Just one of those passing moods. Just finished today - august 2 2009. I resisted the temptation to try to develop it any further and just let it be what it is
the first multi track piece that I actually finished "in the box" in Cubase. An ambient kinda thing that grew out of playing around with the Line 6 DL4. Not sure I like the bow parts, but I may re do it later
Kirk, I like how you make it up, ( the last three words would be italicised if I could) What I mean is, you pull these songs out of a moment. And get to go someplace new and different. Getting to go there vicariously we ride along. Those are the moments we who play,sing write live for: when we touch into the other places. I admire how you find your self there. Does your world around you get what you do? And, thanks for your comments. And and, yeah, I realized Underneath My Skin had about 30 seconds of silence magically appended to it. My computer has had a ghost in the machine ever since the dread virus/trojan horse of February trashed its way through it. It's healed, but still has nightmares I guess. I'm pushing Steve my collaborator to get together again for some real sessions, so we can finally finish that song, and figure out what to do with the really great stuff we weren't able to get to in the RPM.
Sitting around in my shop a couple of days ago with the Goodall and the Zoom H4N. First time I've really messed with using the internal mics on the H4N in multitrack mode
Just one of those passing moods. Just finished today - august 2 2009. I resisted the temptation to try to develop it any further and just let it be what it is
Just one of those passing moods. Just finished today - august 2 2009. I resisted the temptation to try to develop it any further and just let it be what it is
Sitting around in my shop a couple of days ago with the Goodall and the Zoom H4N. First time I've really messed with using the internal mics on the H4N in multitrack mode
the first multi track piece that I actually finished "in the box" in Cubase. An ambient kinda thing that grew out of playing around with the Line 6 DL4. Not sure I like the bow parts, but I may re do it later
Sitting around in my shop a couple of days ago with the Goodall and the Zoom H4N. First time I've really messed with using the internal mics on the H4N in multitrack mode
I'm a complete idiot when it comes to all things midi related. Recently got myself a midi keyboard though and came up with this short piece just messing with sounds in Proteus. Really looking forward to the possibilities of combining this sort…
Mining the archives a bit. This is an alternate take of my "Jimi Jam" from a couple of years ago. Live to 2 tracks with the Jamman. Really only sounds OK when cranked up loud enough that your eardrums threaten to meet in the middle. LOL!!
oh ho! somebody rocks! so very tasty. had me movin' right across the floor. I would be very calm and satisfied afte laying down those lines..... so it must work, this anger management.
Sitting around in my shop a couple of days ago with the Goodall and the Zoom H4N. First time I've really messed with using the internal mics on the H4N in multitrack mode
Several years ago I had a short lived duo with an oboe and English horn player named Nat. This is a demo from that period. It's an old old chord progression of mine that never really had a melody and Nat improvised this melody in the studio to…
Mining the archives a bit. This is an alternate take of my "Jimi Jam" from a couple of years ago. Live to 2 tracks with the Jamman. Really only sounds OK when cranked up loud enough that your eardrums threaten to meet in the middle. LOL!!
I'm a complete idiot when it comes to all things midi related. Recently got myself a midi keyboard though and came up with this short piece just messing with sounds in Proteus. Really looking forward to the possibilities of combining this sort…
Sitting around in my shop a couple of days ago with the Goodall and the Zoom H4N. First time I've really messed with using the internal mics on the H4N in multitrack mode
Sitting around in my shop a couple of days ago with the Goodall and the Zoom H4N. First time I've really messed with using the internal mics on the H4N in multitrack mode
Straight ahead stone city electric blues for an old friend who used to spend hours spinning BB King and Mike Bloomfield records for me. Recorded back sometime at the end of 2006 on old analog equipment
Mining the archives a bit. This is an alternate take of my "Jimi Jam" from a couple of years ago. Live to 2 tracks with the Jamman. Really only sounds OK when cranked up loud enough that your eardrums threaten to meet in the middle. LOL!!
Mining the archives a bit. This is an alternate take of my "Jimi Jam" from a couple of years ago. Live to 2 tracks with the Jamman. Really only sounds OK when cranked up loud enough that your eardrums threaten to meet in the middle. LOL!!
I was walking down an empty street late one night and thinking of different things while the fire of a song was burning in my head. then took the situation and looked at the parrellels in my life and from that came this song.
hope you like it! :)
Artist's description:
This is all in kontakt 4 and is scored for
hang drums
andean flute
choir
timpani
various percussion
Contributors:
a 17 edo version is here
http://notonlymusic.com/board/download/file.php?id=363
It seems a lot of you record with open mics and can relate. I record 1 track at a time with usually 4 or 5 tracks. So, Im only asking for about 15 minutes of Silence...IS THIS TOO MUCH TO ASK??? Anyway, my house is so loud, I get a lot of bloopers…
Some questions and some guesses...about dreams.
Video @ https://vimeo.com/214337550/158436839
BETWEEN OUR DREAMS Capo @ 2 KEY F
FM7 - When we are born do dreams begin
Or was it dreams we dwelt within
C - And when we die does dreaming cease…
I’ll make my exit on the wind
Nevermore to pretend
That I’m fine
Yeah, I’m good, so good
At doin’ everything I should
To convince you
That I’m okay for today
An’ I won’t crawl out of my skin
I’ll just pretend
Some days…
This is from years ago, living in santa fe.
I loved driving around in my little 1980s toyota corolla and listening to cassettes. I loved the way they sounded.
So I took a piano song I was working on, recorded it to cassette, dragged mic…
A second version with the initial lead guitar standing alone...a little cluttered after a few listens and some constructive feedback!
Norm's Groove for St Monica inspired this one. Thanks Norm!
Lead Guitar, bass guitar and acoustic guitar…
I picked up on one of Norm's wonderful grooves.
I added some bass, guitar, horns, and a basic drum track. Kicker and snare with a few cymbols. I didn't want to walk on Norm's fine, fine, percussion.
Thanks Norm for allowing me the opportunity…
still one of my personal faves. - although i'd wish to redo some parts, i'm stuck with this version, since i don't own one of the synths used there anymore..
(original photo)
A long over due changing of the acoustic strings led to this epic production. 40 tracks and 34 plug-ins. Good Gravy that's a boat load of tracks. All kinds of stuff happening.
Enjoy!
you spend your days and your night times
bustin' ass…
You're just kidding yourself if you thought I could resist the chance to add a bit of percussion to this wonderful song by Osckilo & Launched. I used Paiste Sound Discs to create a 3vs.4 polyrhythm against the delightful underlying 4/4 Spanish…
Guitars/Mandolin: Doug Sparling
Composer: Traditional
Recorded: 2005
A couple of nice reels played on guitar, the first is The Cup of Tea, can't remember the name of the second one. Unfortunately my midi flute scratch track got added in the mix…
Pennywhistle, Low Whistle, Bar Stool (w/ drums ticks): Doug Sparling
Bodhran: David Shaughnessy
Composer: Traditional
Recorded: 2005
Set of traditional Irish jigs. Don't ask me the names of them, I don't remember (are you seeing a pattern here…
Pennywhistles: Doug Sparling
Bodhran: David Shaughnessy
Composer: Traditional
Recorded: 2005
A set of reels (the first being "For the Sake of Old Decency," picked up from a Michael Tubridy album of the same name) I put together one evening. You…
Comments on kirklynch's stuff
that's funny i have a talking toy in one of my songs too..sludz
beautiful. nothing more to say...
Kirk, I like how you make it up, ( the last three words would be italicised if I could) What I mean is, you pull these songs out of a moment. And get to go someplace new and different. Getting to go there vicariously we ride along. Those are the moments we who play,sing write live for: when we touch into the other places. I admire how you find your self there. Does your world around you get what you do? And, thanks for your comments. And and, yeah, I realized Underneath My Skin had about 30 seconds of silence magically appended to it. My computer has had a ghost in the machine ever since the dread virus/trojan horse of February trashed its way through it. It's healed, but still has nightmares I guess. I'm pushing Steve my collaborator to get together again for some real sessions, so we can finally finish that song, and figure out what to do with the really great stuff we weren't able to get to in the RPM.
I really like your style of playing sir.
very nice track Kirk.
That was the best 1:39 of my entire day. Wow.
Very nice guitar playing!
You Have Tapped into Something Special Here Mr Lynch....... Sublime..
really too pretty. Much enjoyed.
Flying on, flying free
oh ho! somebody rocks! so very tasty. had me movin' right across the floor. I would be very calm and satisfied afte laying down those lines..... so it must work, this anger management.
very very nice.
Loved the oboesque solo voice, very lyrical. Not so sure about the FM harp/bell sounding thing. Beautiful composition though.
nice guitar tone
cool - title says it all
nice playing
You just play so well!
Beautifully played guitar. I love the tone you got here, both the clean and overdriven sounds.
This is awesome! I love the percussion sounds.
your guitar is complaining with a suppressed anger... I think she want more heavy tracks like this :) of course me too. Excellent track
Comments made by kirklynch
Great song and a great voice!
Dig that bass line. Very cool!
A Beautiful piece of work!
HAHA! Brilliant!
Great Rockin' guitar sounds!
Nice improv Man!
Beautiful stuff! Especially love the delicate guitar work here
Yes! Very nice indeed to hear this again
I had to turn around to make sure there wasn't a snake behind me!
This is just Beautiful! Thanks for sharing!
Excellent groove!
Nice work man!
Very Cool Paul!Love the melodies you've added and the horns are a nice touch
Very Nice!
Damn- what a production. This is epic man!
Excellent job on everyone's part!
Such beautiful voices. A great combination with the music of Drakonis!
Lovely playing Man!
Nice! The last tune is Willy Coleman's in case you're interested :)
HAHA! Laughing at your description. Thanks for reminding me of these tunes. What's the name of the 2nd one? I used to play it all the time