This was an attempt at using the keyboard to make an instrumental invoking looking for something, thinking it had been found, then finally finding it. Or, put another way, this was a way to practice piano.
Hello Mike. Thank you for the tips on miking a kit, tips that I’ll definitely take into consideration.
As far as your inquiry of our influences, we’re three dudes who have all been in bands both together and otherwise since the 1980’s. Our influences are all over the place, but I’d say that pop music from the 1960’s looms large with all of us…me especially. Almost all of my tunes are straight-up attempts at capturing that groovy vibe….anything that the Wrecking Crew worked on, as well as the mop-tops.
I’m a genuine fan of your stuff, so please keep ‘em coming.
This was an attempt at using the keyboard to make an instrumental invoking looking for something, thinking it had been found, then finally finding it. Or, put another way, this was a way to practice piano.
Still learning the keys.
This will be the last cover for some long while. It just seemed like something fun to practice on since everything that appears in my head is usually slow and sad. Now I can practice on something fast and sad!
I…
This was an attempt at using the keyboard to make an instrumental invoking looking for something, thinking it had been found, then finally finding it. Or, put another way, this was a way to practice piano.
Still learning the keys.
This will be the last cover for some long while. It just seemed like something fun to practice on since everything that appears in my head is usually slow and sad. Now I can practice on something fast and sad!
I…
Still learning the keys.
This will be the last cover for some long while. It just seemed like something fun to practice on since everything that appears in my head is usually slow and sad. Now I can practice on something fast and sad!
I…
This song was a favorite of a dear friend we lost a year ago. It felt like a good song to practice the piano. This was the first try -- not that it was good, but it just kept getting worse.
The vocals sound distant because they are... the microphone…
This song was a favorite of a dear friend we lost a year ago. It felt like a good song to practice the piano. This was the first try -- not that it was good, but it just kept getting worse.
The vocals sound distant because they are... the microphone…
I'm not a stickler for pristine recordings....in fact, there are albums that I insist sound BETTER on old vinyl.
This recording is soulful, raw and terrific. Well done.
This song was a favorite of a dear friend we lost a year ago. It felt like a good song to practice the piano. This was the first try -- not that it was good, but it just kept getting worse.
The vocals sound distant because they are... the microphone…
Still having fun learning keyboard, and sticking to a determination to never write another sad song. This is just a practice ditty, but it's part of the angry phase of writing which might last a few decades. All of the noise is from the keyboard…
Nice. It's unique, though at the same time it reminds me of the early seventies post-VU New York scene. You're vocal has a Bowie-esque quality that gives the song a bit of gravity.
I'll be here if you decide to make a longer rendition.
(..also, thank you for the kind words on our silly music.)
The last couple of years have been soaked in sadness, numbness and loss, and it's not something I've tried to hide, even when making music. But I've come to realize that it's my own responsibility to lay forth the effort to find new happiness…
The last couple of years have been soaked in sadness, numbness and loss, and it's not something I've tried to hide, even when making music. But I've come to realize that it's my own responsibility to lay forth the effort to find new happiness…
The last couple of years have been soaked in sadness, numbness and loss, and it's not something I've tried to hide, even when making music. But I've come to realize that it's my own responsibility to lay forth the effort to find new happiness…
Yours was the soul
footsteps and breath and river all drone
memories lash
I trudge alone
trails turned foreign
paths unknown
since I don't have you
distant dog barking drifts by on the breeze
emptiness crushes
I fall to my knees…
This is a song my late-night self apparently left for my morning self to think about. I admit it just keeps gnawing at me, maybe not in a good way.
...
Nineteen, standing by the ocean for the first time
Gazing long at the sea feeling the…
There's a story behind this that's uninteresting to anyone but me. A short version is that my old, broken guitar (made semi-immortal with duct tape and instrumental willpower) needed to play this Dylan song before it is laid to rest.
Two nights ago I dreamed this sad version of Help!
Today I put it down just to see what it sounds like. One mic, one take, one guitar, and one very dry voice.
Not intending to be self-deprecating, but if anyone with actual musical talent…
If you find this, please take a listen to the version posted on this site by Andrew Russe from 2012.
Stunning. Goosebumps. His one-man-one-guitar interpretation is now the definitive version of this song for me.
So this isn't just a Procol…
This is a mighty cool version Mike. And thanks for the shout out!
I've always loved this song since I first heard it in the early 70s. In the early 80s we (a blues rock band) kept getting asked to play it. I cannot remember whether we actually gave in. But I learnt it the way I play it now in the 90s. I still play it regularly sat on the sofa (it's about the only song I know all the way through, including my own!!) - I sing it to my wife who looks on indulgently!! lol
There's a story behind this that's uninteresting to anyone but me. A short version is that my old, broken guitar (made semi-immortal with duct tape and instrumental willpower) needed to play this Dylan song before it is laid to rest.
There's a story behind this that's uninteresting to anyone but me. A short version is that my old, broken guitar (made semi-immortal with duct tape and instrumental willpower) needed to play this Dylan song before it is laid to rest.
One of my favourite songs off Blood On The Tracks and you have covered it so well. Cool expressive vocal and those banjo solos sort of add a poignancy. Good job mate.
Lessons not, quickly forgotten.
Stable eye, upbuild downtrodden.
Troubled times, lay down often.
Catch the sky, once in a while.
No longer a sound.
Lack of presence feelin' down.
Nothing to put my arms around.
Emptiness is not profound…
I wanted a loose nod to “Just Like Tom Thumb’s Blues”, so I started it in the rain and ended it with returning to someplace I used to live. But then because of Bud Cort I thought the singer should inexplicably die at the end of each verse. This…
I wanted a loose nod to “Just Like Tom Thumb’s Blues”, so I started it in the rain and ended it with returning to someplace I used to live. But then because of Bud Cort I thought the singer should inexplicably die at the end of each verse. This…
Reg was sat below the cliff having a sneaky smoke and he couldn't believe what he was witnessing ......I recorded the acoustic with the mic then added bass then a bit of piano and string then the tele then I decided what the subject would be and…
[Verse 1]
I just got done with a slog
Hard to see with the fog
I try to stay in my log cabin
I recall what’s on the other side
Which is a far off planet
I’m there, I astral project but
I am still where I have been
Back in this damn project…
I stole part of the chord sequence ,anyone guess which classic its from ? Anyway just getting over a bout of flu and ventured down to the cellar and this one came out....Thanks for listening
You are who you are
No one can answer all the…
I stole part of the chord sequence ,anyone guess which classic its from ? Anyway just getting over a bout of flu and ventured down to the cellar and this one came out....Thanks for listening
You are who you are
No one can answer all the…
I stole part of the chord sequence ,anyone guess which classic its from ? Anyway just getting over a bout of flu and ventured down to the cellar and this one came out....Thanks for listening
You are who you are
No one can answer all the…
The progression in the verses is dangerously close to Stairway, but without the augmented transition. You are an evil soul for such a puzzle, but the song itself is haunting and I really like.
Track 3 from The Bunker 2013
Summer Breeze
The summer breeze
Brings it all back to me
starlight skies
Pull me to my knees to cry
But the Blue sky and the sun gives me hope
love will come to me again
The greys skies
Take my hope…
Hes back on the booze.......
Fallen from Grace again (Lyrics)
before you judge take a walk in my mind
walk in my shoes if you’ve got the time
people don’t laugh i’m broken again
cause i’ve fallen from grace again
i’ve fallen from grace again…
Reg is leaving in the morning...there's a great big world out there to see....Acoustic & Voice trying to play that Bb Harp.........
I can’t play it safe (Lyrics
i can hear you say you want to play it safe
but i’ve got dreams i want to…
Poor old Reg walks the roads alone....again......Acoustic & Vocal....
No-one don’t know nothing (Lyrics)
Life’s got a little crazy since it all went bad
the angels up in heaven are looking down at me real sad
cause no-one knows my name cause…
Reg has never really understood Love.......... not in last 20years since first hearing this song .........it's still all a Mystery to him................
Comments on Mike Denison (Lumberfork)'s stuff
Hello Mike. Thank you for the tips on miking a kit, tips that I’ll definitely take into consideration. As far as your inquiry of our influences, we’re three dudes who have all been in bands both together and otherwise since the 1980’s. Our influences are all over the place, but I’d say that pop music from the 1960’s looms large with all of us…me especially. Almost all of my tunes are straight-up attempts at capturing that groovy vibe….anything that the Wrecking Crew worked on, as well as the mop-tops. I’m a genuine fan of your stuff, so please keep ‘em coming.
Very nice. Here's hoping you expand on it.....twas a tad brief.
great cover , love the vocal , cheers tony cee
sounds great mark , nice clear mix superb , ps thanks for all the comments, ....cheers tony cee
Sounds good.
those keys are coming along i enjoyed your version
Love your vocals on this. So rich
I'm not a stickler for pristine recordings....in fact, there are albums that I insist sound BETTER on old vinyl. This recording is soulful, raw and terrific. Well done.
Stunningly good and heartfelt. Swordfishtrombones vibe!
Nice. It's unique, though at the same time it reminds me of the early seventies post-VU New York scene. You're vocal has a Bowie-esque quality that gives the song a bit of gravity. I'll be here if you decide to make a longer rendition. (..also, thank you for the kind words on our silly music.)
Hope things turn around sooner than later
like it , smart work ,......cheers tony cee
Terrific. It’s funny, how impactful and thought-provoking just a few words can be.
Your song reminds me its okay to not clean up too much a confusing end.. To let it be what it is to you ,despite outside urging..
There. Ruined it with drums.
Really nice acoustic work, and this is supposed to be a compliment, but your voice is perfect for Dylan.
Nice….y’know tat ol’ Lennon intended this to be slow. Nice rasp.
This is a mighty cool version Mike. And thanks for the shout out! I've always loved this song since I first heard it in the early 70s. In the early 80s we (a blues rock band) kept getting asked to play it. I cannot remember whether we actually gave in. But I learnt it the way I play it now in the 90s. I still play it regularly sat on the sofa (it's about the only song I know all the way through, including my own!!) - I sing it to my wife who looks on indulgently!! lol
This is the perfect nod to a beat up guitar. Thank you
One of my favourite songs off Blood On The Tracks and you have covered it so well. Cool expressive vocal and those banjo solos sort of add a poignancy. Good job mate.
Comments made by Mike Denison (Lumberfork)
This is a real punch in the gut, in a good way.
Actually kind of Crispen Glover and Howard Hessman too.
You brought two of my favorite humans together for the first time -- Bud Cort and Bob Dylan. If you only had Ruth Gordon going full Yoko....
There is a brutality to this that is uncannily beautiful. It finished playing minutes ago but is still spinning in my head in more ways than one.
Your art feels like a cross between Wesley Willis and poetry. Really interesting.
Sticking with Stairway. And this is still stuck in my head.
Or even Hotel Cali... you are so evil.
The progression in the verses is dangerously close to Stairway, but without the augmented transition. You are an evil soul for such a puzzle, but the song itself is haunting and I really like.
This is great stuff. Thank you for sharing.
Jesus. What brilliance is this?
Glad to hear from you. I don't hear any work that needs to be done...
Diggin' it.
You've really pulled in that haunting pain from the Animals' version. Awesome stuff.
This is what happens when you drop too much acid and get lost in the Bridge of Echoes.
Another brilliant track. You have the uncanny knack to make everything you say hit close to home.
This belongs on Blonde on Blonde.
Raw and beautiful.
Sweet Jesus, this is cool stuff.
This is crazy-awesome. Crazy.
There's something ... entrancing... about this...