i like where this takes me and i would love to know what you are using to generate the sound scape. i need to get some software with the kinds of controls that generate these tones
tim
Incredible! So creative! I had no idea you existed until Patrick El Meliani sent me the link to his page "polymood," which has two of your songs on it. Wow!
John (creator of SonicMood)
love the bass... love the claps, taps...wow.. I am really impressed with this album so far. this stuff inspires! so fluid... and not the least bit banal for a 12 minute track... it's constantly moving. you guys pulled it off.. the violins at 05:30 are so awesome. I hear a bit of dissonance in there too. Shit, I might as well be reviewing your album with these lengthy comment chapters. good stuff... You guys really made something special.
I like the overall idea but I have a couple suggestions for the lyrics. First, it's a little clumsy; I've never heard "401k" sound poetic. Second, you sing about a character who's lost his future, but you don't show how this happened. Especially in light of the "401k" and "faceless concerns" lines, the picture that I'm getting is of a guy who's been trapped by his own choices, both productive (career) and consumptive -- while this absolutely can be a compelling story, it has to told, and with some introspection. Jess used to tell me, "Show it, don't say it". I think the key album to listen to for songs of this sort is Bruce Springsteen's The River, especially the title track. For all his characters that have lost there futures, there's a story.
Sorry if I'm being a lyrics snob, it's just what I am. Thanks for writing about these ideas, it needs to be done.
Did the guitar tracks first, followed by bass, then drums and vocals last. I wrote this song in a bookstore, after I came home and recorded it, I realized I made the song too short for all the lyrics.
Im talking, she's texting
Im givin…
A re-mastered version using Norm Harris' excellent percussion
serial improvisation with
korg ms 2000
cameleon 5000
rapture LE
z3ta+
And Norm's percussion room
So I've learned a thousand things
for the thousand things I forgot
Too much too soon to see it changing you
Walking slowly, walking quickly all the time
To survivie the bitter streets where the
castaways always look away, and I do the…
This is the first of several songs in a collaboration with Laura Kepner-Adney. Laura has a beautiful voice and a gift for arranging music. It is an exciting project with more to come.
Featuring Ryan Anderson on harmonica.
Lyrics:
As a boy…
This is the first of several songs in a collaboration with Laura Kepner-Adney. Laura has a beautiful voice and a gift for arranging music. It is an exciting project with more to come.
Featuring Ryan Anderson on harmonica.
Lyrics:
As a boy…
Year: 1984
Album:
Singles
Artist's description:
From the primitive days of using two cassette decks and a 4 pot mixer (no panning, RRLL). I found one of the original double tracking tapes - this sounds complete but is 1st generation unlike…
Starting out as a simple and awe inspiring invention, progressing to a more chaotic and demanding machine driven future. - people becoming enslaved to these devices. Feeding the machine.
Phone samples were recorded from the output jack of my…
Love like a salt river washing away
Love's like sunshine evaporate
Love like floating candles blowing away
Watch out for the way you'll compensate
When I've seen all you have to give
When I'm still hungry
I need more than this
Tell me how…
We really had a wonderful time working with Sister Savage and we have since inducted her into the band under her new virtual ego: Violet Hemlock!
Thanks Tess!
So...Without further Ado...
"Love Song for the Moon"
by VIVIAN CIRCLE featuring…
For this Mother's Day week, a conga improvisation dedicated to Saint Monica and all the other mothers who surreptitiously provide for and incessantly pray for their children. Thanks Mom!
** this could really use a tasty melody to go with…
I'm not sure if I'm happy with how the mastering came out but I figured it's time to let this one fly and get some feedback on it. I recorded the 'robot' voice using Audio Hijack Pro to record my Apple's system voice and then added some effects…
Comments on another cultural landslide's stuff
One of the coolest intros I've ever heard. Fantastic track, lot's going on, with great sound and never over done!
Love It! How did you record the voice inside my head?
Love this track!
that was me, who said that. I thought I was logged in ^_^ really, though, I hear a lot of highly personally compatible grooves in this track.
i'm promoting this track. It must be listened!!!
wow, we should hang out. !!
i like where this takes me and i would love to know what you are using to generate the sound scape. i need to get some software with the kinds of controls that generate these tones tim
Incredible! So creative! I had no idea you existed until Patrick El Meliani sent me the link to his page "polymood," which has two of your songs on it. Wow! John (creator of SonicMood)
Wow! You have created a great song! I also like the comment about "home of the industrial-sized mosquito!" :) John (creator of SonicMood)
i'm promoting this track...it flows so well. really, you guys pulled it off! you should be proud!
Extremely tasteful layers on top of the perfect groove. Love it!
Great song! I like everything. And I agree with glu - this is a hit!
f**K! this is a hit! You guys really nailed the current sentiment. what an important song. The American dream...it's an anachronism. wake up America!
love the bass... love the claps, taps...wow.. I am really impressed with this album so far. this stuff inspires! so fluid... and not the least bit banal for a 12 minute track... it's constantly moving. you guys pulled it off.. the violins at 05:30 are so awesome. I hear a bit of dissonance in there too. Shit, I might as well be reviewing your album with these lengthy comment chapters. good stuff... You guys really made something special.
W, you have such fantastic pitch - it's quite incredible.
I like the overall idea but I have a couple suggestions for the lyrics. First, it's a little clumsy; I've never heard "401k" sound poetic. Second, you sing about a character who's lost his future, but you don't show how this happened. Especially in light of the "401k" and "faceless concerns" lines, the picture that I'm getting is of a guy who's been trapped by his own choices, both productive (career) and consumptive -- while this absolutely can be a compelling story, it has to told, and with some introspection. Jess used to tell me, "Show it, don't say it". I think the key album to listen to for songs of this sort is Bruce Springsteen's The River, especially the title track. For all his characters that have lost there futures, there's a story. Sorry if I'm being a lyrics snob, it's just what I am. Thanks for writing about these ideas, it needs to be done.
Very poignant - a 21st century parallel to Phil Ochs.
Love the organ and the way the lullaby weaves in and out!
god i love this. EPIC!! Futures dont often arrive on time do they? Mines late now..
Eclectic, provocative, cool, new, beautiful; a wonderful list. Love the rhythms in this one.
Comments made by another cultural landslide
Jaw on floor! w;-)
Schweeeeeet! w;-)
Love it! w;-)
EXCELLENT! w;-)
COOOOOLLLLL! w;-)
I LOVE THIS TRACK! w;-)
Brando...I LOVE IT! Wonderful harmonies! Can't wait for the future! w;-)
Wow - what a change of pace from previous Brando works... in lyrics as well as style! Yowza! Keep stretching out, sir - I'm loving it. Excellent. k
Oh yeah... w;-)
Clicked favorite button at :10...love it :) w;-)
Dark and moody...very nice! w;-)
Nice blend of styles :) w;-)
Cool track, VERY cool track! w;-)
Another wonderful track :) w;-)
You always make me feel good! w;-)
I LOVE THIS TRACK! GREAT vocal! w;-)
EXCELLENT, and gave me a GREAT big smile! w;-)
All us moms are gettin' our groove on! w;-)
Oh this is WAAAYYYY TOOOOO COOOOOL!!!!
KICKS ASS! w;-)