alonetone radio: Popular
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this being a few minutes less then half, what ever that means, was chopped due to megabyte restraints that went over 40 anyway gf.. very minimal and building with in the changes are changes in time/space too.
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the first net realease of the microkorg xl synth stuff, just setting into the experiment now.
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Mohamed Osman Mohamud like all domestic terrorists was a pawn for the FBI.
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Jqscutt had this guitar riff that he sent me and we worked out a song with bass, rhythm, lead and drums over the internet. I posted it for a collab for some key additions. This was added by TiS friends K-Lyd and Coruz. Later, they found Liam…
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Remembering when we were special. Were you special?
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She turned to him, looked him straight in the eye and said "I don't love you no more"..........
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Inbetween serious and slow composing the urge came to smash some things up, so play it LOUD
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Merry Christmas!
I really hope this brings some peace, to a troubled soul...
Jesus Loves you so very much, Rest in Jesus.
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cat nippy snippet when ur wall paper isnt enough to drive you scratching...meow
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This is a soundscape for a piece of artwork I have on another site you can see it here
http://f-stopped.deviantart.com/
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Previously released as "a little moon music", Here, used as the background for a video i made in Oct of Great White Sharks http://www.youtube.com/watch?v=iX5R3lrxmYs
This is not the typical Discovery Channel version, here i saw the more languid…
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The Trumpets in love and wants everyone to know......
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RosaLinda, unbeknown to me took my song Ellis Road and made this fantastic song called "Tactual Sensation." I was very pleased!! Linda is from Sweden and now lives in Norway. She does not have an account here but perhaps soon. Anyway enjoy.
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Instrumental named after the street I live on (for want of a name and LOL I live on Ellis Blvd.) any way the base for "Tactual Sensation."
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an improv with the ol pedal steel, with loads of fx. Spent a lot of time trying to get the noise off this track, but had limited success.
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You saw her. You realised it was a Love thing you were feeling...................
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It's a part of the song I'm working on,
maybe the rest of it lands in the garbage can where it belongs to.
The vocal part's intention was to be a capella,
but the piano impro is suitable... somehow.
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more of the condensed version but nice as electronics going ons..
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snippets from a live jam pasted over a bleep!Box beat with some Paulstretch at the end.
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This is my first recording using new software logic pro 9.
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A Concerto for Flute and Orchestra
EMFEB and Ben Elln
Flute: Gareth McLearnon.
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Concerto for Piano and Strings
Played in Jersey by EMFEB and Ben Ellin
Piano: Chris George.
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A Concerto for Horn and Orchestra.
Played in London by EMFEB Orchestra under Ben Ellin.
Horn: John Davy
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Happy holidays! I recorded this jazz rendition of "Greensleeves" a couple of years ago for the Holiday Challenge presented by Sidedown.
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This tune is the bastard love child of Fever Ray and The Conet Project... dark, mysterious, and grooving. I hope it makes you feel like a spy! :)
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(Syd Barrett) - early Pink Floyd song written by Syd. I gave it an Eastern treatment with harmonium, hand percussion, and guitar.
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Recorded in 2005.
Joe Silence - vocals and all instruments; tracked by Joe Silence at Spit Recorders.
Mixed by Joe Griffin of Toxic Bag Productions.
The guitar solo is not actually a guitar.
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Here's a very early version of a new song, not sure where to take it but it's a start!
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from the new album "the Hardest Blow" featuring vocals from Ashley Reynolds.
I asked the man is he blown away
He said "son, not today,
But that's ok man, it's just ok"
Just ok
So I tried harder, I tried so hard
To kill that man with my…
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song icon by Elaska
Free Sue is a work for spoken choir, bowed piano in 18 notes per octave, mallet piano in 18 notes per equal, strummed piano in 18 notes per octave, tabla ensemble, snare drum, frame drum ensemble and various gongs. It is…
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A metaphor for the emotional carnage we leave behind us in life.
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A little something for the holiday season. Tonik thinks he has this "drumming" thing figured out.
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Ya know, driving around in a cold winter snow storm picturing tropical islands.
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a field recording/sound collage from last Saturday at the Fort Worth MOMA. Sounds inside the Serra sculpture Vortex, and the African percussion/dance ensemble Jumbie.
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This is an orchestral piece composed in 13 note subset of 31 notes per octave called “Orwellâ€. The purpose of this piece was to study polyphonic voice leading in a microtonal context. It was realized via Sonar 8.5 and Garritan Personal Orchestra…
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This is a remake of Samba do Bonde, now with portuguese lyrics. A loose translation below:
Priviledge, the two of us here
to sit, converse, to feel
the warmth of friendship
always too brief
just a give and take between immortals
(close…
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An original composition on guitar.
Kindly excuse for some sloppy guitaring.
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Loop based mixing/remixing on Acid Music and Fruity Loops.
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Loop based mixing/remixing on Acid Music and Fruity Loops. Guitar parts are not by me.
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Loop based mixing/remixing on Acid Music and Fruity Loops. Guitar parts are not by me.
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Loop based mixing/remixing on Acid Music and Fruity Loops.
The track is meant to be played in continuous loops.
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This is a live recording done a few weeks after writing this song. It will be released on the upcoming "jalipaz" E.P.
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True ambient. Be patient. It might be not so easy to get an idea of the piece. It will likely take couple times to listen to it.
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from the album "the Hardest Blow" featuring vocals & samples from Barney of Vivian Circle
I’m just singing for the war, inside me
Four thousand soldiers dead, maybe more, maybe more
It’s hard to read between the lines, so blurry now…
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There are times, moments, sounds, shadow falls that take us to and bring us back to magical times in our lives,,,Something in this piece by Johnny Mercer & Henry Mancini,, can pull me in so many different ways,,, it's always been a favorite…
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Recorded in 2001.
Tom Higgins - vocals
Joe Silence - guitars
Mark Cook - fretless bass and beats
This track sounds kinda fuzzoid for a reason: It was originally recorded to a Roland VS-880 hard disk recorder, but then mixed to cassette…
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Recorded in 2006.
Joe Silence - guitars, beats, vocals
Mark Cook - fretless and 12-string basses
Originally written by Russell Cowser.
New arrangement and additional material by Joe Blair.
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from the new CD "Orange"
You can feel the sameness, all around
Beat tomorrow, into the ground, a-ha
It's just the weight of sound
You can smell forgiveness, if you try
And hold back sorrow until you cry, a-ha
It's just the weight of sound…
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Recorded in 2005.
The keyboard sound in the second half is a backwards electric piano processed through a triggered filter (kind of like a Mutron III).
Muted the vocals cos I'm not too pleased with the lyrics or performance.
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a piece that's a bit older, and one of my first attempts at using a music synth
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I am leaving this week for a while but couldnt resist adding as the third collaborator on this excellent track by Keith Landry and Osckilo before I go.
Added some bass,ambient stings, and of course sleigh bell
Hope you guys like it.
See you…
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I sat down at the computer and recorded this one. No fancy edit here.
I would to have had a Fiddle, and a Penny Whistle mixed in too.
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Ah I hope that my title is not overly presumptious...I love funk and just assume every one else does too :)
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Lyrics are from a poem inspired by the Picasso painting of the same name, written by Trevor Lewis.
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Recorded the first half on the fly,
just lyrics and some ideas floating around.
Didn't even practice singing before this.
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This song was recorded in Oct. 2010, but it was written in 1970 or 71 after a phone call from my brother Joe who was on the lam from the law and living in Northern CA. The song proved prophetic. He was found dead of a drug overdose in Panhandle…
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