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(RPM 2011) For obvious reasons, many RPM albums make use of improvisational sound collages. ;-) This is the first of three that divide the record into sections. You may or may not hear the connections in the lyrics, but it actually does make…
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A cover of Larry Wallis's fine ditty (it's always been one of my favourite Dr Feelgood songs).
This was my second recording with my Boss MBR, recorded early 2009. It confirmed for me that I was a "standalone recorder" kind of guy, and there was…
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Inspired by our good friend Geir Alfsen , who wrote a song titled Oil , this highlights the plight of seabirds trapped in the recent oil spillages
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Another song in our ongoing Wojo project. Wojo is a Wetband splinter group made up of Jethro and Woody.
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Most of you probably haven’t seen Reg dance, so I should explain it to you.
When Reg takes his “classic moves†to the dance floor everyone else steps aside to just watch – well, that is everyone except a few of the most self confident…
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This is the music to "Was it all worth it" reg wrote and performs this. With out the chatter, so you just might have a different take on it..........
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Thanks to Angie Fights Crime for the drum track!
Jimmy Page On A Serious Downer Jag
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2x 5 string bass, electric piano, vox
I tried adding percussion via playing drums on my keyboard. It was way ugly. So... I think I'm done unless someone wishes to lend a hand.
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Recorded this just the other day while warming up during one of our regular rehearsals. Dave (guitar)gave me some "ideas" on how to play ROCK ;)
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I have a story to tell. Debbie and I went to a Guitar Center across town looking for a cheap used bass for me to convert to fretless like I did my Squire Strat. Well.... I ran into a really nice used Ibanez 5 string bass - with a B below E…
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This is so long, its like long cat, so looooooong, but just wait for it, there is an awesome moment where the song is so deep and amazing
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Well, this is a single minute of music around this wonderfull 'Angel Eyes' song. I hope you like and/or enjoy this miniature. Have a great 2011 alonetoners!
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I used sonar 8.5 matrix view to turn my M-audio 88es into a sampler keyboard - assigning samples to almost every key. Most of the samples are field recordings from today and yesterday - most of the others are recordings I made of a drumset I…
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Musical piece about the fairy adventures of toys on and around the Christmas tree, and all that.
For us, the boring adults realists, such a story is ridiculous, but not for them - for children who listen to tales with bated breath. For them…
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eshar asked me "if you ever feel like supplying some funky vocals...that would be awesome!
." I said "yes" instantly because i love what she comes up with. Here is the first attempt, all words are made up on the moment with no retakes. I think…
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Now you have to make a decision. Do you go with it or against it?
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Thanks everyone for the input!! I guess i'll go without vocals
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This piece is part of a review of John O'Sullivan's book The Mathematics of Music. You can read part one here.
http://chrisvaisvil.com/?p=317
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from the new album "Orange"
They say, a bitter man's a bitter friend to find
They say, a bitter man is better left behind
Touche, my bitterness is the only way
They say, that face you make will stay that way
They say, tomorrow is another…
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Piano versus vibraphone in Expedition1....just because you can with the click of a mouse change the feel!
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Norbert Oldani & Roger Sundstrom round out the soundscape against my quasi-just intonation singing and quirky rhythm section electronica.
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Why. Why? Why! Why- why... why, why, why; "(why)" are we here?
Also, abstract eye progression: o.o 0,o 0)0 p]R 9|9 818 111
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A tender farewell to a mother leaving for a long trip home.
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although the art of the groovebox,working with the roland MC 505,is my main life project,i try to keep up the practice of a traditional instrument...the sitar...pure free minimal psychedelic underground music...
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E V H I ain't...but here is some noise anyway:)
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this is literally an audio sample of me eating a crunchy hor'd'ourves. Synthed to divine irrecognizability..it has become a song. about chewing with your mouth open.
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The perfect synthesized soundtrack for a soothing, green-screened trip to the glittering fringes of outer-space. Behold!
(aka getting to know my new synth... and no this isn't serious)
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Written and Recorded June 6, 2010
Details: Epiphone Les Paul (DADGAD, DADGAD Capo V), Seymour Duncan Pickups, POD XT, Boss RC-20 Looper, EBow, Audacity.
Rachel, you are my hero...
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Visit www.2camels.com to read the more about body painting.
This is a jazz fusion piece featuring my Fender Mustang, Guitar Rig 4, GR-20, Session Drummer 3, and the following soft synths ARP2600, Absynth 5, Dimension Pro.
I hope you find…
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i gave this one a little adjustment and couldn't decide which version i liked best...so it became a safe and warm mix...
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Hybrid analog/digital rock and roll. I'm trying out some new guitar FX and amp sims in Pro Tools.
They are not so bad all distorted and fuuzzzzed
up.
I tried to sing it, but hey, you know, I give it hell though right?
It's a Goddess of War…
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Taking a breather from a few other projects and fired up some drum loops. 3 hip hop beats at 80 bpm. Funny how they just line up like that.
I added some 70's disco synth and some spooky sounds and Bingo.......spooky hip hop.
Go figure.....
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B Jones / drums // Sluk / guitar / bass
The Atomic Boys: Sluk & Buzzy Jones (complex drummer)
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Song written and performed by Phil Close and Tangmo.
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I took Galileo's Cough Drop's Too Early To Tell and added about 8 tracks of guitar.
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oh A-la you sold me a free personal checking account,
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New version of my cover of A Beautiful Scene's You're So Comfortable and I'm Not. Now with lots more instruments. Some parts are still kinda rough but I think I'm done with it.
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This song is actually what i consider a pretty song, well, instrumental. complete with tinkling noises, waveform hums of several pitches and rates
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a protest song, out of time and space warp. a harmonica predomintates skillfully, while a deep slide guitar bass whizzles around, Her silky voice made distant in a reverb chamber while scant samples patter.
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sixteen htz: as in the frequency of the majority of the noise in this epoch, reminiscent of kubrick. The frequency is thought to clear up mucus when played on a modified flute
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Started with a little guitar riff on the archtop, Played roland rs9 string synth through tremolo amp. Also has my tenor steel pan played live.
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For String Orchestra. First performed in Grassington in North Yorkshire, a place of outstanding natural beauty.
This version is computer generated I'm sorry but it sounds ok!
Thanks
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Track 11... I have to stop writing parts that I can't cleanly play.
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This is piece that I recorded while playing in my living room one morning. It's a purely improvised piece. I just put the Mac laptop into record and began playing. I used my Goodall 12 string in standard tuning. I always include improvs when…
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Dwelled by the "Upload" button for a bit before shipping this one...
All recorded on the Boss Micro BR
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It's a song about farting, it's not "the long and winding road"
have a laugh and enjoy!
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Another trip through the Reichatron. This time I caught a groove that I wasn't gonna let go.
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One of the first rounds my mom taught me. We sang this for hours as the family paddled down rivers, hiked mountains, and sailed the ocean blue.
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Somehow this outlaw stuff comes out every time i have to do my taxes ...
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I sent the tracks for this tune to a friend of mine who owns a professional studio. I gave him no instructions on how to mix it, as I wanted someone else's take on the music. He created a very dry, intimate mix, focusing more on the acoustic guitars…
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Another track without a plan. I was supposed to be doing something else, but I was stalling...
Electronically, I used only Ableton instruments on this one in the effects stew I used Eos, Replicant, BigSeq2, and LiveCut in addition to the Live…
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A very rough demo. Programmed the drum kit live in one cut. I messed up on the guitar part at one point too. Oh well.
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"Fordham & Walton" is a slinky, earthy groove with concise and funky guitar work, dynamic pocket drums, head-nodding bassline, authentic percussion and raw, soulful vocals.
From Soulganic's debut album "All Directions Forward".
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D-Day is the first Utopian Hedonism song, build within the Reagan's speech about the Normandy Landings (6 june 1944)
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This was written and recorded on 19th September 05
aka International Talk Like A Pirate Day 2005 ( a wet afternoon as I recall) and is posted here so you start to get the hint.
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After yesterday’s crazy-fun, flow-filled session, I returned to planet Earth.
10 minutes into today’s session, I was crashing, so I took a 40 minute nap. I couldn’t get back on track afterwards (which is typical anyway), so I decided a walk was…
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I wrote Dancing Vampires while reading the book "The Historian", which is a story of a man and his accomplices’ quest to find Dracula in present day Europe. I love history and all of its grit. This song speaks of primal human instincts. We are…
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true hiphop!!! from melatone's free downloadable ep (Pay Attention)
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I remember when we were young
I remember waiting for the sun
you said you loved me
you said you need me
you said you want me
and that was forever
I remember the stories of our days
I remember the tears in your eyes
you said…
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When anger knows no bounds. When betrayal begets rage. When sleep brings no rest. When fighting is just the beginning.
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A Prog Rock instrumental with guitar and keyboard melodies and solos. Three parts to this song. Depicting peace and joy on The Path of Light. A cross between Yes and jam band music. Randal Pflum, all instruments except drums.
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My friend Nihco and I found the piano and vibes sitting on the stage after school one day, and there happened to be some mics near both of them. The background noise is actually people who were sitting and talking in the hall, as we were too lazy…
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Using the waltz beat from the 1958 record album "Rhythm Accompaniment", with the composer on all other instruments. The spoken bits are of xenophobic Utah State Senator Chris Buttars. Written and recorded in February 2009 for the RPM Challenge.
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Those stark Moonlit nights have something of a reputation, but there are other things lurking in the moonlight.
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*Modern electronic rock. Guitar, synthesizer, samples, drums.*
*Sounds like **_Depeche Mode_** *and **_U2_**.
*Recorded at The Hive in 1997. Mixed with* **_Ken Kessie._**
*When you're depressed, nobody wants to see you.*
You all said…
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George Brown - Music & Lyrics, Guitars
Brett Picknell - Bass, Drum Programming
Jim Tyrrell - Keyboards
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This work is dedicated to Andy Jaffe, jazz composer, pianist, arranger and teacher. I studied with Andy at Williams College from 1988 to 1992, and his approach to music-making and teaching has influenced everything all my work since. He once related…
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Another fingerpicky gospel instrumental. From the old days.
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This was a sort of vignette of the various ways we might travel across the United States: automobile, trains, and planes.
Composed for winter percussion - the indoor percussion equivalent of marching band, with a dash of theatrics.
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A very old song that I should have heeded long ago.
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Something just broke and I think it's my heart
It wasn't an arrow. It wasn't a dart
It mighta been a meter that tore it apart
But, something just broke and I think it's my heart
G.
A bedside bomb with no alarm…
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60 bpm, a
fading, just so, the light
the light out my window
hold tight, hold tight
fading
stretching out
this road, goes on and on
out the window
who even knows which road we're on
stretching, forever
but i'd rather sleep my life…
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Leaning a bit towards the new-agey side of things, but still kinda cool I think......
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A reggae version of Colin Mutchler's "Blue Ocean". James Brotherston of The Hustlers is on keys.
http://www.jonathancoulton.com/
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