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This blues piece uses my Blue Just tuning system (1/1, 15/14, 9/8, 6/5, 5/4, 4/3, 7/5, 3/2, 8/5, 5/3, 9/5, 15/8, 2/1). For more on my tuning go to www.johnsmusic7.com
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2010 Young Men's Choral Festival @ Mansfield University. Me as recording engineer.
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It the secret that you can not say nobody?
Is it a wound to still ache when I touch there?
Do not talk more than this if so.
I hug you who are frightened calmly.
Do not cry anymore.
I will melt in darkness as it is.
If you had a…
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...and, quite possibly, the most misuse of a distorted saxophone ever...
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sweet beats of realization against a background of rock and roll punk rock
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hope in a fury of rock and roll punk rock ...
the lyrics roughly translated are ...
pretend you're beaten with a hot iron every day.
pretend you're in a labyrinth
traces of a sick heart.
inside rules of non-sense.
laughing with a winners…
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this being a few minutes less then half, what ever that means, was chopped due to megabyte restraints that went over 40 anyway gf.. very minimal and building with in the changes are changes in time/space too.
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the first net realease of the microkorg xl synth stuff, just setting into the experiment now.
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Mohamed Osman Mohamud like all domestic terrorists was a pawn for the FBI.
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Jqscutt had this guitar riff that he sent me and we worked out a song with bass, rhythm, lead and drums over the internet. I posted it for a collab for some key additions. This was added by TiS friends K-Lyd and Coruz. Later, they found Liam…
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Inbetween serious and slow composing the urge came to smash some things up, so play it LOUD
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Merry Christmas!
I really hope this brings some peace, to a troubled soul...
Jesus Loves you so very much, Rest in Jesus.
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Check out the video, it'll make more sense that way.
This is the first part to a collaborative project I am conducting with an old friend who happens to be an amazing artist, Mr. Rich Gibbs. He is putting together a story through comics that…
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cat nippy snippet when ur wall paper isnt enough to drive you scratching...meow
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...I know, mildly disturbing -- don't read too much into it, most people have a tendency to misinterpret my words
lyrics:
//Gravity
//You took my seed
//I know you wish
//You could keep me from this
I've got a gift for you little girl
If you…
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...more of a dramatic reading than a song per say...
It's a poem from the book "Alice's Adventures in Wonderland" by Lewis Carroll. I recorded this around 4 years ago when I was messing around with some recording equipment I had just bought.
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This is a soundscape for a piece of artwork I have on another site you can see it here
http://f-stopped.deviantart.com/
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Previously released as "a little moon music", Here, used as the background for a video i made in Oct of Great White Sharks http://www.youtube.com/watch?v=iX5R3lrxmYs
This is not the typical Discovery Channel version, here i saw the more languid…
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RosaLinda, unbeknown to me took my song Ellis Road and made this fantastic song called "Tactual Sensation." I was very pleased!! Linda is from Sweden and now lives in Norway. She does not have an account here but perhaps soon. Anyway enjoy.
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an improv with the ol pedal steel, with loads of fx. Spent a lot of time trying to get the noise off this track, but had limited success.
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It's a part of the song I'm working on,
maybe the rest of it lands in the garbage can where it belongs to.
The vocal part's intention was to be a capella,
but the piano impro is suitable... somehow.
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more of the condensed version but nice as electronics going ons..
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A Concerto for Flute and Orchestra
EMFEB and Ben Elln
Flute: Gareth McLearnon.
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Concerto for Piano and Strings
Played in Jersey by EMFEB and Ben Ellin
Piano: Chris George.
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A Concerto for Horn and Orchestra.
Played in London by EMFEB Orchestra under Ben Ellin.
Horn: John Davy
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Happy holidays! I recorded this jazz rendition of "Greensleeves" a couple of years ago for the Holiday Challenge presented by Sidedown.
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This tune is the bastard love child of Fever Ray and The Conet Project... dark, mysterious, and grooving. I hope it makes you feel like a spy! :)
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(Syd Barrett) - early Pink Floyd song written by Syd. I gave it an Eastern treatment with harmonium, hand percussion, and guitar.
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describe everyone or Tell this music a story for us
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Recorded in 2005.
Joe Silence - vocals and all instruments; tracked by Joe Silence at Spit Recorders.
Mixed by Joe Griffin of Toxic Bag Productions.
The guitar solo is not actually a guitar.
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Here's a very early version of a new song, not sure where to take it but it's a start!
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A metaphor for the emotional carnage we leave behind us in life.
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A little something for the holiday season. Tonik thinks he has this "drumming" thing figured out.
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Ya know, driving around in a cold winter snow storm picturing tropical islands.
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a field recording/sound collage from last Saturday at the Fort Worth MOMA. Sounds inside the Serra sculpture Vortex, and the African percussion/dance ensemble Jumbie.
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details here if you want them http://chrisvaisvil.com/?p=350
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This is a remake of Samba do Bonde, now with portuguese lyrics. A loose translation below:
Priviledge, the two of us here
to sit, converse, to feel
the warmth of friendship
always too brief
just a give and take between immortals
(close…
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This is a live recording done a few weeks after writing this song. It will be released on the upcoming "jalipaz" E.P.
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Randy Brown and I did a little co-write this evening and this is what we came up with...
I MISTOOK IT FOR THE MOON Capo @ 2 Key D (Play in C positions)
I was coasting across West Texas/Had my top down, it was late at night
I caught a coyote…
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Recorded in 2004.
Joe Silence - guitars, synths, Optigan, sound collage
Alissa Barthel - ghost vocals
Jonathon Wing - drum solo
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i got home from street chant at like 2am, took my clothes off, sat on my bed and wrote this. its about me. and you and me. and i dedicate it to sylvia plath, because she is very cool.
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from the album "the Hardest Blow" featuring vocals & samples from Barney of Vivian Circle
I’m just singing for the war, inside me
Four thousand soldiers dead, maybe more, maybe more
It’s hard to read between the lines, so blurry now…
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There are times, moments, sounds, shadow falls that take us to and bring us back to magical times in our lives,,,Something in this piece by Johnny Mercer & Henry Mancini,, can pull me in so many different ways,,, it's always been a favorite…
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Recorded in 2006.
Joe Silence - guitars, beats, vocals
Mark Cook - fretless and 12-string basses
Originally written by Russell Cowser.
New arrangement and additional material by Joe Blair.
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Recorded in 2005.
The keyboard sound in the second half is a backwards electric piano processed through a triggered filter (kind of like a Mutron III).
Muted the vocals cos I'm not too pleased with the lyrics or performance.
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Recorded in 2006.
ambient, Ambien, muy bien.
*opens window and takes deep breath*
Backwards electric piano through a ring modulator and an echo, then processed to death in WaveLab.
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a piece that's a bit older, and one of my first attempts at using a music synth
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The first cracks in the new relationship start to show from the Beginings Tapes
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