(Remastered 22/10/2021)
And here's another song from 1994, with a sparkling new "Andrew Russe Band" arrangement fresh from the broom-cupboard.
Like most of my songs, it was written with an acoustic guitar, a pen, and an A4 pad. The ones…
1994 offered just the kind of eye opener a nano second can unexpectedly bring you. You have a great soundtrack going for 1994. Please continue to indulge us.
(Remastered 22/10/2021)
And here's another song from 1994, with a sparkling new "Andrew Russe Band" arrangement fresh from the broom-cupboard.
Like most of my songs, it was written with an acoustic guitar, a pen, and an A4 pad. The ones…
Good to get a discussion going now, even if a bit round the houses!! Glad it wasn’t just me re the Floyd thing on this track, and now reading other comments from your thread, I can agree some Tull influence too...a rather excellent combination! I was late to the Floyd party, to be fair, being a total Genesis nut since forever, but then when I was invited to join a PF tribute in 2008 for a few years, grew to love their music totally.....
(Remastered 22/10/2021)
And here's another song from 1994, with a sparkling new "Andrew Russe Band" arrangement fresh from the broom-cupboard.
Like most of my songs, it was written with an acoustic guitar, a pen, and an A4 pad. The ones…
Hi there...this is the only was I can see to thank you for your regular positive comments for my orchestrations and Soundscapes!! But can I also now say that I love the feel of this track...may I say a bit reminiscent of Pink Floyd?....especially the lead solo..
(Remastered 22/10/2021)
And here's another song from 1994, with a sparkling new "Andrew Russe Band" arrangement fresh from the broom-cupboard.
Like most of my songs, it was written with an acoustic guitar, a pen, and an A4 pad. The ones…
That shoe box from 1994 must literally be vibrating with energy.... Like someone up in outer space could see it's energy field from a million miles away. This one is gut wrenchingly beautiful. Amazing emotion.
(Remastered 22/10/2021)
And here's another song from 1994, with a sparkling new "Andrew Russe Band" arrangement fresh from the broom-cupboard.
Like most of my songs, it was written with an acoustic guitar, a pen, and an A4 pad. The ones…
(Remastered 22/10/2021)
And here's another song from 1994, with a sparkling new "Andrew Russe Band" arrangement fresh from the broom-cupboard.
Like most of my songs, it was written with an acoustic guitar, a pen, and an A4 pad. The ones…
(Remastered 22/10/2021)
And here's another song from 1994, with a sparkling new "Andrew Russe Band" arrangement fresh from the broom-cupboard.
Like most of my songs, it was written with an acoustic guitar, a pen, and an A4 pad. The ones…
(Remastered 22/10/2021)
I was asked (told?) to upload something happy. Hmmm, I thought. This will end well...
So, a few days later, I was rehearsing a pleasant little thing I wrote several years ago that has a working title of "She Was…
(Remastered 22/10/2021)
And here's another song from 1994, with a sparkling new "Andrew Russe Band" arrangement fresh from the broom-cupboard.
Like most of my songs, it was written with an acoustic guitar, a pen, and an A4 pad. The ones…
(Remastered 22/10/2021)
And here's another song from 1994, with a sparkling new "Andrew Russe Band" arrangement fresh from the broom-cupboard.
Like most of my songs, it was written with an acoustic guitar, a pen, and an A4 pad. The ones…
(Remastered 22/10/2021)
And this is the last of the little threesome of In Your Hands, Little Thing, and this one, When I Try To Be Me.
It's in the key of 4th fret and was written just over a month later than the other two, on 19th March…
morning Andrew. Your secret Celtic self is peeking out here, I think you should be your self more often on this highland rank , cus I think its sweeeeeeet
(Remastered 22/10/2021)
And this is the last of the little threesome of In Your Hands, Little Thing, and this one, When I Try To Be Me.
It's in the key of 4th fret and was written just over a month later than the other two, on 19th March…
(Remastered 22/10/2021)
And this is the last of the little threesome of In Your Hands, Little Thing, and this one, When I Try To Be Me.
It's in the key of 4th fret and was written just over a month later than the other two, on 19th March…
(Remastered 22/10/2021)
And this is the last of the little threesome of In Your Hands, Little Thing, and this one, When I Try To Be Me.
It's in the key of 4th fret and was written just over a month later than the other two, on 19th March…
(Remastered 22/10/2021)
And this is the last of the little threesome of In Your Hands, Little Thing, and this one, When I Try To Be Me.
It's in the key of 4th fret and was written just over a month later than the other two, on 19th March…
(Remastered 22/10/2021)
Here's the very latest from the broom-cupboard.
I wrote it one dark night over 23 years ago.
****
**All I Have To Do - A A J Russe**
There isn’t much time to get this out
You won’t hear me if I have to…
Ok, grabbed me right away with that unexpected chord shift in the intro. I love your songwriting, man. The variety, the sonic palettes, the lyrics, the playing, the inventiveness, all of it really; it's such a pleasure to sit, listen, and lose myself in the song.
(Remastered 22/10/2021)
I was asked (told?) to upload something happy. Hmmm, I thought. This will end well...
So, a few days later, I was rehearsing a pleasant little thing I wrote several years ago that has a working title of "She Was…
(Remastered 22/10/2021)
And here we go - Edith FINALLY gets it...
Actually, she's been getting it ever since I wrote it on the 29th May. I thought it would take a week or so, but it proved to be more of a fight than I was expecting.
On…
Oh yeah...the slide just kicked in and the hair on the back of my neck stood up. Killer groove, the bass and drum lock up, along with the Rhodes...... Love the space in this mix too. Damn, Andrew, you are on fire. It's good to hear you making music again. Selfishly speaking, it's inspiring.
(Remastered 22/10/2021)
OK, let's delve once more into the magical shoebox of unused songs...
I've already recorded several that were written in 1994 (Sleeping with the Ghost, Elizabeth's Room, With Mum Again, If You Knew, A Hundred and…
Exhales...man. I'll just say this is really, really powerful. And tough to listen to since I think I know where this is from. On a production note, whatever mics you are alluding to where a good acquisition. I love how your acoustic has been sounding on these cuts this morning.
(Remastered 22/10/2021)
Now here's a bit of an oldie - the second song I ever wrote. In... 1978!
I think I played it once, or maybe twice, at school assemblies. My musical peers and colleagues back then dismissed it as corny/rancid pop music…
Fresh breeze on Lake Superior
And waves collide with the shore
The sailor must be watching
For gusting wind we can’t ignore
Loose the main, correct the healing
Point the bow to the wind
Recognize the peaceful feeling
In this sacred…
You know this story the apple tree, the snake.
it takes Hope and latin drums to kill a snake
don't leave home without your hand drum and you will thrive
Wow. Amazing track. Starts all fairytale-like, then it evolves into something entirely different - can't make my mind up whether it's threatening or "hey let's party whether you like it or not"... but it's certainly insistent... And then I'm back home to fairytale land... but I feel slightly changed and not quite the innocent I was before... The tinkly little theme that I enticed me earlier sounds a little more sinister now.
Overall this one seems okay to me. The performance is pretty awful, but this song is all right. I don't like the transition from the first hook into the first verse. It feels awkward, but the second time seems better. Weird. Is it just a…
Cool chorus on this one... but you're right there's something... It really shines later on after the bridge- I like the interaction between the vocal, bass and guitar - really bounces. But earlier it doesn't have the same effect and I can't really spot the difference - except the later one is surrounded by instrumental and maybe feels looser? The earlier ones feel a bit "held back" and "correct", and they don't draw attention to themselves like the later one. They also leads straight into and out of a verse section that doesn't sound a lot different - maybe you're right, maybe volume? Maybe take the drums down on the sung verses? Something to make the chorus stick out more? But yeah, this is a cool one.
The desert heat can twist a mode as the ears suffer a mirage .
Twist twisted spin in the heat your senses are turned senselessly swirling octaves high
Made possible by Gibson’s brilliant P - 90 ‘s
Another voyage out into the unknown with my newly acquired guitar that I'm learning to play... The first part reminds me a bit of 'Will You' by Hazel O'Connor...
Lyrically it starts quite bleakly but goes on a bit of journey, ending on a positive…
Here's a new song.
Just me...
KC
------------------------------------
I've been callin' your number – I was so alone
I've been callin' all night long – You didn't pick up your phone
I want to hear you whisper – Sweet things in my ear…
DJチーズ2600 approached So?ing Machine with some song seeds. Their care instructions involved atypical rituals. Once performed, songs rapidly sprouted forth. (This is one of them. You must sit and listen.) Then a guy in a suit leaned out of a helicopter…
I agree with Guest (47.189.109.204) - "you're not done with this one" - I think there's another version, somewhere between the original and this one. It's a gorgeous song.
BEAVERS AND WILLOWS
Capo @ 5 in C
FCG FC FCFG
F C G F C
Like beavers and willows
Bats and mosquitos
F) Toad C) frogs and F) flies (G
DA DA - E Am G C
Algae and oil spills
Shovels and coal hills
Black holes…
I found this kinda challenging at first... so I listened to it again, (and again!)... and now I'm kinda "WOW!" about it. The melodies and chords are amazing.
Another song that doesn't really stand out to me. This one is a little embarrassing though. The tempo is set at 85 beats per minute. Originailly it was 95 beats per minute. Why did I change it? Because I couldn't pick the guitar part in the…
Comments on Andrew Russe's stuff
1994 offered just the kind of eye opener a nano second can unexpectedly bring you. You have a great soundtrack going for 1994. Please continue to indulge us.
Good to get a discussion going now, even if a bit round the houses!! Glad it wasn’t just me re the Floyd thing on this track, and now reading other comments from your thread, I can agree some Tull influence too...a rather excellent combination! I was late to the Floyd party, to be fair, being a total Genesis nut since forever, but then when I was invited to join a PF tribute in 2008 for a few years, grew to love their music totally.....
Hi there...this is the only was I can see to thank you for your regular positive comments for my orchestrations and Soundscapes!! But can I also now say that I love the feel of this track...may I say a bit reminiscent of Pink Floyd?....especially the lead solo..
That shoe box from 1994 must literally be vibrating with energy.... Like someone up in outer space could see it's energy field from a million miles away. This one is gut wrenchingly beautiful. Amazing emotion.
Oh so descending front ending then ascend to a massive middle eight . Great forward motion . Cutting slicing lyrics. Does it for me Jethro
Absolutely top-drawer in terms of composition, performance and sonically 👏
Different and beautiful. I like the build and drop, high/low contrast in the song.
Just had my daily listen to this song ...love everything about it 😎
Love the slow pace of this piece, gives it a bit of a solemn vibe Very well written and performed Good one, Andrew! KC
Haunting ... and beautifully arranged. Definitely well described as “glass completely bluddy empty” though
morning Andrew. Your secret Celtic self is peeking out here, I think you should be your self more often on this highland rank , cus I think its sweeeeeeet
Love the guitar on this :) They've certainly stood the test of time! x
Love that unexpected chord change in the middle eight - Great work!
I love that wooden acoustic sound. Nice little hook in there. It’s another winner Andrew.
This group of songs is just amazing. To think about you writing them in '94... amazing. Your guitar is just gorgeous on this one. Awesome all around.
Ok, grabbed me right away with that unexpected chord shift in the intro. I love your songwriting, man. The variety, the sonic palettes, the lyrics, the playing, the inventiveness, all of it really; it's such a pleasure to sit, listen, and lose myself in the song.
This is great, simply great. I love how you are able to sing this so well, even with your tongue firmly planted in your cheek.
Oh yeah...the slide just kicked in and the hair on the back of my neck stood up. Killer groove, the bass and drum lock up, along with the Rhodes...... Love the space in this mix too. Damn, Andrew, you are on fire. It's good to hear you making music again. Selfishly speaking, it's inspiring.
Exhales...man. I'll just say this is really, really powerful. And tough to listen to since I think I know where this is from. On a production note, whatever mics you are alluding to where a good acquisition. I love how your acoustic has been sounding on these cuts this morning.
Oh, and the ending...love the fade out flourish.
Comments made by Andrew Russe
LOVE those sounds.
Oh yeah, smooth sounds.
And this gives me some release - but not loads! I was going to ask if it's an ebow, but it's not is it? Sounds like a real bow?
I find this one a slightly more challenging listen!
This one follows Hopey Changey really well
I listened to these the other day while I was doing something else... I forgot to come back and comment. This is a gorgeous sound.
Wow. Amazing track. Starts all fairytale-like, then it evolves into something entirely different - can't make my mind up whether it's threatening or "hey let's party whether you like it or not"... but it's certainly insistent... And then I'm back home to fairytale land... but I feel slightly changed and not quite the innocent I was before... The tinkly little theme that I enticed me earlier sounds a little more sinister now.
Cool chorus on this one... but you're right there's something... It really shines later on after the bridge- I like the interaction between the vocal, bass and guitar - really bounces. But earlier it doesn't have the same effect and I can't really spot the difference - except the later one is surrounded by instrumental and maybe feels looser? The earlier ones feel a bit "held back" and "correct", and they don't draw attention to themselves like the later one. They also leads straight into and out of a verse section that doesn't sound a lot different - maybe you're right, maybe volume? Maybe take the drums down on the sung verses? Something to make the chorus stick out more? But yeah, this is a cool one.
Foot-tapping and exotic. Loving those p90 vibes.
Oh yeah, nice one.
Aha! Can't beat a falling bass line (I'm working on several things at the moment, and they've all got falling bass lines) ... Nice one, like it.
Intriguing sounds, quite a ride.
I agree with Guest (47.189.109.204) - "you're not done with this one" - I think there's another version, somewhere between the original and this one. It's a gorgeous song.
And a new verse! I listened to all three versions again - this is the one (which is probably a good thing, as it's the latest!!)
Oh yeah, I remember this from the other day on songcrafters. Love it.
Oh yeah, gorgeous sounds.
Cool sounds
Like I said - WOW!
I found this kinda challenging at first... so I listened to it again, (and again!)... and now I'm kinda "WOW!" about it. The melodies and chords are amazing.
Wow - those leads! Nice one