'Tis the gift to be simple, 'tis the gift to be free
'Tis the gift to come down where we ought to be,
And when we find ourselves in the place just right,
'Twill be in the valley of love and delight.
When true simplicity is gain'd,
To bow and…
Copland, not "Copeland" -- atone for your spelling sin and honor this dearly departed patriotic pinko by listening to his Symphony No. 3 TODAY!!! -- DrBill
Antoinette plays keys, Anonymous plays drums, Evan is guitar left, Chris is guitar right (sorry I was a jerk and too loud) - This dates from 1977 when I was a classical major and Antoinette a piano major. Even though this improvisation was from…
This is some good fu-fu with good ju-ju. Thank the Almighty for the "minor miracle" of magnetic tape, which the Library of Congress well-knows may need baking from time to time but is a format that bonehead computer-science nerds can't render obsolete by declaring it no-longer-supported. Thinking of you, my one-time Ivy brother. -- DrBill
Winter 1977 / 1978 - band is Clay percussion, Evan guitar and guitar pedals (synth sounds), Mike Barry piano, Mike Craddock bass, and Chris guitar (with echo / volume pedal)
This was the next to last jam of the night
Only just seen your reply on this one - about HAIM's version of the Fleetwood Mac song... I keep getting recommended it on youtube - I shall press play ..... WOW! The reason I keep getting recommended it is because I'm a big fan of Larkin Poe, have you heard of them? Check out their "Tip O the Hat" series of home vids - two sisters, lead and backing vox, six string and... a KILLER lap-steel player (thinking of getting one)(a lap-steel, not a Megan Lovell, she's already taken!)
wow---Darmok with hands held open.. :)
It could have a counterpoint track added from a synthesizer performance that could happen-- maybe using this work as part of the synth construction--???
Winter 1977 / 1978 - band is Clay percussion, Evan guitar and guitar pedals (synth sounds), Mike Barry piano, Mike Craddock bass, and Chris guitar (with echo / volume pedal)
This was the next to last jam of the night
Andrew, sorry - I wasn't even think of that even though I saw a live show video by HAIM where some young ladies from southern California ripped that cover song up! Worth a search!
Winter 1977 / 1978 - band is Clay percussion, Evan guitar and guitar pedals (synth sounds), Mike Barry piano, Mike Craddock bass, and Chris guitar (with echo / volume pedal)
This was the next to last jam of the night
So I put 77/78 together with the title "Oh Well" and came up with... "wow! they played that?... ummm... er... ok... when does the riff start then??" lol ... Once I got to the end, I realised it obviously wasn't ever going to burst into "I can't help about the shape I'm in / I can't sing, I ain't pretty and my legs are thin"... So I went round again... and appreciated some very cool sounds. In fact, this is mighty cool.
Thank you Greg, Colleen, and Andrew for your comments. I need to add a little more from that day so long ago.
The Battle for Layfayette Square were improvisational warm ups and cool downs for practicing this progressive rock attempt that clocks…
Thank you Greg, Colleen, and Andrew for your comments. I need to add a little more from that day so long ago.
The Battle for Layfayette Square were improvisational warm ups and cool downs for practicing this progressive rock attempt that clocks…
Thank you Greg, Colleen, and Andrew for your comments. I need to add a little more from that day so long ago.
The Battle for Layfayette Square were improvisational warm ups and cool downs for practicing this progressive rock attempt that clocks…
Antoinette plays keys, Anonymous plays drums, Evan is guitar left, Chris is guitar right (sorry I was a jerk and too loud) - This dates from 1977 when I was a classical major and Antoinette a piano major. Even though this improvisation was from…
I was listening to Jesmiaus earlier Trick of your love (RPM2012) and it gave me an idea for my first RPM this year...so thanks Will...... hope you all enjoy this....i did doing it...they say smoking weed can make you schitzophrenic but i’m not…
This is a live cut from an NPR radio broadcast back in 1988 while my Irish Trad group Scartaglen was on one of its first east coast tours. Found recently on a cassette tape. Musically this was one of my favorite periods in the history of the band…
Hi Kirk, typically it is easiest to start talking about notes as numbers in the tuning. So say for instance a a fifth would be from note 1 (or 0) to note 12 (11). This page may help http://xenharmonic.wikispaces.com/19edo
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
This is a live cut from an NPR radio broadcast back in 1988 while my Irish Trad group Scartaglen was on one of its first east coast tours. Found recently on a cassette tape. Musically this was one of my favorite periods in the history of the band…
Hi Kavin, if your new tuning changed the length between the 5th and 6ths fret for instance then, no you could not accomplish this by changing the tuning of the open strings.
On the other hand you can make a small trip into microtonality by retuning the open strings a quarter flat or sharp relative to each other.
2011 according to Regs research was pretty shit for most apart from the couple from England......it thought i would use a Chinese theme to the music being that they own it and it was the year they were able to buy most of it cheap.....note to…
Quite excellent and I'm only 2 minutes in. This is an amazing composition of ever changing aural landscapes. Wonderful!! and I'm 14 minutes in. At 15 minutes in I downloaded this piece. By 21 minutes you have taken me to a new never seen before aural vista overlooking the eternal. What an incredible transformation to an organ-ish sound at 25 minutes. Wow... the symphonic length was filled with symphonic sound. I love your piece! The closing flute like tones from your ebow is just perfect.
Original song using:
Martin 12 String Guitar
Gibson J 200 Guitar
Deering Senator Open Back Banjo
Gibson SG Bass Guitar
Lyrics:
Tonight - Written by Greg Connor
The wind is blowing hard tonight
The moon and stars are shining…
Spare a thought for those with nothing this Christmas..... Homeless with no family.........and no one to help.......
CHRISTMAS ALONE (Lyrics)
Nobody is listening no body knocking on my door
nobody is near me nobody wants me
i’m nobody’s…
Original song using:
Martin 12 String Guitar
Gibson J 200 Guitar
Deering Senator Open Back Banjo
Gibson SG Bass Guitar
Lyrics:
Tonight - Written by Greg Connor
The wind is blowing hard tonight
The moon and stars are shining…
Original song using:
Martin 12 String Guitar
Gibson J 200 Guitar
Deering Senator Open Back Banjo
Gibson SG Bass Guitar
Lyrics:
Tonight - Written by Greg Connor
The wind is blowing hard tonight
The moon and stars are shining…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This rough track uses my Blue Just Tuning system (go to www.johnsmusic7.com for details and a photo of the guitar). This is the same tuning Chris Vaisvil used in his Excluded By Peers piece. I hope to add some lead to the track soon.
Comments on vaisvil's stuff
nice stuff
And this gives me some release - but not loads! I was going to ask if it's an ebow, but it's not is it? Sounds like a real bow?
I find this one a slightly more challenging listen!
This one follows Hopey Changey really well
I listened to these the other day while I was doing something else... I forgot to come back and comment. This is a gorgeous sound.
love the groove, add some lyrics to this Chris!
Neat guitar sound.
Copland, not "Copeland" -- atone for your spelling sin and honor this dearly departed patriotic pinko by listening to his Symphony No. 3 TODAY!!! -- DrBill
This is some good fu-fu with good ju-ju. Thank the Almighty for the "minor miracle" of magnetic tape, which the Library of Congress well-knows may need baking from time to time but is a format that bonehead computer-science nerds can't render obsolete by declaring it no-longer-supported. Thinking of you, my one-time Ivy brother. -- DrBill
Loving the sounds
Only just seen your reply on this one - about HAIM's version of the Fleetwood Mac song... I keep getting recommended it on youtube - I shall press play ..... WOW! The reason I keep getting recommended it is because I'm a big fan of Larkin Poe, have you heard of them? Check out their "Tip O the Hat" series of home vids - two sisters, lead and backing vox, six string and... a KILLER lap-steel player (thinking of getting one)(a lap-steel, not a Megan Lovell, she's already taken!)
Cool sounds.
wow---Darmok with hands held open.. :) It could have a counterpoint track added from a synthesizer performance that could happen-- maybe using this work as part of the synth construction--???
Andrew, sorry - I wasn't even think of that even though I saw a live show video by HAIM where some young ladies from southern California ripped that cover song up! Worth a search!
So I put 77/78 together with the title "Oh Well" and came up with... "wow! they played that?... ummm... er... ok... when does the riff start then??" lol ... Once I got to the end, I realised it obviously wasn't ever going to burst into "I can't help about the shape I'm in / I can't sing, I ain't pretty and my legs are thin"... So I went round again... and appreciated some very cool sounds. In fact, this is mighty cool.
This washes over you in a kind of all-enveloping way
yes very powerful music and lyrics.. can't quite hear the lyrics but I am glad you wrote them out the lyrics are the best I have seen ..-- wow
I thought I'd commented?! .... anyways, WOW that's a monster. I'll give it another listen over the next few days.
Was somebody listening to Can? ;)
Great interpretation! ( I have typed and erased several times and now . . . . I'll just leave it at that)
Comments made by vaisvil
Love the vocal split - excellent rock ballad
hi Kavin, Wondering Aloud is on my list!
Hi Kirk, typically it is easiest to start talking about notes as numbers in the tuning. So say for instance a a fifth would be from note 1 (or 0) to note 12 (11). This page may help http://xenharmonic.wikispaces.com/19edo
Norm, just how many chickens have you raised? ;-)
this is an awesome tune!
Wow NPR - how cool!! And the music is great!!
Hi Kavin, if your new tuning changed the length between the 5th and 6ths fret for instance then, no you could not accomplish this by changing the tuning of the open strings. On the other hand you can make a small trip into microtonality by retuning the open strings a quarter flat or sharp relative to each other.
very good - very very good!
good blues - could be longer with MTC shredding some blues licks
nice work!
excellent song!
Quite excellent and I'm only 2 minutes in. This is an amazing composition of ever changing aural landscapes. Wonderful!! and I'm 14 minutes in. At 15 minutes in I downloaded this piece. By 21 minutes you have taken me to a new never seen before aural vista overlooking the eternal. What an incredible transformation to an organ-ish sound at 25 minutes. Wow... the symphonic length was filled with symphonic sound. I love your piece! The closing flute like tones from your ebow is just perfect.
Thanks again! And I usually don't like banjo - but love it here!
Sad Reg, but so true for too many.
This a beautiful and indeed your arrangement is spotless
Thanks for the listen and comment - now to listen to your piece.
thanks for the listen and rating!
Hi John, thanks for listening. The tuning is 11 EDT and uses 0, 2, 3, 5, 6, 7, 9, 10 as scale degrees.
wow! a beautiful memory - very cool. I've only seen just a few meteors so I'm glad to hear your story!
excellent! great vocals and guitar!