now - this is BRILLIANT. Love it to pieces. Utterly brilliant.
Cheers folks :) This one is (out of what I've managed to record so far) actually my favourite AR song. I am hopefully about to post, hopefully today, a remix of it - the mess-up on the EQ has always p1ssed me off so much. For me this version isn't anything like it should have been. What I've got sat upstairs on the desk waiting for me, same performances, is a lot closer... But, that's just me, so I'm gonna leave this one here in case anyone prefers this approach (and I've got various links pointing at it that I can't be bothered to find and sort out!! lol)
Now, you see what you miss when someone isn't "followed"? lol This is fab too. Actually, I don't think I've listened to anything of yours since mebbe a year or so back on songcrafters. Well, I'll be back later and check it all out.
Actually, same here - hadn't clicked that button Follow button on yours either - fixed now! Might as well listen to this again while I'm doing it lol That chorus is brilliant. The backing vox, and then those descending chords at the end of it.
Back for another slice... and this is even better than I thought... but I've already clicked fave... typical Tie the woman to the chair, stick the headphones on her and make her listen (that's what I do lol)
Sigh... :)
Really tasty guitar addition to an already fab song. Nice one guys :)
... But this one's just amazing. You've got more like this up your sleeve - mebbe not written yet - but I'm pretty sure you've got them just waiting to come out.
Woo, listening to them again, and this one's a grower. It was late when I was first listening, and this one is stuck between two special ones, and it didn't force it's attention so much. But it's a cutie on it's own.
Oh yes. This sums up late nights perfectly for me.
I love all three. But this is the one that does it most for me. I love the swing of it, those "icing" guitars, and the song... woo Excellent work, sir. More!
Loving these vocals. I'm listening on crappy pc speakers, but big sound, and I love how those vocals sit on top of it.
Yep, another goodie.