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This track is an idea that stands out among the sea of bad ideas that come out of my head. This is one idea, this isn't a clip of a whole song. Let me know what you think!
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This track is an idea that stands out among the sea of bad ideas that come out of my head. This is one idea, this isn't a clip of a whole song. Let me know what you think!
Uploaded
This track is an idea that stands out among the sea of bad ideas that come out of my head. This is one idea, this isn't a clip of a whole song. Let me know what you think!
Uploaded
This track is an idea that stands out among the sea of bad ideas that come out of my head. This is one idea, this isn't a clip of a whole song. Let me know what you think!
Uploaded
This track is an idea that stands out among the sea of bad ideas that come out of my head. This is one idea, this isn't a clip of a whole song. Let me know what you think!
Uploaded
early experimentation with a guitar and acid pro.
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We've scrapped many songs but 'Murray' is the oldest song that has survived the test of time.
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‘Cut Up’ was a very challenging song for writing bass parts. The guitars in that song are rhythmically dominating. The pay off was a dense piece of music.
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This song always puts you in a weird mood...forcibly sways your emotional state. There’s some kind of weird juju laced in that song that screws with your emotions no matter how you're feeling.
This song uses a lot of layers for bass along with…
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A shorter, doubled and panned version of "Wubbity Woo," made with Creative Commons sample from FreeSonds.org: 40171_ERH_a_min_eh_strings_arp.wav
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Musta been December cause the air mighty cold
A family was moving in, further down the road
They were not the colour of the others in the street
All the kids were laughing at the trainers on their feet
I was only young and so I guess I laughed…
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I was a babe
You was a man and i was a child.
Oh and the pain
You was a man and I was a child.
You shifted the blame
Onto the child
I never forgave
And if you were here you'd see a man gone wild.
Through the eyes of a child. x3…
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05 – Officer’s Mess (March). Written and recorded 2nd Feb.
This is as close to beat-boxing as I am able to do. I can only apologise for the smutty pun.
Info and lyrics at www.butterflypolite.com/uglifruit
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06 – Lullaby. Written and recorded 14th Feb.
A song for the sleeping.
Info and lyrics at www.butterflypolite.com/uglifruit
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11 – Eventually (Pop Song). Written and recorded 1st Feb.
A joyous celebration of the lie ‘Ladies First’. Honestly - this is pure filth, start to finish. Cover your ears.
Info and lyrics at www.butterflypolite.com/uglifruit
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12 – Goodbye From The Okay Chorale. Written and recorded 22nd Feb.
‘Til next time.
Info and lyrics at www.butterflypolite.com/uglifruit
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A story about farmers, and how they are squeezed out of success.
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Written while awaiting a CD from one of the artists who participated in the 08 version of RPM.
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The cosmic equivalent of standing on a ledge and jumping off, except, like Mr. Hawking established, black holes sometimes regurgitate their meals - the original matter is usually corrupted in the process.
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From the RPM 2009 album: "Like A…
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"In a reformatted world with deleted people, there are still enough dead links that some individuals might indirectly be aware of the existence of those deleted. To everybody else, they'd seem either spiritual and/or mentally imbalanced…
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The final version of this track:
When escaping events that are falling apart, be leery of strangers offering gifts - particularly when they look like something out of Children Of The Corn and they offer to lob you into orbit with a giant catapult…
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The first casualty of my severe lyric-crisis this year. Could have been a good song. Is an OK-ish instrumental now.
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Trying out a Carol Kaye-inspired bassline here (not completely succesfull; gotta work on my timing some more) and again didn't manage to come up with lyrics. Espresso Martini is a really nice cocktail with coffee you can get at the club/bar where…
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I started this one at the end of januari in preperation for RPM. I added lyrics and vocals in february. So it's kind of a bonustrack. Just another throwaway popsong with the awesome stylophone in full effect.
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Song about a girlfriend who's a nymphomaniac and feels forgiven when shes horny but as soon as she cools down reality kicks in.
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Song about a guy that feels he's more bad than good for his relationship.
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this was one of the hardest to do, the 2nd half was great, but i hated the first half and was stressing with getting it to gel. so i scrapped it completely and started over. i think it was a wise decision.
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that is not a sample you hear in the background, it is the dryer going. leave it in? okay, sure i'll leave it in. it's these artistic decisions we're all forced to make.
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another one i always play on the guitar, inspired by Nick Drake's stuff; half way through this song goes into unknown guitar improvisational territory, where i just played over my own stuff after looping it
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*Dark modern electronic guitar rock*
You can hear it just below the blowing wind
Feel it in the nerves beneath your skin
Catch a glimpse as you drift away at night
But you can’t decode the meaning inside
Distant shrieking sets your teeth…
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An attempt to evoke images that weren't in the first-person. I tend to write in abstract fragments and this piece is no exception.
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this is based on the soundtrack of a film called september clues very interesting dunno if its true but fun all the same for conspiracy nuts....
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A bit less percussion and a bit more rhythm was the idea for this. I say that, but the track had a fully formed drum track alongside it until right at the last when I discarded it in a fit of creative temperament.
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This song was recorded illegally. Please don't rat us out.
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*Electronic rock. Sounds like* **_IAMX_** *and* **_Depeche Mode_**
This is much better than it’s ever been before
Much more real
More rich
More speed
More more
I feel like I could go forever and it only hurts when I stop
This is much…
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*Electronic rock*
I am painting a picture with blood and wire
I am writing my story in glass and fire
It's almost right
It's almost nice
Just one more twist and I'll be fixed
Perfect, so perfect
This pound of flesh
Perfect, so perfect…
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Jim Tyrrell - Keyboards, Writing, Arranging
Brett Picknell - Bass, Drum Programming, Arranging
George Brown - Guitar, Lyrics&Melodies
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George Brown - Music & Lyrics, Guitars
Brett Picknell - Bass, Drum Programming
Jim Tyrrell - Keyboards
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Brett Picknell - Music, Bass, Drum Programming
George Brown - Guitars, Lyrics&Melodies
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An upbeat hip-hop type number. Made mostly in Reason as I recall.
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A sort of electronic/post-rock thing. Came up with a wee tune on the rhodes and built around it.
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I tried so hard to write vocals for this. I even had some recorded but couldn't bear to leave them on. Anyone else wants to give it a go, let me know :)
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This is a track from our album "Fallen They Be" submitted as a part of the RPM Challenge 2009.
Guitar - James Blair
Guitar, Drums - Jason Hannah
Vocals, Keyboards - Casey J. Payne
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This is a track from our album "Fallen They Be" submitted as a part of the RPM Challenge 2009.
Guitar - James Blair
Guitar, Drums - Jason Hannah
Vocals, Keyboards - Casey J. Payne
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written as it was recorded as a live 3 piece, we then slathered it with vocals, and chris kearsey on guitar. Fun stuff!
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(1 of 5 in "Tree Haus" cycle) I regret not doing more about the stodginess of this song - it's the lowpoint of the album to me. Perhaps you disagree but I still wince my way through this. Alas.
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(5 of 5 in "Tree Haus" cycle) The conclusion of my mid-album epic. The last two minutes or so were highly influenced by Muse - years ago I spent a lot of time listening to their album, "The Origin of Symmetry" and it has affected both my singing…
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I love the Commodore 64. Still have two of them. And a C-128. For me, this song captures the loony spirit of some of the Commodore games I loved playing.
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Distorted synths and drums, with some grit and an e. e. cummings poem read by the man himself. I am particularly fond of how this one came together, especially at the end.
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A dance sundae with some samples sprinkled on top. Not my favorite, but was fun to record.
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A lonely, slow, tune... with a forlorn and sometimes tense distorted guitar (actually my bass). Good music to listen to as you zone out and stare into space.
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Rhythmic groove with bass and "guitars". In addition to the obvious bass track, the two distorted "guitar" tracks are actually also basses, EQ'ed and altered with various effects to sound less bassy and more guitary.
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This is the first track I recorded for my 2009 RPM Challenge CD. The music was written in January, but the lyrics were written by a good friend of mine, Sparky Adams, in 1972 right after he returned from Vietnam. Check it out!
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Written and performed quickly (approx 2 hours) during a "dark day". This is not a political song but rather a song about the "helpless feeling" during the current strange economic times.
When I used to get down I'd put on an old song I loved…
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Track 2 from the 2005 RMR release "Spoke Of Shadows".
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Track 3 from the 2005 RMR release "Spoke Of Shadows".
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Track 7 from the 2005 RMR release "Spoke Of Shadows".
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Track 6 from the 2005 RMR release "Spoke Of Shadows".
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You know who to call when your secrets need service! I'm under cover... under YOUR covers. Boo yeah.
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Beep. Boop. We are robots and we want to make babies!
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This was supposed to be a tribute to Daft Punk, the kings of the talking robots, but we ran out of time. Instead it's half a joke.
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music from the album Inside Words.
Instrumental and ambient sound
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It's actually a redo of one of my earlier songs. I changed the lyrics a bit, the title and rerecorded the whole thing. The original is called, "I've Changed."
I've got a really painful head cold right now. I thought between bouts of pain I would…
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Goth/folk...Vocals and lyrics by Laura Aalto
This is a companion piece to "Vision in Silver"
From the 2009 Alchemist Corpse Rite entry in the RPM Challenge: "A True and Faithful Relation"
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A dark ambient/ritual track.
From the 2009 Alchemist Corpse Rite entry in the RPM Challenge: "A True and Faithful Relation"
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Instrumental goth/industrial
From the 2009 Alchemist Corpse Rite entry in the RPM Challenge: "A True and Faithful Relation"
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A dark ambient/ritual track.
From the 2009 Alchemist Corpse Rite entry in the RPM Challenge: "A True and Faithful Relation"
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