*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
@Bee: I believe that you are referring to the first 3 off-beats of the measure, which are played on a wood-block heavily distorted with "gated reverb"... but I've never heard a chicken that sounds like that! :)
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
Wonderful Norm just wonderful.....I feel blessed....I've got my headphones on and Sebastian asleep in his crib beside me.......and have too keep taking them of because I'm sure he's crying in time ....very effective
A 3 track improvisation on 7 congas roughly tuned by ear to a chromatic scale.
LYRICS:
I walked a mile with Pleasure;
She chatted all the way;
But left me none the wiser
For all she had to say.
I walked a mile with Sorrow,
And ne…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
Here's proof. Proof that things are a bit mysterious in my studio.
Late last night my Bass Cajon all of a sudden decided to start accompanying me on its own - without me touching it. At first I thought that some apparitional bass player had…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
You're just kidding yourself if you thought I could resist the chance to add a bit of percussion to this wonderful song by Osckilo & Launched. I used Paiste Sound Discs to create a 3vs.4 polyrhythm against the delightful underlying 4/4 Spanish…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
It was such fun doing this old classic by Leo Sayer......Thanks to Hook for playing the Banjo Drums and Bass and Mixing it to such a great sound....i'm doing the vocals and playing the piano....this was so much fun to do although through work…
I found a cassette tape the other day from 1991 which turned out to be live to 2 track demos that Scartaglen did in the studio in preparation for our 3rd and (as it turned out) final album. This tune didn't make the cut for the record but I always…
04 – Machiavellian Ways. Written 5th Feb. Recorded 5th/9th Feb.
Mark Morriss has written some really witty triple rhymes in a slightly country fashion, and I wanted to try it too. Although I am not sure if I succeeded, I had fun - and got…
This is about where the f*ck does a song come from?? I don't know, and I can barely hang on..
Recorded with the Boss Micro BR with one take tracks and bounced until there was nothing left in the poor girl.
The show here is the video below. The mp3 is just a stub to allow me to post this to AT though I'd appreciate you clicking it.
On June 26th Kenji Haba performed 15 one minute classical guitar pieces as part of the Vox Novus Composer’s Voice…
A cover of the Cure's minimalist alt-rock classic, an old favorite of mine.
keywords: instrumental, chill, the cure, clock watching, lucky time
Remixed: 12/18/2010
...
...
Written for Mick's RPM Holiday Challenge...
Anyone who's experienced "Black Friday" against their will should find this entertaining.
YOU MIGHT HAVE A SHITTY CHRISTMAS
Waking up at 3:00 a.m.
Why the hell did I try to sleep at all…
Thanks to Chris for coming down the cellar and doing this with me .............with Chris on piano, harpsichord, electic guitar, fretless bass, electronic sax........Reg on Vocals.........
Comments on Norm's stuff
@Bee: I believe that you are referring to the first 3 off-beats of the measure, which are played on a wood-block heavily distorted with "gated reverb"... but I've never heard a chicken that sounds like that! :)
Love that rhythm Norm! What's the 3 repeated, quiet scraping sounds made by? Sounds a bit like a chicken! Interesting!
Wonderful Norm just wonderful.....I feel blessed....I've got my headphones on and Sebastian asleep in his crib beside me.......and have too keep taking them of because I'm sure he's crying in time ....very effective
If I could play drums like this my rhythm tracks would be much better. Enjoy just sitting back and listening to the many tones and varied rhythms.
thanks Norm - I bet Francis would have loved the persistent introspection of this groove! "..illumina le tenebre de lo core mio...
Excellent organic percussion! Solid gold.
Very, very interesting and addictive pattern here Norm.
Thanks Norm!!
thanks for the listen and rating!
I hear that
Very cool! I can explain the beer being gone!!
Oooo, 2.30 ish the little bit of quiver comes in. Nice! And, gets louder. Like it!
"4" does it for me. I like the, "I mean business" beats.
Ive done a collab with Mark , but never Tharek , this is a dream team , your percussion fits like a glove with this amazing song , i love it
I don't understand the Math behind it but I know it sounds Amazing! It is impressive the story you are able to tell with beats bro.
Very cool groovin' man
This is great mate really cool.
Dandy beat...I sort of got lost in it.
I like this just as a rhythm, mellow
Lovely swaying rhythm, O King of Ze Beats!
Comments made by Norm
Yes, that is a lovely picture... great light.
Great fun!
Awesome!
Oh, this is very good.
Awesome!
Congrats Chris! It is very gratifying to have such a talented guitarist select your composition for his performance!
Superb!
Very, very clever. And excellent guitar & mandolin work. I love it! Totally pro!
I'm fascinated with what you did with the background percussion here. Shifted??
Great cover. You guys are awesome!
This is wonderful!
Excellent cover of a great band!
Excellent! This works well.
Ahh! A lovely time of year and this sounds just like it. The leaves are peaking right now in the Blue Ridge Mountains.
Great work with this one!
Sounds like they dig 6/8 meter.
Ha! This strikes close to the bone, Keith.
Well, yes, there is no right or wrong in music Chris, but taking somebody's noodles is plain wrong, I don't care how you look at it.
Way to bring the jam to the people! Nice improv!
Go team!