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Contains language.
This, or at least the second part of it, was originally going to form part of a comedy opera I would never have finished in a million years. Couldn't resist putting it on here.
I don't normally write out my lyrics, but…
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I miss the smell of your hands
Your breath
The feel of your skin
We didn’t have to talk
Just understood
What the other was
We are of the same
But we knew
The end would come
Time is no friend
We are not healed
The pain is old
But feels new…
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This was made with the help of the dinosaur-obsessed Laura Turner who wrote the lyrics, and Chris Harrison who played the blistering guitar solo \m/
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You’re taking me down
Breaking me down again
Circling around
Spinning toward the bottom
It’s a place we know
Where we always go
We can’t get lost
We know the way
Do we crave the dark
Long for misery
Embrace the end
To only rise again
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Just a basic dance track because its just fun to bounce around sometimes. Also another excuse to use a growly bass sound... a "60 Hz Hum Bass" soundfont I had clearly neglected for too long.
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Like a Persian rug, only less cosy on the feet. Watch out for shamanic encroachings!
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One serious track. It's not like me at all, but there it is.
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this was my last rpm song...i had a little mandolin riff and threw on the kazoo (which broke in the last verse), and it reminded me a happy bee buzzing around...and there you have it!
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This is my submission for Akron/Family's "Woody Guthrie's America" Project.
[WOODY PROJECT 2.0](http://akronfamily.com/woodyproject/woody2/Woody_v.2.0/New_Home.html)
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The most challenging track to record during the RPM Challenge this year. I like how a lot of it turned out, but there were so many clashing pieces, that I was pulling my hair out trying to assemble it.
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Low-frills bass and piano piece. Not my usual fare (whatever that is), but still fun to create.
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A silly song questioning the value of using songs to get a message across. Just say 'sorry' - don't write me an opera about it.
Incidentally the note choices in this song really did hurt me.
New lies
Written like you cared for me
A…
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Written for the "My First Sing-A-Long Dictionary" RPM 2010 project.
See myfirstdictionary.blogspot.com/
Daddy's away
Posted abroad
Sending home pay
All he can afford
Mummy pretends
But I notice that something has changed
The letters…
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From RPM 2010. It's entirely analog synthesizer, drum machine, and my voice. Effects, too, of course. It's pretty repetitive, but I find it kinda catchy.
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Of course, the title also reeks of jealousy because I couldn't create an IDM track even if I tried. So instead, here's a heavy, layered electronica track that reeks of faux glitchery and IDM-ishness.
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So I just figured out that the EXS24 sampler instrument in Logic Pro (the DAW I use) can also import SoundFont2 files, which I happened to have a bunch of from a previous life as a Cakewalk user. All the tracks in this tune were played using old…
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Welcome to your first lesson in post-apocalyptic ballroom dancing for Martians and Manhunters alike. The track is not really cha-cha, but more like futurejazz, or 1960s mood music done by robots and mutants. 1-2-cha cha cha!
First draft in 2006…
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This was the first track i demo'd for this year's RPM but i just got round to tidying it up and adding the third verse. A bit of a feel good record!
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"bouncing pianos" - energetic piano/bass/drums tune
Notes:
This tune was totally brought to you by technology.
The variant in the piano chords came from quantizing some sloppy timing that led to some happy accidents.
The main piano line came…
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“my jetpack” a floaty, atmospheric type piece.
Notes:
I’m not thrilled with the strings (the part that only shows up once in the piece). I need to blend them more. They’re too abrupt.
I think the “percussion” may get too loud towards the end…
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Dang, everyone except Rob (and Laura) (and me) liked the previous version! (Cupid's Own Knife)
Only i did this with the lyrics so maybe one can be a bonus track ...
aargghh ... why didn't i write a *different* song?
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lullaby featuring piano (but of course!)
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Today I learned how to add an insert effect to the master channel. The song was way quiet so it got boosted via a limiter. Hurray.
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Well i gues i was just sitting bored at home in new years even and i came up with the hook , then just worked on it on and off, and ended up with this.
Hope you enjoy it :)
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I mostly wanted to make music with a funky clav line I'd come up with, so this is it. For the voiceover, I unabashedly used an awesome monologue by Ken Nordine.
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Moody, ambient track with a bit of clicky rhythm to it. This is what happens when I compose music when I've got a headache.
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well its been a while this is a divertion from my usual even "singing".... (not really happy but after about 100 takes i gave up and will go on to do something else n see if it gets better with time.....
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Part one of a mini-musical within the album, that never quite felt finished...but we love the first chapter!
*update* this is now an official track on the album...poss. our feat. track!
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Two American classics, a custom acoustic guitar and reverb........Enjoy!
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Featuring Otis Maly on Organ.
Maybe it’s a trick of the light
The way your eyes shine at me
I don’t want to fight and I can’t take flight
Somethin’ tells me I’m gonna see
Just what spell you put on me
I can’t let you out of my sight…
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I guess I knew this would happen. Talk about creating one's own reality Sheeeeesh. End of the month and my pen has been re-fueled and I added some vox to this one, plus some lead guitar, and a bit of synth strings. I also took a shot at some…
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A folksy number inspired by the stories my nan told me many moons ago about her uncle Herbie..
Herein lies the story, of a man named Herbie Jones.
Not a million miles away from a man you might have known.
A miner in the twenties, blue scars…
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The sound of a creaking door closing very, very slowly.
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This song displays some of Barry Morgan's work on the keys. Mixed and mastered in his home studio.
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A jazz tune featuring flute, sax, and one slightly out of whack Fender. All instruments played by Barry Morgan and the song was mixed and mastered in his home studio.
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Kind of a chillout, lullaby type tune.
—
Notes:
I think the shaker comes in too strong. I think the intro goes on for probably 1 or 2 more phrases than it should.
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Overgrowth is a Indie game made by Indie Dev team Wolfire. check them, and their games, out at http://www.wolfire.com/
Overgrowth is the awesome predecessor to Lugaru, an alternative action fighter/ platformer game. The synopsis of Lugaru…
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“Melodious compositions in dancing style for YOU!” - A.W.E.
My first album «ZigZag» (2010) :
http://www.rhapsody.com/awe/zigzag http://www.amazon.com/Zigzag/dp/B002X39FFI/ref=sr_1_9?ie=UTF8&s=dmusic&qid=1263239993&sr=1-9
http…
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Endless picking up the needle and putting it down on Yes's Steve Howe in the 70's got me this far!
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Where's all this sappy music coming from? The Olympics were on. I must have been watching too much figure skating or something.
Unmastered track from my 2010 RPM Challenge submission.
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Again i'd love some feedback
I like the feel and the mix
do the lyrics work?
recorded t'night in an hour after trying all day to get the verse lyrics rammed into another tune
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this is one i have to stop tweaking - six versions and i still don't get what i hear in my head
would love some crit for this one as it's doing my head in
thanks
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This started as a simple piano piece from Osckilo, I took that as a beginning point and added the rest (synth, guitar, drums from Boss microBR), turning it into a prog-rock instrumental.
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