This is a live cut from an NPR radio broadcast back in 1988 while my Irish Trad group Scartaglen was on one of its first east coast tours. Found recently on a cassette tape. Musically this was one of my favorite periods in the history of the band…
Another Live performance with former band mates in Scartaglen back in 1988 on the NPR show Mountain Stage. This time a piece of Gaelic mouth music followed by 3 reels. Maybe the most complex arrangement of a set of tunes that we ever did.
Maybe I missed a career scoring for no budget spaghetti westerns, because this is what this reminds me of. Done live a couple weeks ago with the Taylor and a floor full of toys and loopers.
Maybe I missed a career scoring for no budget spaghetti westerns, because this is what this reminds me of. Done live a couple weeks ago with the Taylor and a floor full of toys and loopers.
Nice! In terms of textures and space, it's a little like some of Bill Frisell's work. The foreground guitar has a nice, natural, non-piezo-acoustic-electric sound that is appealing.
Another Live performance with former band mates in Scartaglen back in 1988 on the NPR show Mountain Stage. This time a piece of Gaelic mouth music followed by 3 reels. Maybe the most complex arrangement of a set of tunes that we ever did.
Maybe I missed a career scoring for no budget spaghetti westerns, because this is what this reminds me of. Done live a couple weeks ago with the Taylor and a floor full of toys and loopers.
Another Live performance with former band mates in Scartaglen back in 1988 on the NPR show Mountain Stage. This time a piece of Gaelic mouth music followed by 3 reels. Maybe the most complex arrangement of a set of tunes that we ever did.
Maybe I missed a career scoring for no budget spaghetti westerns, because this is what this reminds me of. Done live a couple weeks ago with the Taylor and a floor full of toys and loopers.
This track is from the 1986 Scartaglen album "The Middle Path". The first tune "Jezaig" was composed by Breton musician Gilles Le Bigot. The second tune is one of the "Cantigas de Santa Maria" and is attributed to King Alfonso X of Spain
Roger…
Maybe I missed a career scoring for no budget spaghetti westerns, because this is what this reminds me of. Done live a couple weeks ago with the Taylor and a floor full of toys and loopers.
Maybe I missed a career scoring for no budget spaghetti westerns, because this is what this reminds me of. Done live a couple weeks ago with the Taylor and a floor full of toys and loopers.
I'm digging this. Reminds me a bit of the Valley Of the Giants album "Westworld".
The backwards guitar is awesome. Was that done in post or was it all live with a pedal? If it's the latter which pedal did you use?
Maybe I missed a career scoring for no budget spaghetti westerns, because this is what this reminds me of. Done live a couple weeks ago with the Taylor and a floor full of toys and loopers.
Maybe I missed a career scoring for no budget spaghetti westerns, because this is what this reminds me of. Done live a couple weeks ago with the Taylor and a floor full of toys and loopers.
Maybe I missed a career scoring for no budget spaghetti westerns, because this is what this reminds me of. Done live a couple weeks ago with the Taylor and a floor full of toys and loopers.
Maybe I missed a career scoring for no budget spaghetti westerns, because this is what this reminds me of. Done live a couple weeks ago with the Taylor and a floor full of toys and loopers.
Another Live performance with former band mates in Scartaglen back in 1988 on the NPR show Mountain Stage. This time a piece of Gaelic mouth music followed by 3 reels. Maybe the most complex arrangement of a set of tunes that we ever did.
Another Live performance with former band mates in Scartaglen back in 1988 on the NPR show Mountain Stage. This time a piece of Gaelic mouth music followed by 3 reels. Maybe the most complex arrangement of a set of tunes that we ever did.
Well, I realized while listening to so many other great rough cuts and demos (and how much I enjoyed listening to them), that it was about time I contributed to the process. Rather than posting only completed songs, I decided to put up the rough…
another electronic piece reminiscent of the avant garde. I use this piece, with another 20 measures of the percussion only at the end, as a calming meditation, although it does have a few not so calming moments. I hope you enjoy it.
An experiment with recording keyboard improvisations and running them through Paul's Extreme Sound Stretch. Orchestra X-7 was just the seat I was assigned at a concert once.
Came up with this Before bed last night.
Had to record it this morning so I wouldn't forget the Sound of it...
Live recording
I'll do a better version when I have more time...
Well.... Off to work for me...
This is…
Ömer Faruk Tekbilek (born 1951, Adana, Turkey), also known as Omar Faruk Tekbilek, is a Turkish virtuoso flautist. He is known for his performances with the ney in a Sufi style. He also plays the Oud, Saz, Zurna and sings in many of his recorded…
Author: clones () at unix,mime
Date: 7/27/97 12:49 PM
Priority: Normal
TO: weso (weso@) at unix,mime
TO: darrell m. senneke at chicago,eptggas
TO: djm21 (djm21@) at unix,mime
TO: ekharri (ekharri@) at unix,mime
TO: hifi (hifi@) at unix,mime…
An ambient guitar piece done rather quickly, warts and all.
Stems from ideas I've been developing on my new JamMan looper pedal (catnip for guitarists if there ever was such a thing).
I guess I knew this would happen. Talk about creating one's own reality Sheeeeesh. End of the month and my pen has been re-fueled and I added some vox to this one, plus some lead guitar, and a bit of synth strings. I also took a shot at some…
Comments on kirklynch's stuff
Great stuff! The screams are a very ominous way to keep the beat :)
Very nice. Great flow
Wow! I'm normally not into acapella, but that intro got me hooked until the instruments came in! Awesome piece!
Great tone, very full sounding! Did you mic an amp, or was this straight into a computer?
Spooky sounds and good playing!
Nice! In terms of textures and space, it's a little like some of Bill Frisell's work. The foreground guitar has a nice, natural, non-piezo-acoustic-electric sound that is appealing.
dynamite! making that guitar really talk.
excellent!
Very nice guitar work here , this one sure takes on a real cool trip into the sounds my Friend, "G"
Hell yeah!
In-cre-di-ble!!
Outstanding Kirk! Beautiful work.
Piece, full of fading lights. Is an ambient blues.
I'm digging this. Reminds me a bit of the Valley Of the Giants album "Westworld". The backwards guitar is awesome. Was that done in post or was it all live with a pedal? If it's the latter which pedal did you use?
Amazingly beautiful piece, Kirk..!!!
Instantly faved!
I'd have you score my crazy campy psychedelic westerns. Well, if I had any. Diggin the reverse guitars and overall atmosphere.
very esoteric!certainty feels like walking on a trail in solitude
Grand piece of Gaelic music. Great vocals. Great playing. I expect Fiona Ritchie to return after these messages.
Loving the vocals.
Comments made by kirklynch
Lovely improv!
That was fun. Looking forward to the finished tune!
Really beautiful!
Neat! This is inspiring me to dig out the DL4 and start playing electric again
Very cool! Three minutes of tension and release
I'd say that was a successful experiment. Cool sounds!
Lovely song!
Beautiful!
Nice writing and great sounds! Jeez- there's someone else who remembers the Atlanta Rhythm Section
Sweet harp playing man!
Great guitar sounds. Nice one!
Heavy as Hell!
Nice one guys! Dig the bass sound and guitar work
Very cool track!
Cool middle eastern vibe with bits of jazzy piano. Nice!
Lovely piece man! Wish I had been there!
Beautiful! Reminds me that I need to dig out the electric gear and the jamman and do some of that stuff myself again
Sweet tune!
Very Nice! Reminds me of a Hunter/Garcia tune
Damn- I missed this one. Great stuff Geas!