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Gothic-Doom metal from Russia, all the tracks in this album are instrumental.
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First of a series of songs based on the story of someone who has unaccountable rages. Some who've heard this find it calming, others it disturbs?
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at the bar, I order two
glasses of johnnie walker blue
I need a picture with you
and people who are cool too
so when you go home and pull me
from your book of faces
you can see that back in ’93
I never tied my shoelaces
stamped with ink forever…
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I've been experimenting with writing instrumentals in 5 - 4 time for years, this is the first time I ever got the lyrics to fit properly. Not only do they fit, they're scathing...
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Everyone who ever got picked on in school unite! You'll get you own back, and how!
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From a series of effected guitar pieces arranged round a Sci-Fi theme.
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This song speaks for itself, from a real life experience just prior to making the album.
Sung by Petrina Mclachlan
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Another two doodads stuck together.
apps:
Bebot
Soundpond
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a haunting drone written for a special someone...
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light piano...drone...then i allowed the drums to take over the song...
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in which our heroes make a song which sounds uber cool
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swiggitty. one of these instruments is over 300 years old. gong bowl.
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Final remix project for my studio techniques class.
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The sweet little girl I can't seem to get
Out of the back of my mind
Isn't quite sure what she's looking for yet
And I worry about what she'll find
Working so hard looking out for herself
I know there are times all alone
She's always had…
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Wrote it over a decade ago, rewrote it five years ago, recorded it last year with the help of little sis Karen.
"I'm not supposed to be down south. Take me north."
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Just my humble attempt to cover Sam's beautiful song...
...with a little theft from U2.
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Gothic-Doom metal from Russia, all the tracks in this album are instrumental.
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this song is unusually long for us..we didn't want to cut any of it though. It is an adventurous title..inspired by true life dreams..kickin her leg in her sleep like an electro-shock patient..there is some shadowy sampling..maybe a few recognizable…
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Fly Ladys 'Crushin' (feat Pozessed)
Produced By Bradley Logan
Lyrics By Bradley Logan
Lyrics By Corey Larson
Recorded March 27th 2010
Mixed And Mastered At Belowzero Studios
copyright 2010
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Produced By AposL
Lyrics By Bradley Logan
Lyrics By Corey Larson
Lyrics By AposL
Spoken Intro By Wayne Doe
Recorded March 27th 2010
Mixed And Mastered At Belowzero Studios
copyright 2010
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upon the ground
The two of them were seated, holding hand in hand,
Other couples passed and smiled, they had their futures planned
Differences forgotten, their love could conquer all
The life they’d live would shine a light, they knew they…
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A collaboration with the lovely and talented Tracey Browne
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Another collaboration, with Tracey Browne on guitar and vocals
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This is my acoustic version of How Many Licks by Lil Kim.
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I have a little box under my bed with your name on it.
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Somewhat of an older track of mine, and maybe the first thing I did where I really thought I was onto something good.
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I might go back and do an expanded version of this someday. Despite the title, I think it works nicely as an ambient piece.
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The coda of this was recorded on my mp3 player while waiting for a train. At some point I had this idea that there would be ambient noise recorded from train or bus stations every few songs so it'd sort of feel like you were listening to the whole…
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Based around an anonymous little kid's unique rendition of "Old MacDonald Had A Farm". Tom Meade contributed a recorder loop here.
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There's no reason for this to be named after the infamous section of craigslist, beyond the song itself sounding sort of sleazy I guess. The ending isn't meant as political commentary, it's just a funny moment I happened to capture.
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I kind of wish I still had the individual tracks for this so I could mix it better, but I still think it's an interesting mix of sounds.
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Originally written for songfight - it got no votes and decidedly mixed reception on their forums, but I really ought to try my hand there again sometime.
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Originally conceived as a contribution to remix fight, but I missed the deadline and it ultimately didn't use much of the source material anyway. Disclaimer: Quetzalcoatlus does not condone drug use.
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I originally was going to rap over this, but I decided it would be better to not subject anyone to that. If anyone here wants to use it as a beat they're welcome to though. Named in tribute to the orange t-rex in front of a mini-golf course on…
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Composed in digital performer for a course in computer music. Some of the presets reminded me of Kraftwerk, so I thought I'd attempt something in that style. "The doom house" was my sister's nickname for her place of residence at the time.
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I was pretty much trying to be The Field with this one.
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Jesus looks at why the Jews and Pilate rejected Jesus as King
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burn burn BURN. this song takes us back to our flok rock roots. rythym guitar is strong, and severely off centre. Vocals are Jupiter Summit doing her best to entice the paper-cut out into an office space fracas. It's about spending too much…
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our 2010 entry for the RPM Challenge. members included:
Minibar Madness - sound effects & noise,
Commoner - Amplifier worship, pedals, electrical guitar,
The Chaos Council - MicroMoog , alto sax, effects,
Tone the Destroyer - violin &…
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All sounds on this were originally played on a cheap battery operated keyboard.
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I was thinking about unlikely superpowers one day for some reason, and just came up with this weird little story that I then decided to set to music. One Kilometer Per Year was almost this album's title.
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More ambient music based around my cheap battery operated keyboard. I was trying for the sort of song that might turn up in an enchanted forest in an 8-bit RPG.
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The good ol' battery operated keyboard again, this time with some whistling.
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I personally wasn't that happy with how this turned out, but to me when it comes to RPM albums there should be no such thing as outtakes.
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This is supposed to be sort of annoying, I swear.
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If you've ever played the pretty good but questionably translated X-Men arcade game, you should recognize this title.
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Like "Neon Orange Dinosaur" this is a track that I think would make a pretty good hip-hop beat.
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A pretty little ambient loop I might go back and expand into something else someday.
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One of a few pieces composed on a battery operated toy keyboard that I nicknamed the Powersockey, due to the fact that the power socket was labeled that.
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One of a few songs on the album where the percussion is a loop of myself hitting my computer desk with my hands. I think I got a nice hypnotic vibe going with this one.
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One of a few pieces composed on a battery operated toy keyboard that I nicknamed the Powersockey, due to the fact that the power socket was labeled that.
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One of a few pieces composed on a battery operated toy keyboard that I nicknamed the Powersockey, due to the fact that the power socket was labeled that.
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I'll admit I completely ripped off the rhythm of "Closer" by NIN here.
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Possibly my personal favorite of everything I've written so far. I will admit that I can barely play guitar and this is the result of a lot of looping and editing.
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My attempt at one of Amelia's (The Missed Connections) songs. I think I darkened one of her few upbeat sounding songs.
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Composicion para la apertura de los IX Juegos Suramericanos 2010, SUBSEDE BELLO. Renato Paone 2010
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HE'S RIGHT BEHIND YOU. We thought this instrumental was just dying to be in a horror flick. The producers went with DMX instead. Really? up in here?
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dont worry..its not your speakers..its the ultra intense vocals in this hot song.
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after a short intro this instrumental takes off on a cross country jog to get to the other side
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Because it's crucial not to forget to put sunscreen on!
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A piece written for Silesian Rostrum of Composers.
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A piece written to commemorate second anniversary of passing away pope John Paul II - Karol Wojtyla.
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yelyah - "solo piano 20100319" (live improvisation)
I have mixed feelings on releasing the song this way.
If you heard my 24 hour album ([insert "poor you" here]), 17.1 of the total 26.2 minutes was completely live/improv'd. I'll admit that…
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Another live improv.
Listen as I start out with a semi-interesting left hand pattern that I totally can’t maintain independently and end up resorting to patterns I already know.
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Some Greek mythology 101 with a little incorporation of "All of old. Nothing else ever. Ever tried. Ever failed. No matter. Try again. Fail again. Fail better." - Samuel Beckett
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Featuring a sweet reference to the Loretto Chapel's mysterious staircase and the most wonderful mylar balloon ever manufactured (with allusion to secret promise attached).
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pure draft, but I don't have time to re-record it
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I came up with lyrics for the backing track that ended up as Reset Your Head Again, but since I had grown to dislike that backingtrack I decided to just play the song with guitar and voice.
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There's several things I tried out that worked really well here; the popcorn-synthsound from the Dark Energy, the speeding up at the end, the minimalistic hiphopbeat. The lyrics are a bit too bla-di-bla for my taste but whatever...
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Publicado bajo autorizacion y sin animo de lucro. www.carranga.org
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At 180bpm, it's definitely way faster than I generally write.
We'll call it "tempo creep". It started out at 140bpm, and got increased automatically to 160bpm when I imported some drums. I didn't notice it until later, and then found that 140bpm…
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Le grand conundrum. How do you simultaneously improv a melody in your right hand while trying to teach your left hand a new harmonic pattern that it doth not know?
I look at people like Gabriela Montero and wonder how on earth did they ever get…
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Verse 1
Dozing in and out of consciousness
the blade falls from her hand.
Her clock will cease to tick,
then everything will be fine.
Chorus 1
It’s all good now, it’s all fine.
It’s all good now, it’s okay.
Fade
Verse 2
Every sound becomes…
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Performed by Benjamin Fingland (cl) and Sumire Kudo (vc); 28 March, 2010; Tenri Cultural Institute, New York, NY.
Notes on the work are found here: http://digressionsthirdman.blogspot.com/2010/03/etude-on-f-113-torino-jii9-qui-moult.html
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I continue to struggle with hand independence. I tried to teach myself the left hand pattern that starts the song, so that I could riff against it. But no. Just couldn’t get it. So I decided to switch to block chords for the actual melody improvisation…
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My second [songfight.org](songfight.org) song.
Once again, I knew about the song title for the song fight in advance, but waited for the last day to actually write/produce the whole thing.
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A change up for me in that there’s no damper pedal on this one.
Have I mentioned how bloody difficult it is to operate a damper pedal whilst sitting on a balance ball? Don’t try this at home folks!
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Another live improv. All black keys. Gotta love ‘em.
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One movement from the project done with Zofia Dowgiallo. She did most of the job - played (improvised) music. I had only provided the computer part of the project. :-)
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