Just one of those passing moods. Just finished today - august 2 2009. I resisted the temptation to try to develop it any further and just let it be what it is
the first multi track piece that I actually finished "in the box" in Cubase. An ambient kinda thing that grew out of playing around with the Line 6 DL4. Not sure I like the bow parts, but I may re do it later
Kirk, I like how you make it up, ( the last three words would be italicised if I could) What I mean is, you pull these songs out of a moment. And get to go someplace new and different. Getting to go there vicariously we ride along. Those are the moments we who play,sing write live for: when we touch into the other places. I admire how you find your self there. Does your world around you get what you do? And, thanks for your comments. And and, yeah, I realized Underneath My Skin had about 30 seconds of silence magically appended to it. My computer has had a ghost in the machine ever since the dread virus/trojan horse of February trashed its way through it. It's healed, but still has nightmares I guess. I'm pushing Steve my collaborator to get together again for some real sessions, so we can finally finish that song, and figure out what to do with the really great stuff we weren't able to get to in the RPM.
Sitting around in my shop a couple of days ago with the Goodall and the Zoom H4N. First time I've really messed with using the internal mics on the H4N in multitrack mode
Just one of those passing moods. Just finished today - august 2 2009. I resisted the temptation to try to develop it any further and just let it be what it is
Just one of those passing moods. Just finished today - august 2 2009. I resisted the temptation to try to develop it any further and just let it be what it is
Sitting around in my shop a couple of days ago with the Goodall and the Zoom H4N. First time I've really messed with using the internal mics on the H4N in multitrack mode
the first multi track piece that I actually finished "in the box" in Cubase. An ambient kinda thing that grew out of playing around with the Line 6 DL4. Not sure I like the bow parts, but I may re do it later
Sitting around in my shop a couple of days ago with the Goodall and the Zoom H4N. First time I've really messed with using the internal mics on the H4N in multitrack mode
I'm a complete idiot when it comes to all things midi related. Recently got myself a midi keyboard though and came up with this short piece just messing with sounds in Proteus. Really looking forward to the possibilities of combining this sort…
Mining the archives a bit. This is an alternate take of my "Jimi Jam" from a couple of years ago. Live to 2 tracks with the Jamman. Really only sounds OK when cranked up loud enough that your eardrums threaten to meet in the middle. LOL!!
oh ho! somebody rocks! so very tasty. had me movin' right across the floor. I would be very calm and satisfied afte laying down those lines..... so it must work, this anger management.
Sitting around in my shop a couple of days ago with the Goodall and the Zoom H4N. First time I've really messed with using the internal mics on the H4N in multitrack mode
Several years ago I had a short lived duo with an oboe and English horn player named Nat. This is a demo from that period. It's an old old chord progression of mine that never really had a melody and Nat improvised this melody in the studio to…
Mining the archives a bit. This is an alternate take of my "Jimi Jam" from a couple of years ago. Live to 2 tracks with the Jamman. Really only sounds OK when cranked up loud enough that your eardrums threaten to meet in the middle. LOL!!
I'm a complete idiot when it comes to all things midi related. Recently got myself a midi keyboard though and came up with this short piece just messing with sounds in Proteus. Really looking forward to the possibilities of combining this sort…
Sitting around in my shop a couple of days ago with the Goodall and the Zoom H4N. First time I've really messed with using the internal mics on the H4N in multitrack mode
Sitting around in my shop a couple of days ago with the Goodall and the Zoom H4N. First time I've really messed with using the internal mics on the H4N in multitrack mode
Straight ahead stone city electric blues for an old friend who used to spend hours spinning BB King and Mike Bloomfield records for me. Recorded back sometime at the end of 2006 on old analog equipment
Mining the archives a bit. This is an alternate take of my "Jimi Jam" from a couple of years ago. Live to 2 tracks with the Jamman. Really only sounds OK when cranked up loud enough that your eardrums threaten to meet in the middle. LOL!!
Love like a salt river washing away
Love's like sunshine evaporate
Love like floating candles blowing away
Watch out for the way you'll compensate
When I've seen all you have to give
When I'm still hungry
I need more than this
Tell me how…
DREAMS OF THE OCEAN
Your kids'll be waking up in the morning
Just a couple of hours after mine have gone to bed
I've got the coffee warming
While dreams of the ocean are in your daughters' heads
I taught them all 'bout it late last evening…
I've attempted to get the sound of garden clippers in an offbeat with the associated music, sorta like the offbeat of clapping sticks in traditional Aboriginal music.
Based on John 14:27 - "Peace I leave with you, my peace I give unto you: not as the world giveth, give I unto you. Let not your heart be troubled, neither let it be afraid."
I hope this song gives you a hint of the peace that Jesus sends through…
continuation of what can be done with a 24 letter word. Same idea just expressed a little further than on the Nowhere to Run Phil Induced song. Used Alchemy preset and a lot of honorificabilitundinity-ness.
Year: 1996
Album:
Classical Clones
Artist's description:
improvisation on my Casio CZ-101 in 20th century classical style.
There was no theoretical basis or anything with this.
It's all just rock n roll to me ;-)
Inspiration…
We really had a wonderful time working with Sister Savage and we have since inducted her into the band under her new virtual ego: Violet Hemlock!
Thanks Tess!
So...Without further Ado...
"Love Song for the Moon"
by VIVIAN CIRCLE featuring…
Many thanks to Kirk Lynch, a real gentleman and a pleasure to jam with.
His tracks are the heart of this tune.
Lyrics:
I have a a pain
deep in my Chest
I can’t Breathe
as I Light my cigarette
Oh my head, Woe is me
Oh my head, Woe is me
But…
Thanks to Sister Savage for helping us debut our new project. As busy as she is, Sister managed a bit of time and some great Jovian vox for us.
This piece or art is unique, sublime, and psychedelic.
Lyrics:
?
2010 Savigear-Reyes-Lennon
This is from the movie Crossroads, a guitar piece from the head-cutting guitar duel near the end. I put background music to it, which makes it sound quite a bit different from the original version. Below I also have a video of me playing it solo…
This is a long version of the track "THE GIRLS AND ME" A beautiful collaboration with the great BETHAN MATHIS. Here at http://alonetone.com/bethanmathis you can listen The girls and me"
Hybrid analog/digital rock and roll. I'm trying out some new guitar FX and amp sims in Pro Tools.
They are not so bad all distorted and fuuzzzzed
up.
I tried to sing it, but hey, you know, I give it hell though right?
It's a Goddess of War…
Comments on kirklynch's stuff
Nice emotive song! Must have been a good friend!
that's funny i have a talking toy in one of my songs too..sludz
beautiful. nothing more to say...
Kirk, I like how you make it up, ( the last three words would be italicised if I could) What I mean is, you pull these songs out of a moment. And get to go someplace new and different. Getting to go there vicariously we ride along. Those are the moments we who play,sing write live for: when we touch into the other places. I admire how you find your self there. Does your world around you get what you do? And, thanks for your comments. And and, yeah, I realized Underneath My Skin had about 30 seconds of silence magically appended to it. My computer has had a ghost in the machine ever since the dread virus/trojan horse of February trashed its way through it. It's healed, but still has nightmares I guess. I'm pushing Steve my collaborator to get together again for some real sessions, so we can finally finish that song, and figure out what to do with the really great stuff we weren't able to get to in the RPM.
I really like your style of playing sir.
very nice track Kirk.
That was the best 1:39 of my entire day. Wow.
Very nice guitar playing!
You Have Tapped into Something Special Here Mr Lynch....... Sublime..
really too pretty. Much enjoyed.
Flying on, flying free
oh ho! somebody rocks! so very tasty. had me movin' right across the floor. I would be very calm and satisfied afte laying down those lines..... so it must work, this anger management.
very very nice.
Loved the oboesque solo voice, very lyrical. Not so sure about the FM harp/bell sounding thing. Beautiful composition though.
nice guitar tone
cool - title says it all
nice playing
You just play so well!
Beautifully played guitar. I love the tone you got here, both the clean and overdriven sounds.
This is awesome! I love the percussion sounds.
Comments made by kirklynch
Classic V.C.! Cool!
Great job guys! Totally pro sounding stuff
Oh My! What a wonderful collaboration! Almost missed this one
Really interesting track!
This is beautiful man!
Very Peaceful indeed! Lovely!
Smokin' stuff!
Interesting sounds! Like it!
Really enjoyable! Lovely composition!
Great stuff. Beautiful sounding mix!
Very Interesting!
And how cool is this? I finally get to fave a track twice!
What can I say? Damn this was fun! Still digging that intro. Thanks guys!
Wow! Nice collaboration! Very ethereal lovely vox from the good sister!
Great chops!
All really nice new tracks Richard!
Beautiful man!
Cool! Nice guitar tones!
Gorgeous piece Richard! Love the contrasting moods
This is great but that closing hymn is especially killer stuff! Beautiful man!