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Another instrumental. Several years ago I got a Behringer V-amp, and the first day I had it I wanted to play around with some of the odd guitar tones.
This was the result of that playing around.
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a moody ethereal track. recorded straight from the laptop mic, so not the best, but had to capture it before it faded away.
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Artist: Jeff Hill
Album: My Quarantine
Label: 434 Noise
Release: May 1, 2009
Lyrics:
I love to look at you
On my television screen
You're so colorful
I watch you every week
I would hold you tight
Your sweetness I adore
Then you…
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Artist: Jeff Hill
Album: My Quarantine
Label: 434 Noise
Release: May 1, 2009
Lyrics:
I feel much better now
With you walking by my side
I feel much better now
Your hand on my shoulder
I feel much better now
Guide me through the darkness
I feel…
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Artist: Jeff Hill
Album: My Quarantine
Label: 434 Noise
Release: May 1, 2009
Oh Raven who was solid black
Your color has faded and now you lack
Oh Raven you were once a pretty bird
You'd caw and cackle to be heard
Oh Raven you were so absurd…
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Came up with this after a long spell of work and tight schedules.
Enjoy,
Doug
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Warning: silliness ahead!
alloy (along with this months issue of MusicTech) got me into the creative possibility of gate and pitch shifting effects so I spent a happy morning playing with Logic's noise gate, vocal shifter, and ring shifter…
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Song: Lost And Found
Lyrics By: Anywhere But Here
Music By: Niklas Ahman
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Written today.
recorded on an iMac with the internal mic and no headphones (!) so it's probably going to be muddy as hell, but that feels about right for now.
LYRIC:
Fill up the glass, Bartender
Ply your art
Quench the fire in here, now…
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After yesterdays experiment with noise gates and vocal transformers I thought I'd have another go using Rytme as the source material.
A single Rytme track with multiple playheads is playing into a Logic channel containing Kore playing the Absynth…
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My friend Josh sat down with me and played some Djimbe, adds a bit to this track.
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Sister Savage has a little star in this track!
Melody based on 'ah! vous dirai-je, Maman,' by Mozart.. the original composer. I think it's the first and second variation of 12, but that was like 15 years ago that I learned the piece so I have…
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This is another abstract movement I made for piano
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Logic's noise gate and vocal transformer are my new best friends. I really enjoyed messing with them and thought I'd have another go.
I've always quite liked pulsing ambient and it seemed to come naturally. This time we have Rytme playing Kore…
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Ok, I just semi-mastered this track.. and this should be the final edition of it... Thank you all for listening...
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Glu and Sister Savage bring you these remixes!
Original track by Sister Savage:
http://alonetone.com/sistersavage/tracks/little-england
I added melodies to the initial track and then Sister Savage
rerecorded the vocals to match the new melody.
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Glu and Sister Savage bring you these remixes!
Original track by Sister Savage:
http://alonetone.com/sistersavage/tracks/little-england
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Glu and Sister Savage bring you these remixes!
Original track by Sister Savage:
http://alonetone.com/sistersavage/tracks/little-england
This one is pure pop. Voice pitched 1/2 step up.
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Glu and Sister Savage bring you these remixes!
Original track by Sister Savage:
http://alonetone.com/sistersavage/tracks/little-england
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This is a short teaser of my Electro-like remix that I entered into a contest organized by the Dutch radio station SlamFM.
I haven't uploaded the full thing because I don't want to get into copyright issues, so if you like the sound of the beat…
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This is a cover of Sister Savage's (well, her daughter's) recent effort by the same name... ;-)
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From a poem Julie wrote at age nine, "The Whispering Wind", comes a song composed in collaboration with Grant Duncan. This is rock, pop with a blustery story.
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Lyrics for 'Wild and Free' came while looking at a painting of the head of a horse. Composed by Julie Day and Grant Duncan in 2007, this rock song has a swing element to it. Enjoy.
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'Time' is an ambient piece; which is said to reflect human nature from one point of view. This is a slow melodic new age/world genre short song. Someone who listened said it would best serve in pre-meditative scenarious.
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number 5! last one I guess.... If I make another one, it will be for piano and other instrument
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slightly reworked version of the longest limousine.
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this vocal arrangement only made the cutting room floor. full instrumentalized version forthcoming. i just wanted this arrangement its own chance at life!
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First draft.
Dedicated to my mother on her birthday.
In the outro: Trombone, Horns, Clarinets, Mouthpiece buzz by Andy Hentz (arrsuarez) and organic drum related sounds by Glu.
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philip hinge - drums
ryan wolper - lead guitar
daniel - lead & rhythm guitar
arda erdogan - rhythm guitar, samples, producer
jack mcrory - recording supervisor, producer assistant
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This is the raw vocal with guitar... I had a bad cold, so it is very nasal... but I plan on re-recording it when I feel a little better and my sinuses clear up.
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Taking a drum track I built in Hydrogen, mixed with about 100 Thousand descending Shepard Tones (http://en.wikipedia.org/wiki/Shepard_tone), and a noise drone built of sequenced tones from the KLSTRBAS Nyquist plugin. I'm not sure I like the…
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Originally recorded for Vivian Circle, it never felt comfortable there. The uncomfortableness of PALLAS songs, made it fit. Square hole. Round peg.
perfection.
Oh, and this is officially the first PALLAS song.
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Recorded September 2002 - January 2003 in Los Angeles, CA
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Recorded September 2002 - January 2003 in Los Angeles, CA
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Recorded September 2002 - January 2003 in Los Angeles, CA
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Recorded September 2002 - January 2003 in Los Angeles, CA
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Recorded September 2002 - January 2003 in Los Angeles, CA
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Recorded September 2002 - January 2003 in Los Angeles, CA
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Recorded September 2002 - January 2003 in Los Angeles, CA
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Recorded September 2002 - January 2003 in Los Angeles, CA
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Recorded September 2002 - January 2003 in Los Angeles, CA
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Recorded February 2003 - June 2003 in Sydney, Australia
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Recorded February 2003 - June 2003 in Sydney, Australia
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Recorded February 2003 - June 2003 in Sydney, Australia
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Recorded February 2003 - June 2003 in Sydney, Australia
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Recorded February 2003 - June 2003 in Sydney, Australia
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Recorded February 2003 - June 2003 in Sydney, Australia
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Recorded February 2003 - June 2003 in Sydney, Australia
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This is a track from my abandoned "Weekend Follies" album, which was recorded in my parent's basement in Mercer Island, Washington during the summer of 2003. This track was recorded during Seafair weekend. That's one of the "Blue Angels" flying…
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This is a track from my abandoned "Weekend Follies" album, which was recorded in my parent's basement in Mercer Island, Washington during the summer of 2003.
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At the end of 2003, I was recording a bunch of covers in my basement in Portland, Oregon. This was the only original recording from that time. I was pretty bummed out at the time...
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I wrote this song for a musical Thanksgiving party that Sudara threw in Santa Fe back in 2002.
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A spacey electronic number.
Part of my song a week project.
http://yelyah.com/song-a-week/
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I made a song out of the fable "The Boy and the Schoolmaster" by Jean De La Fontaine, that french writer from the 17th century.
And here's the story:
"
A boy, that frolicked on the banks of Seine,
Fell in, and would have found a watery grave…
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These are 3 variations to the mexican "the cockroach" popular theme
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My evening challenge: compose and record a piece in an evening. I stitched together a couple of demos and added a virtual Harry Partch instrument.
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My evening challenge: Compose and record something in an evening.
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The original mix (on the RPM '09 album) was drenched in mic hiss. I used noise reduction to remove about 2/3 of it for this version (it didn't seem right to remove it completely). I roll off the noise reduction at the end for the au naturale outro.
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The plinky sound is an acoustic guitar prepared with a drumstick stuck under the strings.
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I was just playing along with a looper pedal, trying to work out some ideas for a "real" song. I was just recording straight to a single stereo track and not worrying much about my playing or the mix. But when I listened back afterwards, I thought…
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Testing new toy Korg R3. All of these sounds are created by me. R3 is really great.
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Another mix of video game sounds plus acoustic instruments (a la the flute in this one). Thanks for listening!
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A cautionary tale.
Tune shamelessly stolen from "All About You" by McFly.
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As a super Buxtehude, Hartmann and Bach fan I always wanted to compose music for organ... so this is the second of my sublime passages for organ. This is a Prelude and Fantasy-Fugue in C minor
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Prequel to Mondo Boss' hit single "Feel It Now (Girl You Want Me)." Tells the complicated and complex story that comes after meeting a beautiful girl on the street.
Featuring Mixmaster Beardface.
Lyrics:
When I met you on the street
my…
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A cover of a song written by Glasgow musician Phil Campbell.
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I wrote this for a small orchestra a few years ago. Its a tribute to Igor Stravinsky
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I actually composed this entire song in a piece of guitar tab software called Guitar Pro. Then I exported it to MIDI, imported it into Reaper, and assigned better sounding VST instruments to each track. The purpose behind it was to see if someone…
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A blues jam session with myself. I love playing the blues, so I wanted to create something where I got to do it all.
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Filho Sumido is portuguese for "Lost Son".
Its my little bossa way of describing what its like to be away from the place I love, Brazil. Like a lost son. Someday I may make an english version - but then, maybe not. After all, its about Brazil…
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A song that came to me when I was fishing in the rain with some of my Mamainde buddies. The Mamainde is a small endangered Amazonian tribe of 230 people in west-central Brazil. This song attempts to tell their story…
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The Portuguese version of "Raining on the Cabixi".
If you listen close, and if you can tell the difference between an indo-european language and an amerindian language, you will hear the second verse sung in Mamainde - an endangered language…
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This song is in memory of my son,
Micah Eberhard
(Jan 27, 1987 - Aug 8, 2007)
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Neath the clay, iMago dEi
glory keeps while beauty sleeps
from the womb a flower blooms
brights the day, blesses the clay…
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Vocals and percussion are courtesy of another recent alonetoner, K. Scot Sparks. While recording a simple guitar track in Kev's garage, things got intersting when we opened the garage door, and let the sounds of this huge flock of birds in the…
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This is a prelude I wrote for my son, this is the piano solo version, theres another one with cello
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Sam was a very articulate and kind friend; he spend way too much of his life in a wheel chair and yet demonstrated a lot of grace.
We lost him just over a year ago.
Among many other unexpected, Christ-like kindnesses, he realized at one point…
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this is a remixed version not sure if its better please let me know thanks
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The third one of my sublime passages for organ. The picture in the album's photo is the cathedral of Puebla city, where I live.
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This is an instrumental celebration of numbers such as 4 and 650. If you do not like 4 and 650 you can pretend it's about your favorite numbers instead, I won't mind so long as you don't go around pretending that I wrote this piece for 33 or 550.
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Artist: Jeff Hill
Album: My Quarantine
Label: 434 Noise
Release: May 1, 2009
When I first saw you in the morning light
I couldn't take my eyes of of you
I believed it was love at first sight
Even though I had been with so few
But you…
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Score made for the basement scene from the original Night of the Living Dead
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This original melody idea was jotted down in October 2003 in Harmony Assistant, and I had written it thinking that someday I'd make it a real song with lyrics. While playing the tune on the computer, my daughter came in and said she liked it…
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When four years old and hanging w/ Daddy in 'Studio Garage,' my son Isaiah (now eleven) spontaneously composed this.
Thanks for smiling with me.
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Just a track... I wanted to make. Messing with vocals. I hate my voice a lot, but maybe I'll grow to tolerate it. Slightly.
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This is my english version of Heysátan by Sigur Rós. It's not a direct translation but it's in principle the same song.
I know the guitar is a bit out of tune. The capo messed it up. Sorry for that.
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Oh My Gluness it's a remix of a track by Oh My Goodness!
http://alonetone.com/ttworkman/tracks/hot-date
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More Oh My Gluness?? YES!
Another remix of Hot Date by Oh My Goodness.
Original track here:
http://alonetone.com/ttworkman/tracks/hot-date
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this is a lick that i really dont know what to do with. Any suggestions as to where it should go from here?
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so..I decided to take those 2 previous tracks and see what would happen if i mixed em. some parts dont really mesh well - but before i delete this mix, i wanted to know if it works in some strange way for anyone?
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mellowed out and unhappy... just how I like it.
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For Herbert G. Sparks, my partly amazing Grandpa who left us at 97 in 2000.
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If Berlioz would've heard this piece.. he probably would have said that it was too vulgar (lol) too much percussion... but oh well I got very excited when I made this one... the tempos are not very well because its very hard!!!
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I can see them looking at me
What do they want to take from me?
Eyes stare at me through the window
My heart's racing with fast beatings
I am sweating so profusely
My whole body's cold and clammy
All this pressure I am feeling
Every muscle…
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This a remix of the Mystic Fields track "Roll the Dice". It is a remixfight entry, so if you like it, go vote at http://remixfight.org !
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just messing.
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three guitars and an improvising night tripper ;~)
My mind is gone all the way back round to the beginning ...
So listen up!
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Rob and Steve rap up Roses 2009, talk to Stevie Listings and listen to music that makes them think.
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