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I wanted to end this years record with a tune I could easily fall asleep to and I asked Peter Dematté to play sax over two alternating guitarchords I recorded. I really love what he came up with and have tried to built it into a stressfree track…
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This tune was sounding so dramafree and happy-go-lucky that I decided to write some (uncharacteristically) dramafree and happy-go-lucky lyrics. The sound at the beginning is from my Nokia-phone which I also use as my alarmclock. I was then reminded…
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pure draft, but I don't have time to re-record it
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My first album «ZigZag» (2010) :
http://www.rhapsody.com/awe/zigzag
http://itunes.apple.com/us/album/zigzag/id339433974
http://www.amazon.com/Zigzag/dp/B002X39FFI/ref=sr_1_9?ie=UTF8&s=dmusic&qid=1263239993&sr=1-9
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So-named because it was a last minute addition to the album. I wish I could remember what effects I put on the accordion track to make it almost sound more like a synthesized sitar.
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I'm proud to say this is one of the weirdest songs I've ever done. I got some more use out of the beer bottle here, this time hitting it with a pencil instead of blowing on it.
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minimal, haunting drone...with a flavour at the end...
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Gothic-Doom metal from Russia, all the tracks in this album are instrumental.
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Used as the soundtrack to Katie Coble's 2008 collection this whopper includes sound by the following: Emilie Simon, Holy Fuck, Chemical Brothers, LCD Soundsystem, Black Moth Super Rainbow, The Sneaker Pimps, and yours truly.
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A love song for you.
The song is the musical rendition of a piece from my book, "PRONOIA Is the Antidote for Paranoia: How the Whole World Is Conspiring to Shower You with Blessings," which can be found here:
http://bit.ly/Pronoia
Credits:
Composer…
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Written by Tangmo for the RPM '07 Challenge, but held off of the official release of that album to include this updated version here on NPNS. Arranged and played by Thom Polimeros.
The anti-lullabye.
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Song written and performed by Trevitte Brown and Tangmo.
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This is a song written by my Cyber friend G.T Alfsen over at Songcrafters.org. This is my version of his great song. I decided to prog it up a bit.
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My girlfriend came to the music store with me yesterday to get my new delay pedal and she patiently waited while i checked it out.. so this is dedicated to her.
Musically, I tried to create a rhythm and texture using only natural harmonics…
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This is my attempt at chillwave. It really is a christmas-ey song. I love bells and a think it's warped just enough to make it work.
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This song sounds alot like Judas Priest in the guitar style. It is also incomplete. I am a sucky guitarist when it comes to leads so this track has yet to get a lead break. Hope you like it anyway. Its about a girl who RIPS MY HEART OUT! AND…
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This was a piece I made with Reichatron back in January and, at the time, didn't upload.
I had the odd experience of momentary unfamiliarity, enjoyment, and a sense of "Did I make this?"
Listening to it again I enjoy the way it drifts in…
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A simple as it is musically, this song pretty much sums it all up for me. What started as the simple appreciation of a hiking t-shirt evolved into this song about the duality of this domesticated artist who recognizes the importance of wandering…
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A personal anti-war song...or something like that !-)
"
I wrote this song,
It came from the inside,
Because of that,
I can make it stop.
"
Gear used: Dark Energy, Micron
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Matter Of Fate- This song started as a riff I was doing while tuning my guitar. It sounded cool, so I happened to record it on a small dictation recorder I have so I wouldn’t forget it. When I listened to the riff it just screamed Sticky Fingers…
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i lay my head down on my pillow
outside i can see the evening sky
you are just over that Western horizon
and i dream that i can fly
the earth shakes '
my water breaks
we have given birth to something new
i see you standing hear before me
we…
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I live near the beautiful ocean. This is a contemplative moment viewing the ocean from a small bluff. Dobro and mando.
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Haitian rhythm bed with kalimba and Ney and synthflute. Rejected for its original purpose as being 'too jazzy' ;)
The rhythmns and kalimba were old favorites that I had not adapted to anything. Added flute and textures for a website project…
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Thank God!... Something up-beat. One of my colleagues has THE party of the year on Labor Day weekend every year, and I play around the bonfire from dusk until everyone is unconscious... and the ladies like to dance.
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Exorcising an old demon. Eight or ten years ago, one of my ninth grade students came up with a permanent solution to a temporary problem on Halloween night. He was the last kid I had spoken to that day on my way out the door. Again, if you…
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What started as an interesting hiking concept that I contrived for my sister's next trip out "Hey, what if you climbed up Sleeping Beauty Mountain and I climbed up Shelving Rock. We could get out the binoculars and see each other from different…
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"The pictures that she paints while you're keeping time might just make you think again if you don't believe in the divine." Simply, it's a delicate little song appreciating the talents behind a beautifully written and performed song with the…
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Tried to capture the spirit of the e.e. Cummings poem, didn't quite make it.
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This song has a rock element and a latin jam at the end.
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Experimentation with taking quiet sounds and compressing the hell out of them. Drum fills courtesy of Chris Thomas.
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The album kicks off with one of the gritter, darker songs. The amazing, gravely voice you hear is that of Linda Harrison.
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I lived through a tornado. In a car. I don't recommend it.
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David Niven decided to ask her one rainy afternoon: "Why did you give up the movies?"
She considered her answer so carefully that he wondered if she had decided to ignore his personal question.
At long last, almost as if to herself, she…
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The final track of my 2010 RPM Challenge album. The intro is a bit of a red herring to lead the listener(whoever that may be...) to believe it is in the same vain(vein?) as the Fear Trilogy but then morphs into something else. This too fall into…
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Another track from my 2010 RPM Challenge album. It is a song about our little family and what is going on in our house at this point in time. The kids never tire from hearing their names and activies in song.
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4th track for the 2010 RPM Challenge. This track should performed cleaner but time was not on my side and a keyboard guy I am not so... It was also supposed to be much longer but I could not find my larger memory card for my recorder and only…
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First song from my 2010 RPM Challenge entry Revelations Per Moment.
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Album: The End of Happy Endings
Year: 2010 (RPM)
Written by: Danielle Poirier & Damian Lethbridge
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Album: The End of Happy Endings
Year: 2010 (RPM)
Written by: Damian Lethbridge
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The story of a shooting. I only wish I could take credit for the guitar work. The solos are by the fabulous Andy Samford.
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I hear you
Calling my name
Like a whisper
And a scream
You haunt me
Forever
Twist your arms
Around my neck
In a dead embrace
Locked with love
You haunt me
You haunt me
I tore the paper
From the walls
To see what
Was underneath
You left no…
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written and recorded for rpm 2010. lyrics by b french - thanks again!
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This was made with the help of Joe Bain, who wrote the lyrics, sang it, and played some keyboards.
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Again, Jess' lyrics speak for themselves. Man, distorted guitar is tough to mix around.
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Part 1 - Hotel & Backstory.
Hotel.
In which Johnny tries to betray Angela, whose suspicions are raised when Jenny calls.
Backstory.
In which we learn about Julia's involvement in the affair.
Lyric -
So Jennifer sits…
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Overpopulation - it's big and scary and on the way! Recorded as part of RPM 2010
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One of a series of 4 pieces exploring the possibilities of creating texture and colour in music.
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This time around it's the unique combination of bass clarinet and Bebot, the iPhone synthesizer.
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The "chorus" riff started off with me trying to rip off "Shallow" by Porcupine Tree. Don't think I'm really in PT territory anymore though.
Track 7 from "They Are Killers"
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Recording from Viste, Randaberg december 2009.
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Transient texture experiment; also reverb envelopes. RPM number 10.
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I get to say that it borders on hip-hop because there’s a hip hop drum loop and a hip hop drum kit on it. I have no idea what to call it other than “electronic”. With a piano.
This is my second song using Record.
I was going through a book on…
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RPM number nine. Technically this is in 11/4 and therefore only 32 bars long.
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Grabado en Renato Paone Estudio de Grabacion. Medellin - Colombia
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Grabado en Renato Paone Estudio de Grabacion. Medellin - Colombia
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Grabado EN VIVO por Renato Paone Estudio de Grabacion. Medellin - Colombia. 2006
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Endless picking up the needle and putting it down on Yes's Steve Howe in the 70's got me this far!
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The sort of music that enters your head when you're lying awake in bed at 2am in the morning.
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A prog-rock style song about looking for answers in dreams.
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A prog-rock style tale of a deep-space rescue mission and amnesia, that sorta thing.
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Synthesizer, guitar, and space echo (Boss RE-20) combine to create controlled noise and keep it musical (that was the goal anyway).
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A blues-rock song about going up to the big city (Toronto) for work, but feeling terribly homesick for what was left behind.
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Kind of nice, dancey, electro maybe. Sounds a bit like Sigur Ros or the opening theme in Stanley Kubrick's masterpiece "2001" at the beginning.
Gear used: Doepfer Dark Energy (for everything)
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Hurray patches?
The melody was the last thing that was written for this.
The piano is a placeholder for whenever I get around to actually writing full lyrics. (I have a few lines written down, but I’m not sure if that’s the direction I want…
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"Farmer's Blow" is redneck rap. Oh yeah, I went there.
- - -
If you're on the run
And your nose has gotta go
Don't grab a tissue
Do the farmer's blow
Just tilt your head
To the side
Then block one nostril
And let it ride
You may think
That…
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