alonetone radio: Popular
Popular
Live improvisation using a MicroKorg and Roland SH-01.
Mixed with Live 8
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A pleasant pop tune, written in the Fall of 2009 about "chilling out" and taking a less serious view of the world. Instrumentation done in MIDI
using Samplitude Music Studio version 14 and Mixcraft 4.5.
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Just messing around on a Saturday morning. A
rough cut at best, but I get a kick out of it.
This is a song by the great Jimmy Dean - 1961
I used to spin this 45 RPM record way back when I
wore a young boy's clothes. I always wanted to
cover…
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This is from the movie Crossroads, a guitar piece from the head-cutting guitar duel near the end. I put background music to it, which makes it sound quite a bit different from the original version. Below I also have a video of me playing it solo…
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Goonist Aptitude (Feat Hannibal Jesster)
Produced By Motion
Lyrics By Bradley Logan
Lyrics By Jesse C.
Copywrite 2009
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SLEEPING ALONE
Now, I've got room for my radio and I've got room for my phone
And I've got room for my books and sun glasses now that I'm sleeping alone
Now I've got room for my tablet and I've got room for my pen
And now I've got room for…
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This piece is a medley consisting Aragorn (named after my chilhood hero), Continental Op ( Everyone familiar with Hammett's books knows this infamous detective) and Scienceboy... nerd or not
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A heavy thing I recorded for Fedor Emelianenko, the greatest MMA fighter in the world.
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Cannon at the octave on F
I spruced this up by playing it twice; once with a pentagon subtractive synth duo + kontakt percussion and then with alto sax + baritone sax + jazz trap set.
6/8 120 BPM
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This song isn't about anyone. In fact, I came up with it in the shower. It's just a stereotypical rock song.
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Ever since i heard Cave Street's Creator Protector Destroyer (from their 2010 RPM album) run from that song back into the opening didj of Onion Bell (the first track) i wanted to put the lyrics to that pulsing energy, and today i had time to give…
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cover song originally by tegan and sara (lyrics by Sara Quin).
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this song reflects how i feel staring out my window today
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A taboo celebration of the rowdy miracles that assail us from all sides.
The song is the musical rendition of a piece from my book, "PRONOIA Is the Antidote for Paranoia: How the Whole World Is Conspiring to Shower You with Blessings," which…
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From the Himitsu jam sessions. Electronic punk jazz or almost anything else. A group of 3 to 5 musicians meeting weekly to just play. All improvisation, no planning or themes, just what you bring.
Our guitarist led this 5 player piece, though…
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Beware all ye who enter here. This song's a stern warning that being the front man of a band is not what it's cracked up to be. Consider yourself warned.
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An obvious reference to the classic movie, "Blues Brothers" (which takes place in Chicago -- where we're from), this song tells the cliched story of the band that reunites after years away from each other thanks to "creative differences", "growing…
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Track 4 on Tarbosaurus Antagonist. Written and recorded from February 2009- January 2010.
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Track 12 from my 2010 RPM Challenge Album "King Astro" written and recorded entirely in February.
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Track 11 from my 2010 RPM Challenge Album "King Astro" written and recorded entirely in February.
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Archtop Guitar, electric guitar and Roland vocoder. Drums are BFD2 and a tabla I picked up that week at a thrift shop.
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A track from my 2010 RPM album. This is the 2nd installment of the Fear Trilogy.
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Another track from 2010 RPM Album. This is the first track in the Fear Trilogy. I wish I had the time to edit it down a bit more but I still think it would make great background music for a haunted house display or Halloween party...
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A ghost tries to get me to join her on the "other" side.
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DEMO Track from Upcoming Album - Chicken Bones and Ice Cream Cones. This song tells part of the story of Ethan.
Check out Ethan's Blog for More!
http://KittiesRunWild.wordpress.com
Hit Ethan's Fan Page on Facebook
http://www.facebook…
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How can you love me
How can you need me
When all you do is take
When all you do is take
I’ll give it all
Until there’s none
But you’ll still want more
All you do is take
All you do is take
How can you want me
How can you love me
I’ll turn the…
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Track 12 from "They Are Killers" ... originally to be #11, but I decided this was a better one to go out on.
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Trying the distorted/clean guitar pairing... track 10 from "They Are Killers"
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Spontaneous composition by Mark Poole.
The theme involves rain finding it's way to a river that flows into the ocean.
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Written and Recorded: Feb 20, 2010
Details: Epiphone Les Paul (DADGAD & DADAAD/Capo III), Seymour Duncan Pickups, POD XT, EBow, Audacity...all fingers, no picks.
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I made a song from start to finish a few months ago. I then completely remolded it and recorded it in one take on my MYSTERY INSTRUMENT.
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A bit of an experiment for me, but still rock'n'roll.
Lyrics @ http://wave.transmit-music.com/yoursandmine.html
Wave 2010 (RPM)
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Just a fragment.. but thought it was worth including..
If I were to lose you now
I don't know that I could cope
Please don't leave me now, don't go
You're my only hope.
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Beat made for the Scorpio movement of "Zodiacrobatic", remixing "Tierkreis" by Karlheinz Stockhausen. This particular track is made for a mashup of Stockhausen's melody with the song "Scorpion" by the Budos Band. The source melody is not actually…
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Electronic backing track I created for the Cancer movement of "Zodiacrobatic", remixing "Tierkreis" by Karlheinz Stockhausen.
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Live performance from "Zodiacrobatic", Hybrid Groove Project's remix of "Tierkreis" (Zodiac) by Karlheinz Stockhausen. Brian Sacawa and I performed this, our version of Leo, on our Mobtown Modern series in May 2009. The complete "Zodiacrobatic…
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Part one of the ten-part suite. The tracks segue continuously, so downloading them all and listening to them together is the intended experience. Thanks for checking it out!
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track 5 from Novella Minor. Probably actually my least favourite song on the album. In retrospect, I would like to have replaced it with something different, but it's kind of carved in stone now. I mean, it's not terrible, it just doesn't really…
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I little fun I had over the weekend.
About 6 layers of guitar and a little something from the puremagnetik Grand Piano micropak.
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Another experiment with the sandbags' Reichatron.
This time with an single Reichatron and me playing a guitar accompaniment.
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I have always loved this haunting, lovely song. A family favorite to be sung before drifting off to sleep.
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Well I just had to try those bubbly, sparkly synths out.
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I like Anime. In fact I LOVE Anime. and, in correlation to all that is anime, I figured I do a mix about one of my favorites. Rurouni Kenshin. This song is played in the background of some serious situations and plot thinners in the show so…
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Lyrics:
Love is a mild catatonia
When you suspend your disbelief.
It can beat you down, it’s like pneumonia.
It’s something you catch and don’t release.
It’s a debt without restitution,
A series of rules that you must break.
I might…
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Mostly driven by electronics, most of the people who listened to its demo form said it was too repetitive. After I added the guitar overdubs and the break in the middle, those same people liked it much better.
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Another rock ballad. Lyrics by Gordy Macdonald.
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New track off of As Sick As Us debut EP!! Recorded at Deaf Ear Studios by Billy Seals!
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(A remastered version of a Sound 1 Project 3)
I wanted to try something different with this one. The album is so packed with digital-sounding songs that I just needed to mix things up.
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Scored narrative, featuring Alan Watts' "Who Am I" and sampled piano.
Logic 9, 2009
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The assignment was to create a musical score for a spoken narrative. I chose an excerpt from the book Catch-22.
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A skipping CD of children's music, an old accordion with sticky keys, some subterranean drums and synth bass, a departing train. Hoping to achieve some kind of glitchy transcendence through the broken fragments.
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Series of live recordings and samples chopped up to make the beat. 3 improvised guitar tracks over the top. I wanted this piece to act as a narrative calm at first, but after the sample, "- its the polite thing to do." the piece transitions giving…
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ah fixed the drum track, I think it's a little better now
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Memories of walking a coonhound in the small hours around the empty structures of Baltimore's Artscape festival before dawn- silent ferris wheel standing behind the rows of booths, vacant carnival installations on the Charles St Bridge. In this…
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This here be last years Pirate Day Song and a little darker as befits it's murky past.
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