alonetone radio: Popular
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for any one who has a friend or loved one that makes you hope for the best, and fear the worst... this song is for a friend that I have had a long dialog with(years)... he's very self destructive... you don’t care about winning the argument, you…
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it is a winter blanket of snow. it smothers life. it attempts to silence all sound. however, small ghosts of music escape. they always find each other. every winter they dance together. they are the notes of christmas past. 0x0
hw: quicksilver…
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An electric monk is a device which believes in things for you so you don't have to (Dirk Gently). This is a quick little rif.
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Recorded December 17, 2008
Guitars: DADGAD and DADGBE
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One night after three month of no rain, as we were driving home from singing at Gringos in Grapevine a splash of water hit the windshield.
I said to myself, "Sweet Rain."
I went home and wrote the song. It's on the soundtrack of a movie called…
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Jeff Archer - Guitar
Joe Lafata - Keyboard Bass
Matt Stahl - Drums
This is my personal favorite of the 5 jams.
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Jeff Archer - Guitar
Joe Lafata - Keyboard Bass
Matt Stahl - Drums
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This is another song snippet from my experimentations with Reason 4.
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an experimental piece,exploring the musical landscape,which is a palindrome,given that the second track is the first,reversed
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What seemed like the solution to a deficit of music after having been up for 40 hours - FillBot is available in 2 minute increments, inquire within.
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At the end of this piece there is a hidden track.
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Pedal steel dreamscape and silly panic from the answering machine.
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24 hours of music making for 2008.
Yup. This is a "Gaiman variation" which means that I stopped at 24 hours and this is what I've got. Not 24 min, but it is a "Noble Failure"
You can see my 2007 album [here](http://alonetone.com/sudara…
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almost everything that i write starts on acoustic guitar... I wrote this one as I was driving... so by the time that I got to my studio, i really heard the whole thing finished (both lyrics and the music)... and it was more of a NY bluesy piano…
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an exposition,traditional of the raga,bilaskani todi,transformed into a slightly ,dark ambient piece of music,exploring musical landscapes,with a scenario,as if for film music,which my pieces normally are.
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an exposition,traditional,of the raga ,bilaskani todi,transformed into a slightly dark ambient piece of music,exploring musical landscapes,inspired by a scenario,as if for a film,which my music normallt is.
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I decided to tap into my latent '80s Depeche Mode subconscious, and this bouncy tune popped out! Ian Beardsley heard an earlier version of this and immediately detected Spanish flamenco hidden in the techno dance chords. I opened up the stage…
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Finger style folk guitar with vocals... things are not always what they seem
YOU WON’T FIND HIM AMONG
THE PROUD MEN WHO INSIST THAT THEY ARE STRONG
YOU’LL FIND HIM WITH THE MAN
WHO CRIES OUT GOD FORGIVE ME, I AM WRONG
YOU MAY NOT FIND HIM IN…
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Just a mellow track I whipped up last night before bed. The field recording is from the Peruvian Amazon- I forget which habitat it was recorded in, but my guess is near bamboo... during the morning.
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A song about not wanting to feel for someone that has treated you badly and left you behind.
Despite having these feelings you still feel this person is above you. As they fly freely and you're left lost on the ground.
When they come flying…
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You're girlfriend is cheating on you.
You know it but can't walk away from her
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when your stuck but you see where you're going.
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MUSIC:
MR FUNKYMONK
LYRICS, VOCALS, MIX: Anne
YOU'VE GOT GIRLS
i told you once
i told you twice
you'd have to go
if you couldn't play nice
so tell me
have you been good
let's chat
i told you before
i made it clear
you keep on actin that way…
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I liked the sound of this one but I don't know if it works as a track.
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I sang and played acoustic and electric guitars, bass, and Moog synthesizer on this track.
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From the "Northville" project.
I played acoustic and electric guitars and an ARP Odyssey synthesizer on this track.
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This little ragtime number began life as just a snippet, written as background music for a home movie years ago. For the hard core ragtime buffs, I know this is not quite syncopated enough to be true ragtime, but hopefully its fun and bouncy…
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This is a song I wrote with Lisa Purdy (who sings the harmony vocal) about the experience of depression. Jim Bouchard plays lap steel - I'm playing/singing the rest.
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Just a funky song about the world, economy, what we want, what we have.
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While living in Seattle I knew a guy named Larry. Larry was one of the "pretty" people of the world and had most women drooling over him. He met and married Denise... Also one of the "pretty" people of the world. But Denise could not seem to…
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Just to set the record straight I wrote this song before the movie Wall-E came out. If you've watched the movie Wall-E my song is basically along the same lines of how humans have messed up Earth. It's not a happy song if that's what you are…
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I'm a real fan of broken beat stretching, it makes all your samples raw as gravy. No wait. Phat as gravy, raw as uncooked crack.
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The piece was composed in 2001 and recorded by my friend V. Gorbach in Russia.This tune is from the cycle of 16 pieces for guitar.
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This fantasy was composed for a guitar several years ago. Later I arranged it for an orchestra. I tried to reach the baroque sound.
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exploring the musical landscape,between raga,fugue and ambient music
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An electronic track from the Dead In The Water sessions. I thought the Last FM version was missing something, so I went in to fine-tune it.
This is the end-result of that fine-tuning.
The track deals with how there are usually no easy outs…
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It's ALL bass, and one ocarina track. And a gong. And a radio broadcast from Saudi Arabia from Desert Storm (the first time we went over). So I guess it's not ALL bass. It's MOSTLY bass.
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The film was supposed to be dark and disturbing, something about a man who works in an antique shop who thinks a mannequin is making him kill people. Or maybe the mannequin really was making him kill people. I don't know, it was hard to tell from…
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Publicado bajo autorizacion y sin animo de lucro .
www.carranga.org
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Just a piece I wrote going for a Celtic sound.
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based on the book by knut hamsen
i stand beneath the cloudy city sky, passing time, and gnaw upon, ideas and dreams, broken self solitude, formulate my world around me, wander the streets and ravish my dreams, the scent of food surrounds me…
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Written and produced by Michelangelo. I just added some slide reso. Mick's dad played harp.
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[glu](http://alonetone.com/glu) and [Sudara](http://alonetone.com/sudara) pop you one new skool. Their second collaboration. The first was ['back to the cold'](http://alonetone.com/sudara/tracks/back-to-the-cold-warm-mix).
Remix it! The source…
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Publicado Bajo Autorizacion y sin animo de lucro. www.carranga.org
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robot tries to convince human female subject to be his lady.
Instrumentation: bamboo flute, violin, programmed drums, vocals, synthesizer.
LYRICS:
you smell botanical,
I am mechanical,
Machines and animals,
Are sexually compatible…
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The final part of the story - our protagonist has her at his side, burns the place to the ground - only now does he begin to contemplate that maybe this wasn't the best solution
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Field recording of spontaneous celebration in the streets of Baltimore after Obama wins election. Nov. 5, between 12:30 - 1:30 AM.
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Album: Tragically Delicious
Track: 5 of 9
Year: 2000
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A sinister reading of H.P. Lovecraft's "The Thing on the Doorstep."
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Esta obra está bajo una licencia de Creative Commons.
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This is a remastered version of DJam, uploaded previously, with Darrin Kobetich on mandolin. Look him up on myspace, he's an incredible guitarist! I am playing a National Estralita resonator tuned to double drop-D.
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excerpts from: breeze, thyme
a dream came true for 4 people. last friday (17th of october) we made our first complete run through "the dark side" during rehearsal.
not perfect but good enough to do a 'best of'. for us it's been a magic moment…
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just a chill tune, made to sound like warm analog love. Props to you if you can hear the elephant sounds throughout the track. ;)
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This is a deep house remix of Lux Divon's "Doctor P'.
http://www.luxdivon.com/
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well...this song is about letting go...sometimes so hard.
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A jarring Elysium composition, structurally similar to Komposition-1 but using the Kore 2 instruments "Boesen Buddy" and "Trembling strings" played simultaneously. I think I was also using an osciallator to control note velocity. I need more flexibility…
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1999.
Ross Spencer and myself, our first and only combined project.
Shit equipment, but a tender piece.
There will be more!
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The first bioelectrophilia track since returning to the US. This song was made with only 2 saki monkey vocalizations. Note the beginning of the song which demonstrates how one vocalization was turned into part of the percussion.
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didgeridoo, bamboo flute, synths, and vocal love
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I have had an itinerant life and most of the friends I've made are scattered to the winds. Or rather I am.
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2006.
Easy listening House.
A mellow, drowsy little piece, reminicent of the early 1990's House scene I so fell in love with.
Mr mullato, Simon DK, Mr Fingers etc.
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2004,Experimental house.
In memory of a very bleak 24 hour journey of disaster traveling back from an even bleaker Turkey in the bitter lonely winter, aged only 22, where I ended up accidentally working for the mafia and had to run away. Fun…
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2000.
A Song written when I was 25, my parents sold my truly beloved childhood home, This was how I coped with it, as everything hard in my life.... with music.
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Another attempt to create a deep house style tune, I never seem to entirely succeed but this has a lovely modulation and emotional development, perhaps listen to it at about 3 am when your a bit drowsy after a big night dancing.
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It's a snippet. Perhaps later on I'll finish it.
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Close your eyes. Drift. Yeah. That's the idea.
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trying to do a different beggining, and I like to make a turning point in a song.
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Yeah I wrote this with a little help form Dmoneye. Here are the lyrics:
2008 presidential (s)election
It’s the 2008 presidential selection, not election
planned to perfection by media's erection
for soundbyte speeches by political leeches
to…
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This is the first cover song I've ever really recorded in my 15 years of playing and recording.
The guitar and voice are each full continuous takes, I didn't want to do comping (copy and pasting), though the vocal harmony parts were done in…
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A project for yoga i did, improvised musical over breathing of a few poses
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This is a pre-release of a song from my new album. The song still needs some polish and rubbing. I will change it out once i get done with the final version. The lyric was written a long time ago, of what could or couldn't have been:) Thats the…
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This music talk about when you have a relationship and the another person come and say you that you could be together anymore and go, you lleft when you're herat broken but later the another person give count that make a big mistake, and wanna…
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A track from the "Water, Wind and Sails" compilation on WM Recordings.
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When CobSOn was 6 years old, mom and dad Cobson sent her to the local music school (in the suburbs of Toulouse) where she started to play the piano. The course lasted 11 years.
During the summer 2002, she wrote her first words, "give the slip…
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When CobSOn was 6 years old, mom and dad Cobson sent her to the local music school (in the suburbs of Toulouse) where she started to play the piano. The course lasted 11 years.
During the summer 2002, she wrote her first words, "give the slip…
Uploaded
When CobSOn was 6 years old, mom and dad Cobson sent her to the local music school (in the suburbs of Toulouse) where she started to play the piano. The course lasted 11 years.
During the summer 2002, she wrote her first words, "give the slip…
Uploaded
When CobSOn was 6 years old, mom and dad Cobson sent her to the local music school (in the suburbs of Toulouse) where she started to play the piano. The course lasted 11 years.
During the summer 2002, she wrote her first words, "give the slip…
Uploaded
When CobSOn was 6 years old, mom and dad Cobson sent her to the local music school (in the suburbs of Toulouse) where she started to play the piano. The course lasted 11 years.
During the summer 2002, she wrote her first words, "give the slip…
Uploaded
When CobSOn was 6 years old, mom and dad Cobson sent her to the local music school (in the suburbs of Toulouse) where she started to play the piano. The course lasted 11 years.
During the summer 2002, she wrote her first words, "give the slip…
Uploaded
Matt tribute to... Mr. Hagens, I'll find out his 1st name sometime :-/
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Publicado bajo autorización y sin ánimo de lucro.
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Publicado bajo autorización y sin ánimo de lucro.
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Publicado bajo autorización y sin ánimo de lucro.
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This is the basic theme for "weekend in new orleans", a documentary we're currently writing the soundtrack for (it'll be adapted with variations throughout the film). It's very quiet. (Video trailer coming shortly.)
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An old traditional sea chanty with a long intro that's influenced by the playing of Bill Frisell
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This song was written for a festival of Peace that took place in St. Catharines, On, in June of 2008
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Not all tracks need bass to be good! This was a beauty that I laid down in a matter of days. There is a bass line but it gets destroyed into higher end frequencies.
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A remix of the [lead vocals](http://ccmixter.org/files/shannonsongs/15128) of "Silence" by [Shannon Hurley](http://www.myspace.com/shannonhurley).
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i wrote this in like an hour and i sort of like it as a little jazz ditty
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Heya evryone this one's by me ....... nelly i sang this song of eminem ......lemme know howz this.
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This montage is about making music and what it means to people. It uses comments from a number of classical musicians interviewed for a radio series I record and produce called "The Main Street Sessions". The music is from "The Gospel of Thomas…
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A chillaxed and noodling instrumental with just my acoustic guitar and a tad bit o bass.
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Music for the credits of a film called "High Lonesome" by Andrew Hulse. I originally wrote this for guitar, viola, and double bass. In this new version, the lead melody is played by my wife on clarinet.
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