alonetone radio: Popular
Popular
these 2 "new" songs are a test to see if I now have what I need to successfully upload material. These 2 songs were recorded 20 years ago on a Tascam 4-track. The band is the Riptiles.
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it seems this is a year for trying new stuff(for me anyway) so here is a sort of jazy breaks thingy (jaz with one z cos its not quite jazz)
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piano/strings/drum/bass, short
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I feel kinda upset. My schedule the past 2 days has been getting jacked up by other things, so I seem to end up in the studio in the midst of an energy dip (granted, if I were eating/sleeping better, I shouldn…
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"There's a dude from Indiana rockin' real hard to Carlos Santana!" If you've ever been to Indiana, you'll know where this came from.
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feat. Cville Ramblings on bass and lead guitar
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Lyrics:
Well there ain't nothing, nothing you could ever do to break my heart again...
You lied and oh you cheated.
You hung me out to dry.
Left me standing in the cold
beneath the pale gray sky.
There ain't nothing, nothing you could…
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The obligatory ambient piece. I really wanted to experiment with balancing the bass and treble; it seems to have worked quite well. Bonus marks if you can identify any of the samples.
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The album kicks off with one of the gritter, darker songs. The amazing, gravely voice you hear is that of Linda Harrison.
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Experimentation with taking quiet sounds and compressing the hell out of them. Drum fills courtesy of Chris Thomas.
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Opening and preferred track for our 2010 RPM Challenge record (self-titled).
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This one is for every woman looking for a good man. It is a blend of R&B and blues. Feels good and sounds good too.
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I wrote this song for my cousin. She has had a lot of problems in her life and I still worry about her.
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This has got that southern blues thing going on.
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This is a live recording from a club that had a studio built into it. Unfortuntately, the club shut down. After performing this one, there was a chill up my spine. It's a haunting one.
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This is a live recording from a club that had a studio built into it. Unfortuntately, the club shut down.
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A Dennis song.
Thanks to Mike for playing Drums.
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From the Himitsu jam sessions. Electronic punk jazz or almost anything else. A group of 3 to 5 musicians meeting weekly to just play. All improvisation, no planning or themes, just what you bring.
Kaos Pad twisted vocals run beneath this heavilly…
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From the Himitsu jam sessions. Electronic punk jazz or almost anything else. A group of 3 to 5 musicians meeting weekly to just play. All improvisation, no planning or themes, just what you bring.
This one's a three piece set, after the keyboard…
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I know, I know, this one is so unlike all my other stuff. It's hard to believe a raggedy road warrior has this kind of thing in him, but, it's true. I used to wander the wild lands of the west, the red buttes and the lonesome peaks. In my dreams…
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This is an instrumental intro that never found a home, I named it after a poster we had in our old rehearsal room.
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A song about roads not taken, regrets, and a girl I knew in junior high school.
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Written after reading an article about Robert Oppenheimer.
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Wrote this song this weekend. Based on an idea from a good friend Sherri Silverwolf. The chorus comes from a saying she came up with. She suggested I write a song for it. So here it 'tis. I think it turned out pretty good. Demo style, just…
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What started as an interesting hiking concept that I contrived for my sister's next trip out "Hey, what if you climbed up Sleeping Beauty Mountain and I climbed up Shelving Rock. We could get out the binoculars and see each other from different…
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Written while watching a good friend going through the run-up to a divorce. This song isn't a whole lot of fun, and for that I apologize... But when all you have is twenty-eight days, you have to go with what you've got.
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In 1979, my father came home from the record store with an album that forever changed my life, Pete Seeger's Circles & Seasons. Before I knew Pete to be the blacklisted folk icon that had been on the humanitarian side of every fight since…
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Power outages, deadlines, and needing to leave home. A Girl Named Sam lends some beautiful vocal harmonies.
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Written for my best mate's first son. From 2006 album Too Many Magpies
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Haitian rhythm bed with kalimba and Ney and synthflute. Rejected for its original purpose as being 'too jazzy' ;)
The rhythmns and kalimba were old favorites that I had not adapted to anything. Added flute and textures for a website project…
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My lady is a happy soul but even she gets fed up sometimes. From 2008 album Do What I Gotta Do
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Late night, last piece from a Himitsu session. Very laid back. All electronic. Recorded on minidisc and rescued later from a random hard drive.
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Sometimes a tune pops up right to left field. This is one of em! I backed it up with a stand-up bass track which I was intending to re-record before RPM submission but ran outta time.
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Named after a painting which was named after a lovely little daily ritual I share with my best friend.
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Inspiration for this quick fun one came from Uncommon Ritual and other works by Edgar Meyer: I wanted to take a run of notes across multiple instruments just to have fun!
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OK we lost power at a critical point in recording for RPM. This one was written and recorded the day I had to pack up all my recording gear and borrow a room at a local public business which was on a different power grid. The wind had caused some…
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a simple song about a man, a raft, a bottle, and a monkey. Blow me a jungle. guitars shift seamlessy backwards and forwards ina barely accoustic nod while a hapless sailor drifts in and out of consciousness, the water skipping over his toes and…
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She Didn’t Know- So, someone I know got totally screwed over. The worst part was that her friends knew but didn’t tell her what was happening. I am not sure she will love the fact I wrote a song about it, but that is the least of her worries right…
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Hold On- Ok, this one is really hard. Not in a rock sense, but other ways. Musically, this song really dances on the line of schmaltz, and a few times, trips over it. I had a hard time singing some of the lines, since I don’t have a pretty voice…
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Instrumental assists from Michael Kardos, overall arrangement by Phil Close, additional vocals from Lee Cusenbary. Envisioned as a cheesy Costa Rican Tourist Board jingle framing a love song.
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Everybody loves the Good old Days. Instrumental and production help from Phil Close
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Instrumental. Not as angry as the title sounds. ;)
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At last, my secret is out. What I really want to be is a Jazz composer. ;)
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When we finally decide to settle down we can find a place like Kansas
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Just a garage/fifties fun type of tune. Lots of guitar. I'm a Knucklehead, wouldn't you like to be one too?
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More of theat life stuff that happens to us all at some point!
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weird beat poet sounding vocals
accoustic meanderings
some strange accompaniment.
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Himitsu jam session. This little piece reminds me of driving through small towns in Mexico on Sunday morning, with the light just pinking the horizon, and the entire towns' populace heading to mass to the sound of the church bells.
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At the beginning of a Himitsu jam session we had an impromptu trio of guitar, theremin, and electronic drums doing a snippet of this classic theme.
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A love song... It's amazing how easy it would've been to miss her... So lucky I didn't.
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Wisians are those strange foreign people with odd customs, and funny hats. They love to party. Have you seen one recently?
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zoozaza its all a brujaja ha hahahahahaha/
the bands width is not a cummerbund/ words to squeeze out the imperfect/ bright lites fandango oh so fun/ where is the allah/ messiah/ the jah?
as a species/ we fall to peaces/ our pretense, provoked…
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A project just starting off as a composition for strings, got into the track, put some vocals on it and became quite a cool track.
Any feedback would be great.
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I wrote this on the fly. Nothing fancy, just a mellow song for my wife.
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This song has been around for a couple years and only played on guitar and sang by me. I added the rest of the song playing around with Cakewalk Sonar. Guitar rig for vocals and of course guitar. Forget what synth I used for the lead part…
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Bouncy funk bass and a fine funk-filled beat equals an electropop tune that borders on '70s kitsch.
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This song sounds alot like Judas Priest in the guitar style. It is also incomplete. I am a sucky guitarist when it comes to leads so this track has yet to get a lead break. Hope you like it anyway. Its about a girl who RIPS MY HEART OUT! AND…
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instrumental. essentially a blues tune, from a universe where blue is green.
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instrumental . guitar almost solo . sparse pounding . song changes five times in a minute and a half . expressing many thoughts without words . maybe its inspiring .
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Shut This Bitch Down 'Fight Club Shit' -
Produced by Adam West
Lyrics by Bradley Logan
recorded Feb.2010 at Belowzero Studios
copyright 2010
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This is an older song from 93 and 94. I have no way of editing it any longer as I borked my machine and lost everything. I dont know if I could ever get the same sound again. My singing is lackluster on this and hopefully forgivable.
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I was dreaming one night, and this song came, it was part of what I was going through in the dream. I woke up with the emotion, the words, and the melody still going. Got out of bed (Like 4AM! ugh!) went down to the studio and recorded the melody…
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Tears Of Blood-
Produced by Bradley Logan
Lyrics by Bradley Logan
recorded at belowzero studios
may 15th 2009
copyright 2009
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Angel Dust-
Produced By Adam West
co-produced By Bradley Logan
Lyrics By Bradley Logan
Recorded at Belowzero Studios Feb 2010
copyright 2010
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well, this kind of style is new for me, but hope you like it.
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Well, hot summer night. Beautiful woman dancing in the moonlight, (the goddesses knew what they were doing, a man doesn't stand a chance against this), knees going weak.... hearts' pounding...head spinning = new song. (Love was already there…
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When your love leaves at Christmas never to return
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Fade To Black-
Produced by Adam West
Lyrics by Bradley Logan
Recorded At Belowzero Studios
Feb 2010
copyright 2010
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this is a rARE live three person recording..about the homeless and soup..and day old bread. really
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My girlfriend came to the music store with me yesterday to get my new delay pedal and she patiently waited while i checked it out.. so this is dedicated to her.
Musically, I tried to create a rhythm and texture using only natural harmonics…
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buck rogers in the serbian desert 300 years ago.
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sounds like a tropical island but isnt. Maybe like my stomach.
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there are no normal frequency tones in the song to my recollection. also, it is instrumental
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Oh, I had such big plans for this song. Acoustic guitar, tin whistle, maybe go and drag the bagpipes out of storage (cough, or as the case really would be: fire up Logic, so I can use an external plugin).
I went to storm spotters training instead…
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A waltz on the joy of being reunited with the one you thought you had lost. Music by Benjamin Delforge, words by Laurent Leemans. From the 2001 album "Be there & be drunk!"
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A Scottish sea shantey, in an arrangement by Michael Goffioul. From the 2006 album "On the shore"
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this is a raw and grimey track, in remembrance of groups like wu-tang and jedi mind trix
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a recently rediscovered DISTRUCTO track from 2007.
there's a video, but its very hard to find.
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I hear the sound of one heart breaking
an I wonder whose it is
then I come to realize
I'm the only one there is
oh how'd I get so far away
how has it come to this
of all the things I've had and lost
there's only one I really miss…
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I know you, you're a dangerous curve
I see you, but I'm not gonna swerve
No, no, no, I know you
You're a dangerous curve
But I'm not gonna swerve
Not on this dangerous curve
Slow, slow
Take it slow on the road as we go
I know…
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Today sucked.
I had been working on a longer post to explain it. But I'll basically just sum it up as follows [*ed. note:* consider that this was the *shorter* version. Haha]:
* I live in a part of town where noisy neighbors are a problem…
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