alonetone radio: Popular
Popular
Best Of My Love by The Eagles - Recorded as a demo to be presented to night club owners to score gigs. Generally, a verse and chorus with maybe a short instrumental, just to give the overall flavor of the song. All 3 vocals are by Mike Woosley…
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Listen To The Music by The Doobie Brothers - Recorded as a demo to be presented to night club owners to score gigs. Generally, a verse and chorus with maybe a short instrumental, just to give the overall flavor of the song. All 3 vocals are by…
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Lady by Kenny Rogers - Recorded as a demo to be presented to night club owners to score gigs. Generally, a verse and chorus with maybe a short instrumental, just to give the overall flavor of the song. All 3 vocals are by Mike Woosley, guitar…
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Play That Funky Music White Boy by Wild Cherry - Recorded as a demo to be presented to night club owners to score gigs. Generally, a verse and chorus with maybe a short instrumental, just to give the overall flavor of the song. All 3 vocals are…
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Summertime - a classic from the musical Porgy and Bess - Recorded as a demo to be presented to night club owners to score gigs. Generally, a verse and chorus with maybe a short instrumental, just to give the overall flavor of the song. All 3 vocals…
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On The Road Again by Willie Nelson - Recorded as a demo to be presented to night club owners to score gigs. Generally, a verse and chorus with maybe a short instrumental, just to give the overall flavor of the song. All 3 vocals are by Mike Woosley…
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Easy Like Sunday Morning by Lionel Ritchie - Recorded as a demo to be presented to night club owners to score gigs. Generally, a verse and chorus with maybe a short instrumental, just to give the overall flavor of the song. All 3 vocals are by…
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Your Momma Don't Dance and Your Daddy Don't Rock and Roll - Recorded as a demo to be presented to night club owners to score gigs. Generally, a verse and chorus with maybe a short instrumental, just to give the overall flavor of the song. All…
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Written for Noel MacDuffie's dance theater piece, Soul Descending, this opening scene sees poor William, the last male inhabitant of tiny island community, lost at sea by a sudden storm and his broken body washed upon the shore.
Live flute by…
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Written for Noel MacDuffie's dance theater piece, Soul Descending, this scene sees poor William mourned and laid to rest by his wife Abagail and the few remaining woman of the island community. Unseen by them (though sensed by Abagail), William…
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Written for Noel MacDuffie's dance theater piece, Soul Descending, this scene sees the distraught Abagail gently carried by her neighbors from her husband's funeral to their home.
Shakuhachi by Eran Glantz.
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Sethji was a sant. He never made a Guru. He was the acharya of selfless service. Guru not needed for Kalyan.
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another one for the special electro-pop collection. Threw this together in the wee hours of the morning.
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AC/DC cover. Everything played by me.
Fun song, I did everything in 1-2 takes.
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This is an old one...just wanted to share it.
Do you feel the tears fall
fall from heaven
gathering as puddles at your feet
does it stain your shoes?
if i stay long...no I won't
i won't bare it any longer
do you feel the heart sigh…
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it will. (started adding dates to the tracks as part of my new digital organizational scheme, for you who noticed)
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For the upcoming Mobtown Modern show "Low Art" next Wednesday, Brian Sacawa will perform (among other pieces in the jumbo saxophone repertoire) "Maknongan" by Giacinto Scelsi (performed on bari sax). For the event, Brian asked me to create a remix…
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If it makes you laugh, you're supposed to laugh. If it makes you feel sick, you're meant to feel sick. If you like it, thanks. I saw you in the locker bay. I heard you like Toulouse-Lautrec. and by the way I didn't write the last twenty seconds…
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well its nearly there. I like to put stuff that I am working on up so that I can listen to it in passing for a day or so, it gives me the chance to hear it with new ears. And maybe get a little feedback/ suggestions. I need to finish the vocal…
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This is the title track and was written in the 90s to a boss who resisted change and it's obvious benefits.
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Arturia Minimoog V (arpeggios), GForce M-Tron (textures), Prophet '08 (everything else). This is one of my more band-like pieces.
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Almost all tracks are layered monophonic Minimoogs (except for the "strings"). I plan on adding robot vocals, but that might take some time.
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The core of this track was done in Numerology (burbling sequence and percussive "bells"), with additional drones, textures and drenched-in-echo melodies added later.
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Moog Minimoog Voyager, with a little extra texture from an Access Virus Indigo 2.
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Arpeggios by Monowave, textures by Access Virus Indigo 2, synth intro by Multimoog, main synth lines by Moog Little Phatty, additional strangeness by Flame Talking Synth.
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This track is done on an Elektron Monomachine, recorded in one pass with no overdubs.
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This song is really two different but related songs which I merged together into one longer one, making it in a sense one song with two different moods. To me, both parts are somewhat wistful, somewhat regretful, and somewhat full of longing for…
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This track is done on an Elektron Monomachine, recorded in one pass with no overdubs. The goal was to do a long, slow ambient piece which slowly built up and changed over time. What happened instead is that I made something that's somewhat eerie…
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Recorded early 2008. Prophet '08 (pulses, soft texture, melody line), Oberheim Matrix 6R (swirly textures).
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Textures and burbling arpeggios by Waldorf PPG 2.V, non-burbling texture by Gforce M-tron and Arturia Minimoog V, madness by Sonic Charge Synplant.
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All sounds on the track are made with Synplant (from Sonic Charge).
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Still under construction. Or maybe not. Bassline might be replaced by a real bass, maybe, and I'm not sure if I'll keep the Ableton Live softsynths as I may replace them with hardware. Maybe. I could just end up leaving it the way it is.
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The exquisite bass was performed by my friend Edo Castro, but everything else was done on a Waldorf XTk.
In fact, originally the bass line was from an entirely other recording. What I did was to mute the other tracks and record all new ones…
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you know you're hopeless when you think falling asleep on the couch is romantic...
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this is a rockin version of an older song.
sadly, this is about as balls-out rockin as i can get :)
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This is one of several beat tracks for my new piece "Z-Land" for string orchestra, amplified string quartet, and DJ. The full piece will be performed by the Zeeland High School Orchestra (from Zeeland, MI) November 20 at the Baltimore City school…
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Just something I wrote recently. Inspired by something I saw out running, and someone's Slashdot signature: "Computers allow people to make mistakes faster than any other invention, with the possible exception of handguns and tequila".
I am…
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Trip hop track, may be listened as a soundtrack...
As usual we tried to create a deep atmosphere with loads of melodies to give the listener a little journey full of new findings every time :)
Anyway this time the BPM is a bit quicker : 87…
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A fun little track that came out of an evening jam - this track spurred the idea for the 'Right To The Line' split we did (summer, 2009). Written as an instrumental with some help on the overdubs.
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Music written and played by Paul Ivany of Right to Asylum & I wrote and sang the vocals. In addition to being the second track from the 'Right To The Line' 2 track split we did, this track also appears on Right to Asylum's self titled album…
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Written for Noel MacDuffie's dance theater piece, Soul Descending, this scene sees the widow Abagail mourning in her empty home, alone with her grief.
In truth, this one was really more by nay-player Eran Glantz than me. Both performances…
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Arrsuarez came to Hawaii to write this song with me.
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I used to be into interviewing folks I knew about anything and everything, just to get "good source" for audio experimentation. I was very much into making pieces using plain spoken voice, and was (and still am) very fascinated with the effects…
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Six guitars playing live repeating patterns. In rhythm?
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Ben, Jon, Jason and I record the destruction of a Piano via Hatchet. The criminal act was done on the santa fe plains.
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This was written in Innsbruck, when I was broke and had no microphone except for a skype headset.
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Otherwise known as the 'opus'. This song was my life for a good year. Left forgotten in the dusty hills of Santa Fe. This is pretty much the A section :)
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Well now, this is actually a very old track, made back in March '09 and not that long after I started learning piano.
I was learning a very simple 12-bar blues piece and getting bored with the piano sound I started messing about with the Logic…
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This song is the first ever recording of Solar Fetus, as well as the first time any of the members other than Adam and Justice played together. The song is almost completely improvised (some of Adam's keyboard parts were decided on half an hour…
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A skipping CD of children's music, an old accordion with sticky keys, some subterranean drums and synth bass, a departing train. Hoping to achieve some kind of glitchy transcendence through the broken fragments.
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I composed this song (this is a midi audio file). It is based on the lullaby my mom made up when I was a baby.
© Pablo EMoulden Productions (& and Pablo Moulden)
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This is a live set from my band Airport 7
Recorded September 1st. This was done in our rehersal studio live. Only the between song chat has been removed.
We were running throught our set for a series 3 live shows in the next 4 weeks.
It is a…
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Poured myself a small cup of acoustic guitar, half finger picking, half ebow. Nothing fancy, nothing magical, nothing fantastical, just something to relax through.
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Written for Noel MacDuffie's dance theater piece, Soul Descending, this scene sees Abagail engaging with the ghost (or just a memory?) of her late husband, William, recently claimed by the sea.
Just as in the scene from Soul Descending, this…
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This is the edited version. Added more parts/etc to it.
© Pablo EMoulden Productions
COPYRIGHTS LINK: under "Llueve Llueve Llueve"
http://maestroeduardomusic.blogspot.com/
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From the archives. Traditional Irish slow air. Myself on the Uilleann pipes with synth backing. This was recorded at a concert here in Weston back in I think '92. Originally recorded on an ancient 4 track machine and then transferred to cassette…
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A long meditation/wank.
This weeks guitar lesson we started looking at melodic minor modes. I went home and started practicing scales. Wasn't long before I got stuck on Dorian flat 2. So I fired up the looper and recorded a session.
Funny…
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Rachael on vocals, it's her song. I did the arrangement and played all the instruments.
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I play everything on all these songs, except for the drums. this is a dude from Portland named Carl playing drums, who has since dropped off the radar completely and gone AWOL
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unfinished instrumental, written during the period right after Katrina. Kind of a Bowie thing, I think.
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Narrative: A lonely scientist was stationed to Tundzha Glacier in Antarctica to study fissures.
Instrumentation: I stretched, repitched, and looped two sections…
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Hi!
Just a remix of a song I originally recorded in Garageband, remastered in Ardour.
Thanks for stopping!
Doug
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I never get tired of playing this song.
Written by Leonard Cohen.
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Very rough sketch of something I am working on, with my even sketchier vocals. All about how we seem to be intent on using up everything this planet has to offer. Any ideas or comments please
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Crying Angels by Lena & Irina Panfilova is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 Unported License.
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Dedicated to grandmother Zoya
Click on "view more" to watch related VIDEO
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Stella d'Oriente by Lena & Irina Panfilova is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 Unported License.
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Measuring Desert by Lena & Irina Panfilova is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 Unported License.
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story: wings of chaos, wings of beauty. h.g. wells awakens from cyber-sleep in the "Chrysalis". the steam-driven moth-ship is now traveling slowly across an immense nebula. the engine's motoric rhythm generates the soundtrack to the view from…
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The assignment was to create a musical score for a spoken narrative. I chose an excerpt from the book Catch-22.
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made this tonight, while smoking, as always.. title is explained by the lyrics combined with (very intellectualy) my use of the numbers from the fibonacci-sequence for note-pitch values of a couple of instruments.
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From the 24 hour album. Began this one 47 minutes into the 24hr session. Listen to the full work here: http://alonetone.com/glu/tracks/glus-24
I haven't touched this track in over two months. What does it need?
Instrumentation: Bamboo flute…
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I spent the day skrewing around with this Roumanian Minor scale again. I am really testing layered drums on this one, Toms mostly.
There's a lot happening. Acoustic, Strat, Bass, 4 Juno tracks, and all kinds of percussion.
Only a two chord change…
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We are four Austin teenagers writing and playing our own music. This one is called long way home and has some deep metaphoric meaning (or so we like to think)
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Unorganized. Actually recorded live on the day the song was written
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I made the beat for a male singer but he was a kno show so i did a lilsumthing kinda of a nice cool mollow layed back type of track hope you like 8580 Rec.T2 ThaLabRat
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made the beat let my mind go and this is the outcome
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nice beat lyricz&hook by myself T2 check me out
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This is a collaboration between me and guitarist Kerry Hoke. Kerry did all the guitar work, with me adding some simple bass and drums.
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Fun song...recording the guitars was a pain, though. On my SG (right channel in this recording) I use .009's, and I tuned down 1 1/2 steps for this...you should be able to fill in the blanks from here. I had to re-do it about five times before…
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Solo piano improvisation exploring polytonality and the fact that I visited my dad in the hospital and he had bruises on his arm. Restraints.
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Second half of a solo piano improvisation exploring bitonality and bruises.
E
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Soundtrack for the video version of a shadow puppet show ("Awake", below, was an excerpt/prototype for this piece). A link to the YouTube video of the show is below!
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From 2005 - One of the first pieces I wrote and the first one I licensed. Written on an old version of Fruity Loops (pre FLStudio). Probably should have added this to my "For the Sake of Posterity" playlist...
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I like the flow of this song...its pretty rough but the structure will most likely remain and just have some melodies added...
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Scored narrative, featuring Alan Watts' "Who Am I" and sampled piano.
Logic 9, 2009
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From 2005 - Another one of my early pieces written on Fruity Loops, I believe written along side Morning at the Quay. As much as I detest re-recording things, I could probably do it justice now (for what it is, but I cringe at the step programming…
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Sound 4 project - not musical, but a spoken narrative. I think I'm better at story telling than music making, hahaha
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I told the [good Sister](http://alonetone.com/sistersavage) that I wanted to try using vocals in a track and she offered to do me some abstract, stylized, vocals that I could play with and this little number is the result.
Working with wet (pre…
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I wrote this in Tombstone Ariz.
Lyrics never came. A buddy of mine had a studio and we played with this song for about 16 hours.
It's a good song to drive to.
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It's the "short" story of good and evil.
I liked the way it turned out. Sometimes "less" is "more".
The whole track is me. Had fun recording it.
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I like the sound of the "Native American" flute.
I feel relaxed when I play.
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I tried to write this song in the vain of the Cowboy Ballads. It was used as a title song in a film. I tried to put all the energy, mystique, and subtle undertones into this song without going overboard. I wanted to give it strength but at the…
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I actually got the inspiration for this song from watching a soybean herbicide commercial.
DON'T ASK...:)
You wouldn't believe it if I told you.....
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I guess this song is your "first love" type.
You see a girl across the room and ,...well,..you know,...
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This is my Project 4 for Sound 1 class. The assignment was to make a soundtrack for a spoken word type of thing. I chose to lay down a fat beat with Al Gore from An Inconvenient Truth.
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