Rock
by vaisvil
- 00. Seventeen Years in the Sixties 5:20
- 01. The Spell 4:50
- 02. Patriot 3:48
- 03. raise my rent? 4:52
- 04. Mysterious Cat 4:01
- 05. Total Title 20:38
- 06. Patriot 3:48
- 07. Give No Reason 2:49
- 08. Freedom is Over 2:09
- 09. 17 reasons I hate the blues 4:40
- 10. Sweeney's Agony (Remix by Johnny Pumphandle) 7:45
- 11. Irish Meltdown Blues 4:21
- 12. And No One Listens 4:45
- 13. I Have Seen Him (acoustic + vocal) 2:15
- 14. Bitter Dregs (w/ Norm) 2:34
- 15. Time 2:14
- 16. Break it Down / Take me Away 5:38
- 17. Dulled (WIP 2010) 3:05
- 18. Residue 3:59
- 19. sawdust 3:33
- 20. Time Has 2:44
- 21. blah blah blah oh blaah 3:37
- 22. blahh, Blah, Blaaahed 7:48
- 23. Beware of Darkness cover 3:46
- 24. Forgive Me 3:26
- 25. Blowing Leaves (Band version) 2:02
- 26. Not Alive 3:29
- 27. Can't Stop Myself 5:06
- 28. Stay Awake 5:44
- 29. She Did 3:39
- 30. The Equation 4:26
- 31. Humility Don't Come to You 3:37
- 32. I Gave up Thinking for Better Things 4:04
- 33. Not so Much as One of Them 4:30
- 34. Hear Me Out 3:23
- 35. Some 70's progression 2:50
- 36. Swan Song (Original Release) 6:48
- 37. The Equation 4:26
- 38. The Suicide (band version) 1:11
- 39. The Good Boundless 5:55
- 40. Don't Look Down 3:05
- 41. Brain 3:54
- 42. Demand - Trapped in This Life 2:52
- 43. Friday Night Open Mic Smoke and Whiskey Blues 7:28
- 44. Mean 2 Me 2:18
- 45. Dead to the World 4:27
- 46. Untitled 5 1:38
- 47. Christ Killers (4/2011 edit) 3:35
- 48. Devil in the Deep Blue Sea 5:02
- 49. elecrock 1:12
- 50. two stars poem remix 2:24
- 51. 88 cent guitar 6:17
- 52. The World has Changed in 19 edo 3:04
- 53. After Mother Died 5:33
- 54. Acceptance 6:15
- 55. Like a Stone in my Shoe 3:57
- 56. Can't Stop Myself 5:06
- 57. The Tar Under my Feet 6:25
- 58. Voice from the Grave w/ Norm 2:25
- 59. In the Depth of Thought 5:36
- 60. How Do You Sleep? (Cover) 5:04
- 61. Quiet 4:20
- 62. Control 2:41
- 63. The Bells 1:39
- 64. Sunshine 2:38
- 65. 8 string Taylor Baritone 3:20
- 66. Water Will Flow Everywhere 3:57
- 67. A Fool's Paradise (2011 mix) 3:25
- 68. The Grand Vista (Norm and Chris jam) 3:21
- 69. Me and You 3:19
- 70. Freedom is Over 2:09
- 71. There is This Lady 2:46
- 72. Say it With Feedback (one) 5:14
- 73. No Place 4:20
- 74. Stamped 999 3:42
- 75. A Little Guitar 2:32
0:00
6:25
The Tar Under my Feet
Uploaded .
7
71
A blues rock piece for Fender Mustang with Guitar Rig 4, GR-20 Piano, GR-20 driven bass and drums and Absynth.
Guest
said
Showing your hard rock roots! Very cool (and heavy)!
vaisvil
said
On the three GR-20 pieces uploaded 6/8/11 this is how it works. In a nutshell - my guitar replaces a keyboard - but can do more. Everything you hear is driven by me playing my Fender Mustang in one improvised pass. Now, for each song the Fender Mustang by itself (or through an amp simulator) is heard - this sound comes from the traditional pick ups on the guitar. Besides that I have installed a Roland GK-3 pick up on my Mustang. This pick up has 6 tiny picks ups - one for each string and connects to a fairly large switch and then a 1/4" cable with some 11 lines - regular guitar output and 6 outputs for the GK-3. This cable connects to the GR-20 synthesizer / midi interface. The GR-20 first decodes, almost instantly, the note each string is playing. It then converts that to midi pitch information and shoves that out the back. More on that later. Also, since the GR-20 is a synthesizer besides, it takes the pitch information and routes it to an internal sound (if desired). The really interesting part is what happens when I route that midi output to my computer. At my computer Sonar lets me assign that midi data to any number of synthesizers / samplers/ what-have-you all at the same time. So, if I want a voice or strings or piano - no problem. As for drums - Kontakt has a really neat groups of sampled drum sets that are a combination of "one shots" and smaller loops. So for instance on one of the pieces when I played the C below middle C I got a snare roll, play the B below it I get the accent that finishes the roll. So, by playing many notes I get a complex assortment of drum sounds that are in time with my playing. I've used this technique before - I am learning how to control it better - and the response is different for each of the dozen or so drum kits packaged with Kontakt - and then consider the effect of different tempos - the result is a fair amount of variety.
Guest
said
I can listen to this all day! awesome!
Guest
said
Killer sound and nice playing
kavin.
said
some very moody blues there (not referring to the band)! Well played. Some old Beck/Clapton/Page sounds shining through.
Jason Earls
said
cool composition man. you asked about "One Chord & Four Notes" - nope i don't think i ever used b major, only arpeggiated down Bsus2.
