(Remastered 22/10/2021)
And here's another song from 1994, with a sparkling new "Andrew Russe Band" arrangement fresh from the broom-cupboard.
Like most of my songs, it was written with an acoustic guitar, a pen, and an A4 pad. The ones…
1994 offered just the kind of eye opener a nano second can unexpectedly bring you. You have a great soundtrack going for 1994. Please continue to indulge us.
(Remastered 22/10/2021)
And here's another song from 1994, with a sparkling new "Andrew Russe Band" arrangement fresh from the broom-cupboard.
Like most of my songs, it was written with an acoustic guitar, a pen, and an A4 pad. The ones…
Good to get a discussion going now, even if a bit round the houses!! Glad it wasn’t just me re the Floyd thing on this track, and now reading other comments from your thread, I can agree some Tull influence too...a rather excellent combination! I was late to the Floyd party, to be fair, being a total Genesis nut since forever, but then when I was invited to join a PF tribute in 2008 for a few years, grew to love their music totally.....
(Remastered 22/10/2021)
And here's another song from 1994, with a sparkling new "Andrew Russe Band" arrangement fresh from the broom-cupboard.
Like most of my songs, it was written with an acoustic guitar, a pen, and an A4 pad. The ones…
Hi there...this is the only was I can see to thank you for your regular positive comments for my orchestrations and Soundscapes!! But can I also now say that I love the feel of this track...may I say a bit reminiscent of Pink Floyd?....especially the lead solo..
(Remastered 22/10/2021)
And here's another song from 1994, with a sparkling new "Andrew Russe Band" arrangement fresh from the broom-cupboard.
Like most of my songs, it was written with an acoustic guitar, a pen, and an A4 pad. The ones…
That shoe box from 1994 must literally be vibrating with energy.... Like someone up in outer space could see it's energy field from a million miles away. This one is gut wrenchingly beautiful. Amazing emotion.
(Remastered 22/10/2021)
And here's another song from 1994, with a sparkling new "Andrew Russe Band" arrangement fresh from the broom-cupboard.
Like most of my songs, it was written with an acoustic guitar, a pen, and an A4 pad. The ones…
(Remastered 22/10/2021)
And here's another song from 1994, with a sparkling new "Andrew Russe Band" arrangement fresh from the broom-cupboard.
Like most of my songs, it was written with an acoustic guitar, a pen, and an A4 pad. The ones…
(Remastered 22/10/2021)
And here's another song from 1994, with a sparkling new "Andrew Russe Band" arrangement fresh from the broom-cupboard.
Like most of my songs, it was written with an acoustic guitar, a pen, and an A4 pad. The ones…
(Remastered 22/10/2021)
I was asked (told?) to upload something happy. Hmmm, I thought. This will end well...
So, a few days later, I was rehearsing a pleasant little thing I wrote several years ago that has a working title of "She Was…
(Remastered 22/10/2021)
And here's another song from 1994, with a sparkling new "Andrew Russe Band" arrangement fresh from the broom-cupboard.
Like most of my songs, it was written with an acoustic guitar, a pen, and an A4 pad. The ones…
(Remastered 22/10/2021)
And here's another song from 1994, with a sparkling new "Andrew Russe Band" arrangement fresh from the broom-cupboard.
Like most of my songs, it was written with an acoustic guitar, a pen, and an A4 pad. The ones…
(Remastered 22/10/2021)
And this is the last of the little threesome of In Your Hands, Little Thing, and this one, When I Try To Be Me.
It's in the key of 4th fret and was written just over a month later than the other two, on 19th March…
morning Andrew. Your secret Celtic self is peeking out here, I think you should be your self more often on this highland rank , cus I think its sweeeeeeet
(Remastered 22/10/2021)
And this is the last of the little threesome of In Your Hands, Little Thing, and this one, When I Try To Be Me.
It's in the key of 4th fret and was written just over a month later than the other two, on 19th March…
(Remastered 22/10/2021)
And this is the last of the little threesome of In Your Hands, Little Thing, and this one, When I Try To Be Me.
It's in the key of 4th fret and was written just over a month later than the other two, on 19th March…
(Remastered 22/10/2021)
And this is the last of the little threesome of In Your Hands, Little Thing, and this one, When I Try To Be Me.
It's in the key of 4th fret and was written just over a month later than the other two, on 19th March…
(Remastered 22/10/2021)
And this is the last of the little threesome of In Your Hands, Little Thing, and this one, When I Try To Be Me.
It's in the key of 4th fret and was written just over a month later than the other two, on 19th March…
(Remastered 22/10/2021)
Here's the very latest from the broom-cupboard.
I wrote it one dark night over 23 years ago.
****
**All I Have To Do - A A J Russe**
There isn’t much time to get this out
You won’t hear me if I have to…
Ok, grabbed me right away with that unexpected chord shift in the intro. I love your songwriting, man. The variety, the sonic palettes, the lyrics, the playing, the inventiveness, all of it really; it's such a pleasure to sit, listen, and lose myself in the song.
(Remastered 22/10/2021)
I was asked (told?) to upload something happy. Hmmm, I thought. This will end well...
So, a few days later, I was rehearsing a pleasant little thing I wrote several years ago that has a working title of "She Was…
(Remastered 22/10/2021)
And here we go - Edith FINALLY gets it...
Actually, she's been getting it ever since I wrote it on the 29th May. I thought it would take a week or so, but it proved to be more of a fight than I was expecting.
On…
Oh yeah...the slide just kicked in and the hair on the back of my neck stood up. Killer groove, the bass and drum lock up, along with the Rhodes...... Love the space in this mix too. Damn, Andrew, you are on fire. It's good to hear you making music again. Selfishly speaking, it's inspiring.
(Remastered 22/10/2021)
OK, let's delve once more into the magical shoebox of unused songs...
I've already recorded several that were written in 1994 (Sleeping with the Ghost, Elizabeth's Room, With Mum Again, If You Knew, A Hundred and…
Exhales...man. I'll just say this is really, really powerful. And tough to listen to since I think I know where this is from. On a production note, whatever mics you are alluding to where a good acquisition. I love how your acoustic has been sounding on these cuts this morning.
(Remastered 22/10/2021)
Now here's a bit of an oldie - the second song I ever wrote. In... 1978!
I think I played it once, or maybe twice, at school assemblies. My musical peers and colleagues back then dismissed it as corny/rancid pop music…
Vocals: Tricia Dovidio
Lyrics: Bob Beckley
Composed, arranged & mixed by Steffen Offermann
This one was tricky to do because the piano does not play at a fixed tempo, and it was an online collaboration (like all my collaborations).
Oh yeah... love this. I quite like songs that don't have a fixed tempo - sounds more natural to me... but they're a pain to overdub to though!!
I'm with Mr Landry - where do you find all these vocalists?!! I particularly like this one.
A pop/rock tune in the veins of the 80s. At least that was the goal.
UPDATE: This is the Jan 2017 version!
Lyrics: Casia
Vocals: Jessica Rasche
Solo Guitar: Bobby Clohessy
Bass: Jean Lui Toudou
Drums: Jay Carros
Composed, arranged…
I'm getting a much better idea of "stoman" listening to tracks one after the other on here.
You have no fear of genres/whatever - write the song, get the right dudes on... job done :-)
Another classy one.
Vocals: Sabrina Doughty
Lyrics: Grant D. McLeman
Composed, arranged & mixed by Steffen Offermann
This is the 2012 remix.
This song was based on a free-form lyric by Grant D. McLeman from Scotland. Quite a challenge ... :)
Lyrics & Lead Vocals: Angela Baird
Background Vocals: TSV
Bass: Matt Lewin
Drums: Gerald Langenfeld
Composed, arranged & mixed by Steffen Offermann
This song is a problem ... the vocal track was never meant for production (although…
Vocals: James Ryce
Lyrics: Paul Dempsey
Bass & Drums: Neal Vanderhoof
Guitar: Andrew Doherty
Composed, arranged & mixed by Steffen Offermann
James is actually a country singer. This was the first time for him to sing a jazzy piano…
He did a fine job (vocal).
I like the relaxed vibe of the track. It's one of those songs that needs a decent performance to bring it out - I think you guys achieved it. Love that organ when it comes in.
Well, this one pushes my buttons...
"When the red dawn sings it's sad song and warns us what's to come..." - brilliant.
Lovely voice and a compelling performance.
This was written as part of a concept album inspired by the work of Pablo Picasso ,Trevor Lewis is a member of Songcrafters music forum , he came up with the idea of writing poems to 12 Picasso paintings , then put them out for people to put music…
Didn't realise you were on here!
I'm not sure whether I've heard this before elsewhere, but who cares, I love it... makes me think we might have been listening to the same band some years ago :-)
February
t boudreau
I'm stuck inside of February
With little chance of escape
And all you bar-stool visionaries
giving me advice that you'd never take
Wanna seat on a slow boat heading
South down a stream that seems to never end
Or…
Make Up Your Mind
T Boudreau
I've been lying here all alone waiting for you to pick up the phone oh yea
I've been dying here all along praying for you to come and save my soul oh yea
Where you gonna run when the well gets dry
Or are you…
Originally conceived as a mellow-ish, Stephen Stills sounding number (at least the verses), then the chorus came to me out of nowhere and turned the whole song on it's ear. I think that was for the better. I have to admit that I surprised myself…
Monster stuff.
It rocks, it's melodic, big in-the-face scrunchy guitar, love those vocals. And the bass at 3.10 or so!
Then the build up to 4.35 and the guitar and last chorus... Those top harmonies at the end.
Big grin on the face time...
A masterpiece.
Figure Out- There are about 4-5 takes of this song, all different. The song started off in the key of D, but I couldn’t hit the notes in the chorus. I then tried it in A, but it was lacking drive and energy. I tried it in G, but I couldn’t get…
Matter Of Fate- This song started as a riff I was doing while tuning my guitar. It sounded cool, so I happened to record it on a small dictation recorder I have so I wouldn’t forget it. When I listened to the riff it just screamed Sticky Fingers…
Reg has decided to write this song about an English serial killer known as the Crossbow killer to make those young trusting women well aware that some men are not always what they seem ................. as in the case of Stephen Griffiths who…
Comments on Andrew Russe's stuff
1994 offered just the kind of eye opener a nano second can unexpectedly bring you. You have a great soundtrack going for 1994. Please continue to indulge us.
Good to get a discussion going now, even if a bit round the houses!! Glad it wasn’t just me re the Floyd thing on this track, and now reading other comments from your thread, I can agree some Tull influence too...a rather excellent combination! I was late to the Floyd party, to be fair, being a total Genesis nut since forever, but then when I was invited to join a PF tribute in 2008 for a few years, grew to love their music totally.....
Hi there...this is the only was I can see to thank you for your regular positive comments for my orchestrations and Soundscapes!! But can I also now say that I love the feel of this track...may I say a bit reminiscent of Pink Floyd?....especially the lead solo..
That shoe box from 1994 must literally be vibrating with energy.... Like someone up in outer space could see it's energy field from a million miles away. This one is gut wrenchingly beautiful. Amazing emotion.
Oh so descending front ending then ascend to a massive middle eight . Great forward motion . Cutting slicing lyrics. Does it for me Jethro
Absolutely top-drawer in terms of composition, performance and sonically 👏
Different and beautiful. I like the build and drop, high/low contrast in the song.
Just had my daily listen to this song ...love everything about it 😎
Love the slow pace of this piece, gives it a bit of a solemn vibe Very well written and performed Good one, Andrew! KC
Haunting ... and beautifully arranged. Definitely well described as “glass completely bluddy empty” though
morning Andrew. Your secret Celtic self is peeking out here, I think you should be your self more often on this highland rank , cus I think its sweeeeeeet
Love the guitar on this :) They've certainly stood the test of time! x
Love that unexpected chord change in the middle eight - Great work!
I love that wooden acoustic sound. Nice little hook in there. It’s another winner Andrew.
This group of songs is just amazing. To think about you writing them in '94... amazing. Your guitar is just gorgeous on this one. Awesome all around.
Ok, grabbed me right away with that unexpected chord shift in the intro. I love your songwriting, man. The variety, the sonic palettes, the lyrics, the playing, the inventiveness, all of it really; it's such a pleasure to sit, listen, and lose myself in the song.
This is great, simply great. I love how you are able to sing this so well, even with your tongue firmly planted in your cheek.
Oh yeah...the slide just kicked in and the hair on the back of my neck stood up. Killer groove, the bass and drum lock up, along with the Rhodes...... Love the space in this mix too. Damn, Andrew, you are on fire. It's good to hear you making music again. Selfishly speaking, it's inspiring.
Exhales...man. I'll just say this is really, really powerful. And tough to listen to since I think I know where this is from. On a production note, whatever mics you are alluding to where a good acquisition. I love how your acoustic has been sounding on these cuts this morning.
Oh, and the ending...love the fade out flourish.
Comments made by Andrew Russe
Oh yeah... love this. I quite like songs that don't have a fixed tempo - sounds more natural to me... but they're a pain to overdub to though!! I'm with Mr Landry - where do you find all these vocalists?!! I particularly like this one.
I'm getting a much better idea of "stoman" listening to tracks one after the other on here. You have no fear of genres/whatever - write the song, get the right dudes on... job done :-) Another classy one.
Works for me. Great track and the vocal just sits there like it should.
I like it. I see what you mean about the vocal take... but I think it adds to it's effect.
He did a fine job (vocal). I like the relaxed vibe of the track. It's one of those songs that needs a decent performance to bring it out - I think you guys achieved it. Love that organ when it comes in.
Well, this one pushes my buttons... "When the red dawn sings it's sad song and warns us what's to come..." - brilliant. Lovely voice and a compelling performance.
Wow... First time I've heard this one. Excellent song... and SUPERB vocal
Didn't realise you were on here! I'm not sure whether I've heard this before elsewhere, but who cares, I love it... makes me think we might have been listening to the same band some years ago :-)
Beautiful. I've got some goodbyes it would have fitted. Many thanks.
Liked this a lot.
Great finish to an excellent album. Loved the whole thing, nice work guys. When you coming to London? :-)
Digging this album BIGTIME so far. This track has really made me sit up and pay attention. Actually, stand up and boogie is more accurate :-)
I know what it is, you're a mixture of Lennon AND McCartney, with a bunch of seventies rock chucked in - this is why I love your stuff so much...
Monster stuff. It rocks, it's melodic, big in-the-face scrunchy guitar, love those vocals. And the bass at 3.10 or so! Then the build up to 4.35 and the guitar and last chorus... Those top harmonies at the end. Big grin on the face time... A masterpiece.
And this - rockin!
Whoa! I like this very much. Yep Sticky Fingers, but with, I dunno, a Joe Walsh kind of vocal. Nice one.
Like this one too. Good stuff.
I said "And fine guitar playing." earlier... Ah! It's James Burton - no wonder :-)
Love it. Smooth. And fine guitar playing.
Ho hum... Like it... (I think!) We've all got it in us :-)