Edolian
by NullPointerException
- 01. Cohesian_(1EDO) 1:30
- 02. Organized_Cacophony_(2EDO) 2:03
- 03. Augmented_(3EDO) 2:07
- 04. Entering_(4EDO) 2:01
- 05. Winter_Forest_(5EDO) 2:39
- 06. Exiting_(6EDO) 2:17
- 07. Sorrow_(7EDO) 3:45
- 08. Disorient_(8EDO) 2:44
- 09. Steps_(9EDO) 2:15
- 10. Limbo_(10EDO) 1:38
- 11. Overcoming_(11EDO) 2:23
- 12. The_Lair_(12EDO) 3:21
- 13. Void_(13EDO) 3:55
- 14. After_the_End_(14EDO) 3:43
- 15. The_Cosmic_Waltz_(15EDO) 3:31
- 16. Seventhic_(16EDO) 3:49
- 17. 2057_(17EDO) 3:11
- 18. Confusion_(18EDO) 2:23
- 19. Summer_Night_(19EDO) 2:54
- 20. Serenity_(20EDO) 3:53
- 21. Twenty-One_(21EDO) 2:04
- 22. The_Descent_(22EDO) 2:45
- 23. Desertification_(23EDO) 2:44
- 24. Outwards_(24EDO) 2:05
- 25. Sepia_(25EDO) 2:31
- 26. Riemann_(26EDO) 2:51
- 27. Adventure_(27EDO) 3:06
- 28. Machinery_(28EDO) 2:29
- 29. Chamber_(29EDO) 1:57
- 30. Shift_(30EDO) 2:47
- 31. Coda_(31EDO) 8:59
0:00
2:01
Entering_(4EDO)
Uploaded .
0
3
This is the 4th track in my album, Edolian, where I go through every EDO from 1 to 31 incrementally.So, this is probably the second song in this album I am actually happy with (first one being Cohesion.) This track is effectively only using the diminished seventh chord from typical 12edo tuning, and it also re-introduces the tritone that was missing in the last track, augmented, which was in 3EDO. I think the next track in 5EDO will sound a lot better than the previous ones, as 5EDO is notorious for having it impossible to make anything sound bad in it. After 5EDO, it’s back to another 12EDO subset, 6EDO, more commonly known as the whole-tone scale.
Track created on 2020/10/4