(Remastered 22/10/2021)
And here's another song from 1994, with a sparkling new "Andrew Russe Band" arrangement fresh from the broom-cupboard.
Like most of my songs, it was written with an acoustic guitar, a pen, and an A4 pad. The ones…
Good to get a discussion going now, even if a bit round the houses!! Glad it wasn’t just me re the Floyd thing on this track, and now reading other comments from your thread, I can agree some Tull influence too...a rather excellent combination! I was late to the Floyd party, to be fair, being a total Genesis nut since forever, but then when I was invited to join a PF tribute in 2008 for a few years, grew to love their music totally.....
(Remastered 22/10/2021)
And here's another song from 1994, with a sparkling new "Andrew Russe Band" arrangement fresh from the broom-cupboard.
Like most of my songs, it was written with an acoustic guitar, a pen, and an A4 pad. The ones…
Hi there...this is the only was I can see to thank you for your regular positive comments for my orchestrations and Soundscapes!! But can I also now say that I love the feel of this track...may I say a bit reminiscent of Pink Floyd?....especially the lead solo..
(Remastered 22/10/2021)
And here's another song from 1994, with a sparkling new "Andrew Russe Band" arrangement fresh from the broom-cupboard.
Like most of my songs, it was written with an acoustic guitar, a pen, and an A4 pad. The ones…
That shoe box from 1994 must literally be vibrating with energy.... Like someone up in outer space could see it's energy field from a million miles away. This one is gut wrenchingly beautiful. Amazing emotion.
(Remastered 22/10/2021)
And here's another song from 1994, with a sparkling new "Andrew Russe Band" arrangement fresh from the broom-cupboard.
Like most of my songs, it was written with an acoustic guitar, a pen, and an A4 pad. The ones…
(Remastered 22/10/2021)
And here's another song from 1994, with a sparkling new "Andrew Russe Band" arrangement fresh from the broom-cupboard.
Like most of my songs, it was written with an acoustic guitar, a pen, and an A4 pad. The ones…
(Remastered 22/10/2021)
And here's another song from 1994, with a sparkling new "Andrew Russe Band" arrangement fresh from the broom-cupboard.
Like most of my songs, it was written with an acoustic guitar, a pen, and an A4 pad. The ones…
(Remastered 22/10/2021)
I was asked (told?) to upload something happy. Hmmm, I thought. This will end well...
So, a few days later, I was rehearsing a pleasant little thing I wrote several years ago that has a working title of "She Was…
(Remastered 22/10/2021)
And here's another song from 1994, with a sparkling new "Andrew Russe Band" arrangement fresh from the broom-cupboard.
Like most of my songs, it was written with an acoustic guitar, a pen, and an A4 pad. The ones…
(Remastered 22/10/2021)
And here's another song from 1994, with a sparkling new "Andrew Russe Band" arrangement fresh from the broom-cupboard.
Like most of my songs, it was written with an acoustic guitar, a pen, and an A4 pad. The ones…
(Remastered 22/10/2021)
And this is the last of the little threesome of In Your Hands, Little Thing, and this one, When I Try To Be Me.
It's in the key of 4th fret and was written just over a month later than the other two, on 19th March…
morning Andrew. Your secret Celtic self is peeking out here, I think you should be your self more often on this highland rank , cus I think its sweeeeeeet
(Remastered 22/10/2021)
And this is the last of the little threesome of In Your Hands, Little Thing, and this one, When I Try To Be Me.
It's in the key of 4th fret and was written just over a month later than the other two, on 19th March…
(Remastered 22/10/2021)
And this is the last of the little threesome of In Your Hands, Little Thing, and this one, When I Try To Be Me.
It's in the key of 4th fret and was written just over a month later than the other two, on 19th March…
(Remastered 22/10/2021)
And this is the last of the little threesome of In Your Hands, Little Thing, and this one, When I Try To Be Me.
It's in the key of 4th fret and was written just over a month later than the other two, on 19th March…
(Remastered 22/10/2021)
And this is the last of the little threesome of In Your Hands, Little Thing, and this one, When I Try To Be Me.
It's in the key of 4th fret and was written just over a month later than the other two, on 19th March…
(Remastered 22/10/2021)
Here's the very latest from the broom-cupboard.
I wrote it one dark night over 23 years ago.
****
**All I Have To Do - A A J Russe**
There isn’t much time to get this out
You won’t hear me if I have to…
Ok, grabbed me right away with that unexpected chord shift in the intro. I love your songwriting, man. The variety, the sonic palettes, the lyrics, the playing, the inventiveness, all of it really; it's such a pleasure to sit, listen, and lose myself in the song.
(Remastered 22/10/2021)
I was asked (told?) to upload something happy. Hmmm, I thought. This will end well...
So, a few days later, I was rehearsing a pleasant little thing I wrote several years ago that has a working title of "She Was…
(Remastered 22/10/2021)
And here we go - Edith FINALLY gets it...
Actually, she's been getting it ever since I wrote it on the 29th May. I thought it would take a week or so, but it proved to be more of a fight than I was expecting.
On…
Oh yeah...the slide just kicked in and the hair on the back of my neck stood up. Killer groove, the bass and drum lock up, along with the Rhodes...... Love the space in this mix too. Damn, Andrew, you are on fire. It's good to hear you making music again. Selfishly speaking, it's inspiring.
(Remastered 22/10/2021)
OK, let's delve once more into the magical shoebox of unused songs...
I've already recorded several that were written in 1994 (Sleeping with the Ghost, Elizabeth's Room, With Mum Again, If You Knew, A Hundred and…
Exhales...man. I'll just say this is really, really powerful. And tough to listen to since I think I know where this is from. On a production note, whatever mics you are alluding to where a good acquisition. I love how your acoustic has been sounding on these cuts this morning.
(Remastered 22/10/2021)
Now here's a bit of an oldie - the second song I ever wrote. In... 1978!
I think I played it once, or maybe twice, at school assemblies. My musical peers and colleagues back then dismissed it as corny/rancid pop music…
(Remastered 22/10/2021)
Now here's a bit of an oldie - the second song I ever wrote. In... 1978!
I think I played it once, or maybe twice, at school assemblies. My musical peers and colleagues back then dismissed it as corny/rancid pop music…
Oh! The backing vox! I can hear the 1978 in it, and I like it, a lot. I love the "I didn't think..." sections leading into the chorus. Whatever you're doing for chords and build...perfect. The chord changes in general, the twists, shifts...You need to write more in this vein...
Wooden Sam
Mike Basil: Lead Vocal
Gary Miller: Rhythm Guitar
Mick Lovering: Lead Guitar
Andy Gupta: Bass
Todd Vierra: Drums
John Scunziano: Lyrics
Composed by Steffen Offermann & Mike Basil
Mixed & Mastered by Steffen Offermann…
IMO John sounds like David Essex. :)
Music: Steffen Offermann & John Green
Lyrics: John Green
Vocals, Lead Guitar: John Green
Rhythm Guitar: Henry Mittnacht
Mix & Master: Steffen Offermann
This one is loosely based on the Frog and the Princess. What if the Frog was really a man but with a less than perfect face? If beauty is only skin deep, why is ugly to the bone? Can't someone less attractive be beautiful inside?
Enjoy.
ER
I've been listening to a good bunch of yours this evening, most of the King Arthur's Knight set and selections from everywhere else. I was too busy listening to type any comments!
I love how you seem to be able to take anything and everything and turn it into a song. I've kind of learnt something here, not sure what it is yet, but many thanks!
This is really effective. Not a style I listen to much, but after checking out your other tracks I had to come back for another listen to this one. Kinda sneaks up on you.
Lyrics:
You think you know what you’re talking about
You get your way when you scream and shout
Look all around, you’ll find someone to blame
I’m just a pawn in your little game
I thought you were special, that was my mistake
You thought…
I haven't listened to one of yours yet that I haven't liked.
We get the spirit of Lemmy, Lee Brilleaux, a "fired up" Clapton, and countless others... good old honest rocking and swinging stuff.
Glad I discovered you this morning - excellent stuff, keep it up sir!
Loving the strat and harp on this one.
Oh yeah, the spirit of whatever it is that gave us Motorhead, Dr Feelgood, and all that superb British RnB back in the 70s is alive and kicking in Nottinghamshire...
Loving this stuff.
Love it. I was about to make a comment about I can a certain amount of Kilmister/Clarke here, then I noticed I have a version of City Kids coming up in a few minutes
If it all has this vibe, I think I'm gonna like your stuff :-)
Love the lead bass-playing.
For everybody who wanted to hear my voice!
I love rainbows. I originally uploaded this as a dedication to my Dad :)
Recorded with a £4.99 Asda SmartPrice headphone/ mic, using just the metronome you can hear ticking away there. I then…
Yeah, write some lyrics!
It needs doing :-)
Even without vocal this yummy. And some VERY tasteful guitaring going on - makes me want to get one of my telecasters out and dust it off.
And then the sudden change of style at the end? That was a real surprise, but it seems to fit - it needs them lyrics.
Oh this is just a brilliant version. I played it because I thought, well... I had my doubts! (I'm kinda fond of the original).
But this is superb - there's a whole load of sunshine in your voice.
It's fun to buy a new toy once in a while. This is the first attempt at using my new Line 6 POD Guitar Effects.
Lyrics:
Here you come, my sweet baby
Don’t know why you drive me crazy
I’m crazy, in love with you
And it’s been a long long…
the girl with her piano
this land she's in
clothed in unfamiliarity
these colors blend, fade
and run out of hue
all light has changed
and turned into greyscale
tinted with every shade of blue
this room she's in
suddenly fills with…
My composition Ediacaran Garden for classical guitar has been selected for performance by Kenji Haba in New York City June 26 2011 as part of the Fifteen Minutes of Fame with Kenji Haba Vox Novus series. A requirement was that the piece not…
Comments on Andrew Russe's stuff
Good to get a discussion going now, even if a bit round the houses!! Glad it wasn’t just me re the Floyd thing on this track, and now reading other comments from your thread, I can agree some Tull influence too...a rather excellent combination! I was late to the Floyd party, to be fair, being a total Genesis nut since forever, but then when I was invited to join a PF tribute in 2008 for a few years, grew to love their music totally.....
Hi there...this is the only was I can see to thank you for your regular positive comments for my orchestrations and Soundscapes!! But can I also now say that I love the feel of this track...may I say a bit reminiscent of Pink Floyd?....especially the lead solo..
That shoe box from 1994 must literally be vibrating with energy.... Like someone up in outer space could see it's energy field from a million miles away. This one is gut wrenchingly beautiful. Amazing emotion.
Oh so descending front ending then ascend to a massive middle eight . Great forward motion . Cutting slicing lyrics. Does it for me Jethro
Absolutely top-drawer in terms of composition, performance and sonically 👏
Different and beautiful. I like the build and drop, high/low contrast in the song.
Just had my daily listen to this song ...love everything about it 😎
Love the slow pace of this piece, gives it a bit of a solemn vibe Very well written and performed Good one, Andrew! KC
Haunting ... and beautifully arranged. Definitely well described as “glass completely bluddy empty” though
morning Andrew. Your secret Celtic self is peeking out here, I think you should be your self more often on this highland rank , cus I think its sweeeeeeet
Love the guitar on this :) They've certainly stood the test of time! x
Love that unexpected chord change in the middle eight - Great work!
I love that wooden acoustic sound. Nice little hook in there. It’s another winner Andrew.
This group of songs is just amazing. To think about you writing them in '94... amazing. Your guitar is just gorgeous on this one. Awesome all around.
Ok, grabbed me right away with that unexpected chord shift in the intro. I love your songwriting, man. The variety, the sonic palettes, the lyrics, the playing, the inventiveness, all of it really; it's such a pleasure to sit, listen, and lose myself in the song.
This is great, simply great. I love how you are able to sing this so well, even with your tongue firmly planted in your cheek.
Oh yeah...the slide just kicked in and the hair on the back of my neck stood up. Killer groove, the bass and drum lock up, along with the Rhodes...... Love the space in this mix too. Damn, Andrew, you are on fire. It's good to hear you making music again. Selfishly speaking, it's inspiring.
Exhales...man. I'll just say this is really, really powerful. And tough to listen to since I think I know where this is from. On a production note, whatever mics you are alluding to where a good acquisition. I love how your acoustic has been sounding on these cuts this morning.
Oh, and the ending...love the fade out flourish.
Oh! The backing vox! I can hear the 1978 in it, and I like it, a lot. I love the "I didn't think..." sections leading into the chorus. Whatever you're doing for chords and build...perfect. The chord changes in general, the twists, shifts...You need to write more in this vein...
Comments made by Andrew Russe
I'd like to hear your voice more prominently as well, but it does work well like this (I just like vocals!) Lovely feel to it, big smile music.
Ooo yeah, like this one. A lovely "tight but loose" feel.
Not convinced he sounds like David Essex - ok, a bit maybe - but he's got a fabulous voice. And his guitar playing's rather tasteful too. Nice one.
I've been listening to a good bunch of yours this evening, most of the King Arthur's Knight set and selections from everywhere else. I was too busy listening to type any comments! I love how you seem to be able to take anything and everything and turn it into a song. I've kind of learnt something here, not sure what it is yet, but many thanks!
And before I knew it I was listening to this one a second time as well! I like what you're doing. You guys have opened my ears up a bit this evening.
This is really effective. Not a style I listen to much, but after checking out your other tracks I had to come back for another listen to this one. Kinda sneaks up on you.
And this is gorgeous.
Just following my nose, and I found this... Wonderful
Mighty piece of work. An excellent timeless kind of song, wonderfully captured.
I haven't listened to one of yours yet that I haven't liked. We get the spirit of Lemmy, Lee Brilleaux, a "fired up" Clapton, and countless others... good old honest rocking and swinging stuff. Glad I discovered you this morning - excellent stuff, keep it up sir! Loving the strat and harp on this one.
Classic. A cover of a song written for a spoof, that goes to show what a good RnB song it actually is. Love it. Excellent harp playing.
Brilliant version, just brilliant.
Oh yeah, the spirit of whatever it is that gave us Motorhead, Dr Feelgood, and all that superb British RnB back in the 70s is alive and kicking in Nottinghamshire... Loving this stuff.
Love it. I was about to make a comment about I can a certain amount of Kilmister/Clarke here, then I noticed I have a version of City Kids coming up in a few minutes If it all has this vibe, I think I'm gonna like your stuff :-) Love the lead bass-playing.
Oh yes...
Yeah, write some lyrics! It needs doing :-) Even without vocal this yummy. And some VERY tasteful guitaring going on - makes me want to get one of my telecasters out and dust it off. And then the sudden change of style at the end? That was a real surprise, but it seems to fit - it needs them lyrics.
Oh this is just a brilliant version. I played it because I thought, well... I had my doubts! (I'm kinda fond of the original). But this is superb - there's a whole load of sunshine in your voice.
Love this.
This is fabulous, extremely inspiring, I'm reaching for my guitar now... Thanks for this one.
Fantastic playing there. Congratulations. Pity it's only a minute long though lol