alonetone radio: Popular
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early experimentation with a guitar and acid pro.
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Another older song. It's intentionally short. It makes it's point and moves on. No need to drag it out.
There used to be more. The song started as a minute-thirty idea, but we had the intention of building it later. We put some cool parts…
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Live drums here folks...enjoy it. It's becoming extinct.
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‘Cut Up’ was a very challenging song for writing bass parts. The guitars in that song are rhythmically dominating. The pay off was a dense piece of music.
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This song always puts you in a weird mood...forcibly sways your emotional state. There’s some kind of weird juju laced in that song that screws with your emotions no matter how you're feeling.
This song uses a lot of layers for bass along with…
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A shorter, doubled and panned version of "Wubbity Woo," made with Creative Commons sample from FreeSonds.org: 40171_ERH_a_min_eh_strings_arp.wav
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Recorded: Feb 26, 2009
Details: Epiphone Les Paul (DADGAD - capo II ), Seymour Duncan Pickups, POD XT, Boss RC-20 Looper, EBow, Audacity, Sound Forge.
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With use of those Hot Acapella Ive found here from PrettyBoyBeats be sure to check him out. Thxx to the Hot Acapella just finished my latest Track I call it like the acapella: Worldwide Swagger - Thx for your time and maybe ur review! cheerz dusthill
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You never let me smile
You never let me out of sight
You never let me live
You never learned you had to give
I'm taking it away x 2
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11 – Eventually (Pop Song). Written and recorded 1st Feb.
A joyous celebration of the lie ‘Ladies First’. Honestly - this is pure filth, start to finish. Cover your ears.
Info and lyrics at www.butterflypolite.com/uglifruit
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Right. So, faced with the task of creating my first ever sample based beat, I decided to tip my hat to the sheer awesome that is the character Kara "Starbuck" Thrace from Battlestar Galactica.
All drum patterns were created by myself in Reason…
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A sample-based song that glorifies the absurdity of 80's arena rock.
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Mostly for the opportunity to play the Harmonica.
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An excerpt from a 40 Minute long (!) Ambient Noise piece; I like the grumbling bassline in this piece.
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One of my best melodies, but I can't seem to get the vocals right. Would welcome any one else who might want to take a crack at it.
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I used to work in Chicago, but have my home in Ohio. This is travelogue on the trip home.
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Another ode to the affect my beloved has on me.
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The unwritten, often unspoken pact between lovers.
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A story about farmers, and how they are squeezed out of success.
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a state of denial/hope
lyrics:
I don't care what bad boys say
with their little white lies to keep themselves safe
drown themselves in fermentations
all good girls go to heaven
I don't care what bad boys say
with their little white…
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An ambulance ride through the poor side of town; a delivery of self and social status
lyrics:
The outside was a barren wasteland;
dilapidated houses
garbage on the ground
And the buildings' aging faces
echoed the sirens
and her pain across…
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Turning point #2. The storm clears and though there is an endless blue above, clouds will forever be a part of the sky.
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Another description of my relationship with my beloved.
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Written while awaiting a CD from one of the artists who participated in the 08 version of RPM.
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Bass-range phasing experiments with a distorted waltz fading in and then out over top. Probably best to listen to this with some pretty good speakers, otherwise you'll miss out on all the interesting parts and just get a couple minutes of boring…
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Just what it says - a series of emails I wrote once, read aloud and with piano backing.
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Just under the wire (it's Feb 28, 23:47 in my timezone)... last track for RPM09
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rpmchallenge is exhausting. even when you don't have kids, or aren't taking classes, or don't have lots of vocational responsibilities. so, I didn't give up. I finished. but I thought about calling it quits. this song was a thought along the way…
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An instrumental song about happiness and puppies and vampires and possibly vampire puppies.
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Even the cosmos needs system maintenance. When its IT department decides to delete something, sometimes that something doesn't want to go without a fight. Even computer viruses will do what they can to avoid the reaping hand of a virus checker…
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The response to the telegraphinar communication, from a darker perspective. The deleted don't like to remain that way. Even deleted files still lurk somewhere.
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Experimentation with polyrhythms - it goes in some weird directions from there.
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The final version of this track:
When escaping events that are falling apart, be leery of strangers offering gifts - particularly when they look like something out of Children Of The Corn and they offer to lob you into orbit with a giant catapult…
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A well of thoughts continues, but who is it dreaming in the white room? Midnight has drifted away, and we're headed towards the dawn of the next day.
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Spoiler here: This song ends on a down note, but not to despair. The sequel to this disk starts right where this one fades off and will be titled "...Not Forgotten". This song was done in a way that implies a live show, like a few of the other…
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Another synth driven track, exploring the new found instrument. My usual style of singing behind the beat doesn't work as well here as I would have liked, but it may get redone soon. We shall see.
More positive lyrics over fairly dark music…
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Originally, this was not to be the title track, but as the album evolved it became more and more obvious that this was the overall tone of the collection - to not forsake one's dreams, faith or music due to the world intervening. My first attempt…
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A strange blend of slide guitar and synth, both new techniques for me this year. This was originally just a way to learn how the synths worked, and was never really intended to be used on the album, but the low synth line ended up catchy enough…
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A very raw take, inclusive of mistakes and the dog wagging his tail to play some extra parts for me. He seemed puzzled that I was singing to no one, so he assumed it must mean I was singing to him!
One of the strange harmonics is due to a…
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The title is a reference to the rain in "Pain" and how once the pain is gone you feel like it's a new day.
My first foray into multi-tracking vocals, with mixed results. I like the effect, but I just had realized I can sing about half way…
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Pain is inspired by my bout with severe nerve damage in my lower back. As anyone who has ever had a good hurt can tell you, it gives you an internal feeling of chaos that often comes and goes in waves and spikes. The music follows this pattern…
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Lyrics:
I was walking through the square when I heard the towers fell
from a stranger passing by
and they caught it live
couldn't believe my eyes
And we talked a lot about what it meant to be
a free society
and our resiliency
but we…
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Lyrics:
Slow days start to shape my mind
into a feedback of
negative thoughts that undermine
my efforts to get rid of
impatience wasting all my time
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"Choices" by Nikki Giovanni
If I can't do
what I want to do
then my job is to not
do what I don't want
to do
It's not the same thing
but it's the best I can
do
If I can't have
what I want... then
my job is to want
what I've got…
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The first casualty of my severe lyric-crisis this year. Could have been a good song. Is an OK-ish instrumental now.
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The most ambitious tune; about a singer that starts out in the late sixties and ends up in the oldies-circuit doing his last big hit from 1982 three times a night.The vocal is a bit low in the mix. I might upload a special mp3-mix for Alonetone…
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Trying out a Carol Kaye-inspired bassline here (not completely succesfull; gotta work on my timing some more) and again didn't manage to come up with lyrics. Espresso Martini is a really nice cocktail with coffee you can get at the club/bar where…
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I started this one at the end of januari in preperation for RPM. I added lyrics and vocals in february. So it's kind of a bonustrack. Just another throwaway popsong with the awesome stylophone in full effect.
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song about my favorite things, my guitar and my girlfriend.
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Song about a guy who is the other man in a woman's affair.
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Imagine the whole world was like the movies of the 1930's, Black and White.
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when i was 18 i took in a runaway
she crawled into my bed on the 7th day
i played her music and i cooked her food
i did everything i thought i should
i let her sleep late and i paid her way
then her dad showed up one day
well she had grown…
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three striped gum
falls out of an old dresser drawer
fills my head with memories from before
causes me to close the door
i feel rotten to the core
three striped gum
falls out of my pocket in the rain
what would have happened if i played…
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This fulfills a stupid promise I made years ago to write a song that was part Dave Frishberg, part Richard Thompson.
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A Bonus track for "Summer Twilight on Triton;" more of the same, but shorter.
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The Trinity and Humanity. An interview of Tim Chester by Andrew Cook for the radio programme, Serving Today. www.gbm.org.uk/radio.
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The implications of the doctrine of the Trinity. An interview of Tim Chester by Andrew Cook for the radio programme, Serving Today. www.gbm.org.uk/radio.
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*Dark modern electronic guitar rock*
You can hear it just below the blowing wind
Feel it in the nerves beneath your skin
Catch a glimpse as you drift away at night
But you can’t decode the meaning inside
Distant shrieking sets your teeth…
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**_Underworld_** *with guitars instead of synthesizers. A sequel of sorts. Electronic rock.*
A million drops of rain
One sun behind the clouds
A million stars in the milky way
One moon is shining down
A million notes I’ve scribbled
One…
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Music for a computer trying to find the answer to the ultimate question.
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Human finds Alien Spacecraft drifting in space, this is he inner dialog of our fearless (fearful) hero.
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The Aliens are landing and a doomsaying prophet is declaring it the end of the world!
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An attempt to evoke images that weren't in the first-person. I tend to write in abstract fragments and this piece is no exception.
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A deceptively forceful song dealing with the death of my sister.
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This is basically an accordion jam with a nice bass line!
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Powerlounge - Electric Cheer
An album created for the 2009 RPM Challenge, conceived to be eventually cut into vinyl, and arranged as such, in two halves.
The track listing for side 1:
Welcome to my Weird
Bye Bye Baby
Genius / Madness
Negative…
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this is based on the soundtrack of a film called september clues very interesting dunno if its true but fun all the same for conspiracy nuts....
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There are too many amazing quotes from this film to not sample them SOMEWHERE in my album. Time after time, the 'yo-yo master' line got me laughing, so I thought I'd pay homage to it.
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One of my darker tracks. This tracks epitomises how RPM felt for me; A progressive struggle where I just got my head down and got stuck in with the thing. In a phrase, this track says to me "Just fucking get on with it."
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This song was recorded illegally. Please don't rat us out.
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Started recording this with no idea what to do with the sound. Wound up with three different vocal takes to choose from, didn't like any of them, used all of them.
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*Ambient with vocals*
Forget everything
Drift in the white noise ocean
The sun is rising
Let go of yourself
See the beautiful blankness
It’s Monday morning
This won’t hurt a bit
Breathe in a clean new program
It’s time to wake up
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Sundays have always been a disappointment for me. If you've never spent the entire day just moving about, drinking beer, enjoying the weather and putting off the upcoming week, you should. Maybe not every week.
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Corporate boardroom buzzwords are meaningless and worse than useless.
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A song about someone I know, or at least used to, who is almost as much a mess as the metaphors I threw at this effort.
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instrumental. no relation to westley and buttercup, just the title that stuck.
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neglected children are coming back home to roost
kind of goes with 'fret.'
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it is a short experiment in automatic music creation. a choice is made to use a major pentatonic scale. this happy creature is born. he is young, and small. however he has big feet. it is comical music? it makes you smile?
it is bigger version…
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Brett Picknell - Bass, Drum Programming, Arranging
George Brown - Guitar, Lyrics&Melodies
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Jim Tyrrell - Keyboards, Writing, Arranging
Brett Picknell - Bass, Drum Programming, Arranging
George Brown - Guitar, Lyrics&Melodies
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Brett Picknell - Music
George Brown - Lyrics & Vocals
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