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If only!
Thanks to all those helped with this song.
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Endless picking up the needle and putting it down on Yes's Steve Howe in the 70's got me this far!
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Please note: No seven year old child was hurt during the making of this piece of music.
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The flutey sounds are actually the sound of a damp sponge wiped up the neck of a guitar, sampled and played back on a keyboard.
Some real guitar appears towards the end of this piece.
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An RPM demo for the Love Light Shine project.
Daughter Brit turned 13 on 9/9/09, this song is for her.
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We call this Beat-box ghosts (the prog-fu mix). A fun collab between Osckilo and myself. Osckilo had this song he did called Ghosts, all done beat-box. I had to ask him what beat-box meant, I had no idea. I took his original track (just his…
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We wrote it and recorded the basic bits in December, 2009, but I didn't add vocals for quite some time. It's a sketch of something that will end up on our second LP, whenever that comes into fruition.
For now, here it be.
-Rain
A Piece of…
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“Melodious compositions in dancing style for YOU!” - A.W.E.
My first album «ZigZag» (2010) :
http://www.rhapsody.com/awe/zigzag http://www.amazon.com/Zigzag/dp/B002X39FFI/ref=sr_1_9?ie=UTF8&s=dmusic&qid=1263239993&sr=1-9
http…
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This is a rough cut of one of the tracks I'm recording for this year's RPM challenge. It will sound way, way better than this when completely finished.
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Gear used: Dark Energy, Micron and Dr.202
I post the lyrics as well as they are probably hard to understand:
earth they tell you
has a problem
they suggest us
to be monsters
i don't believe
their theories
too many lies
scaremongering…
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Two rhythm tracks vie for supremacy! Two tracks enter, one track leaves!
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Track 5 from RPM 2010 "They Are Killers."
I actually feel like this one's a little sloppy... post-RPM I'm considering re-tracking all of the guitars on most of my songs to do a better release.
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Went for the Salvation Army street corner band sound for this one. Tried to sound a bit intoxicated.
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I'm going to pursue this one I think; the stepped up Jazz/drum n' bass/dub step angle.
Ok the beats are just loops dropped in from GarageBand, but I had having fun shaping the track.
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I made a song from start to finish a few months ago. I then completely remolded it and recorded it in one take on my MYSTERY INSTRUMENT.
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Grabado en Renato Paone Estudio de Grabacion. Medellin Colombia
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Grabado en Renato Paone Estudio de Grabacion. Medellin Colombia
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Grabado en Renato Paone Estudio de Grabacion. Medellin Colombia
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Grabado EN VIVO POR Renato Paone Estudio de Grabacion. Medellin Colombia
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Grabado en Renato Paone Estudio de Grabacion. Medellin Colombia
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Grabado en Renato Paone Estudio de Grabacion. Medellin Colombia
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Grabado en Renato Paone Estudio de Grabacion. Medellin Colombia
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Grabado en Renato Paone Estudio de Grabacion. Composicion Renato Paone. Musica Para Teatro y Cine. Medellin Colombia
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Grabado en Renato Paone Estudio de Grabacion. Composicion Renato Paone. Musica Para Teatro y Cine. Medellin Colombia
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Grabado en Renato Paone Estudio de Grabacion. Medellin Colombia
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Grabado en Renato Paone Estudio de Grabacion. Medellin - Colombia
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Grabado en Renato Paone Estudio de Grabacion. Medellin - Colombia
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Grabado en Renato Paone Estudio de Grabacion. Medellin - Colombia
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Grabado en Renato Paone Estudio de Grabacion. Medellin - Colombia
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Grabado en Renato Paone Estudio de Grabacion. Medellin - Colombia
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Grabado en Renato Paone Estudio de Grabacion. Medellin - Colombia
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Grabado en Renato Paone Estudio de Grabacion. Medellin - Colombia
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Grabado en Renato Paone Estudio de Grabacion. Medellin - Colombia
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Grabado EN VIVO por Renato Paone Estudio de Grabacion. Medellin - Colombia. 2006
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Grabado en Renato Paone Estudio de Grabacion. Medellin - Colombia
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Grabado en Renato Paone Estudio de Grabacion. Medellin - Colombia
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Grabado en Renato Paone Estudio de Grabacion. Medellin - Colombia
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Grabado en Renato Paone Estudio de Grabacion. Medellin - Colombia
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Grabado en Renato Paone Estudio de Grabacion. Medellin - Colombia
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Grabado en Renato Paone Estudio de Grabacion. Medellin - Colombia
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Grabado en Renato Paone Estudio de Grabacion. Medellin - Colombia
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Regalo de LOS CARRANGOS para el Mundo, Medellin, diciembre de 2009
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Publicado bajo autorizacion y sin animo de lucro.
www.carranga.org
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Publicado con Autorizacion y sin animo de lucro.
www.carranga.org
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A little something I recorded on a Zoom H4n, acoustic was recorded from built in condensors, strat was recorded plugged into bottom jack using only onboard effects, mixed in Reaper and mastered in Soundforge.
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An odd tune - took time to grow on me but I like it. Still a little sick, hence the froglike vocals and negligent production.
A song about the Rock of Gibraltar
All done on the Boss Micro BR
Long Goodbyes
You say your life is disgusting…
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This is something I came up with for the 2010 RPM Challenge.
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Grabado en Renato Paone Estudio de Grabacion. Musica compuesta por Renato Paone.
Medellin - Colombia
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RPM number nine. Technically this is in 11/4 and therefore only 32 bars long.
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This one is about how falling in love kind of involves giving up any say in whether or not your heart gets trampled. It's about that fear. Gary doing a sterling job as usual on lead guitar..
She's amazing
Beauty holds no bounds
and her voice…
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Second of two songs on the album about trying to be a better person. The first was about people not trying, this is about struggling (and kinda failing) to be a better person than you have been. Slide parts courtesy of Gary...
Don't think for…
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Overgrowth is a Indie game made by Indie Dev team Wolfire. check them, and their games, out at http://www.wolfire.com/
Overgrowth is the awesome predecessor to Lugaru, an alternative action fighter/ platformer game. The synopsis of Lugaru…
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Well, song 10 finally. A bit on the heavy side, some odd FX, strange vox, an Ibanez, The ever present harmonica, and some help from Illegal Alien Autopsy.
This was the first song I tracked for RPM. But, since my pen has run out of ink this month…
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Confession: Last time I did the song-a-day project, I came up with an idea from scratch every day. I intended to do the same thing this time around.
This piece breaks that rule in two ways.
1. I wrote the opening part over the weekend.
2. That…
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True to form, I used my new software to… do the same exact thing I’ve been doing most of this month.
So far I definitely miss Logic for pure piano, but I’ll have to see if there are workarounds or things that I’m missing in Record that will make…
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I get to say that it borders on hip-hop because there’s a hip hop drum loop and a hip hop drum kit on it. I have no idea what to call it other than “electronic”. With a piano.
This is my second song using Record.
I was going through a book on…
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Transient texture experiment; also reverb envelopes. RPM number 10.
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This is probably the least electronic-sounding of everything that I did from RPM 2010, although it still heavily uses samples (either self-sampled or from Freesound).
That is me playing the harmonica, though. (No, really!)
If the song makes…
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Dark ambient unmastered track from my 2010 RPM Challenge submission.
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Well, this is number 10, and with only 8 days left, I think we may be calling it on this one. There are alot of scraps left over, and even a few experiments left to showcase, including a three part duet! but alas, time is escaping into the void…
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First track off my upcoming album Palettes To Burn, out March 5th! A remix of the song Ever Since ft. Michael Ackhurst.
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Intro to my album, with help from Alfred Hitchcock himself.
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The lead single from Palettes To Burn, featuring Vancouver vocalist Adaline.
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This track started out from a Korean Restaurant sign that had letters missing, spelling Korean Aurant.
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This track is one of my oldest, but I still like it.
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The russian sample was too good to pass up, I love when you hear the track come together in your head.
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I came up with the initial rhythmic riff on my bass, then looped it to create the basis for this track. Then, I layered another "lead" bass track on top of that, added some percussion, and finally topped it off with an electric piano-ish sound…
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This song is made up of all animal samples, besides the bass and drums. Video coming in the summer!
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Nice flowing vocal track with the help of talented Michael Ackhurst.
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Based on phone messages I received during a one year span, this track took a long time to complete, with many people adding awesome messages that needed to be in the song!
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Second single off of Palettes to Burn, also featuring the lovely vocals of Vancouver artist Adaline.
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Originally a band name my friend made up, this song took a life of it's own when Pim Boewens gave me his guitar parts.
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Alfred Hitchcock has been a big influence on me through the years, easily one of the best directors ever.
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A fun hip hop based track, one of the first tracks I ever did. The inspiration comes from Della Reese in Harlem Nights, when she fights Eddie Murphy. Classic.
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A great remix done by Vancouver artist Calamalka.
He shines a light on it from a totally different angle, and captures it with his own style.
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This is the original version, the light to the dark of the other. The Max Ulis version ended up on my album, he did such a good job I couldn't pass it up.
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Kind of a chillout, lullaby type tune.
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Notes:
I think the shaker comes in too strong. I think the intro goes on for probably 1 or 2 more phrases than it should.
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this is song is about all the times you make plans with someoneconstantly and they blow you off for no good reason like to sleep or play wow...lol it also gives a nod to the fireside bowl in our hometown chicago and how the neighbors stoped shows…
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this is a song about zombies and zombie movies...this is also a rough demo version and its unfinished we are taking a different approach to recording it this time. if you are interested in seeing us live and live in or around chicago, look us…
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This is just a blues progression that you have probably heard before. All instruments were played by Barry Morgan, and the song was mixed and mastered in his home studio.
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A nice Spanish guitar piece composed and played by Barry Morgan. All instrumentation by Barry and mixed and mastered in his home studio.
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A jazz tune featuring flute, sax, and one slightly out of whack Fender. All instruments played by Barry Morgan and the song was mixed and mastered in his home studio.
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This is an "unplugged" version of a song that features a nylon stringed acoustic guitar. All instruments played by Barry Morgan and mixed and mastered in his home studio.
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This song displays some of Barry Morgan's work on the keys. Mixed and mastered in his home studio.
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