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I'm working on a March RPM... it is "record per month" after all, is it not? So, this month I plan to expand on some ideas with glubotic... I hope to make the album a full hour.
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This is the finished version of Trance-Indental. the second half has come out very different to what I thought it would, but I like it. Give it time to build as it progresses.
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This was the first time I'd fired up my telecaster and amp for a recording and it felt like sitting in Sun Studios or something. Amazing sound after playing just acoustic instruments for a year. It's the first take and I loved it!
This is now…
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I'm not sure if this is rockabilly or late 40s jump R'n'B. Dance music though. I had fun with the lyrics and the backing vocals.
This is now a tidied up version 18/3/09
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A happy song about being left by your no-good spouse. There's a word for the attitude in this song but I can't think of it right now ...
this is now a tidied up version 18/3/09
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There's a whole mythology woven into this song, and hence into the album, and the weave is fine and warm.
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I should mention I was thoroughly tanked on sangria when I made this one. It just seemed appropriate...
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A song all about the passing of time, the seasons, love and life
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Ambient. Electric Bass Guitar. Ebow + Acoustic Guitar
Sometimes a new instrument is all it takes to inspire a nice little piece.
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Bouncy, with ear candy. Wanted to do something different with this one, keep it from being too predictable. I think I succeeded. I also happen to really like my "squawk, squawk" gtr stabs in the verses.
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This is written by my friend Stuart Walker, and he gave me permission to record this for my RPM 2009 album. It reminded me of early Leonard Cohen so I took it in that direction with the finger picking and spookiness
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This is written by my friend Stuart Walker, and he gave me permission to record this for my RPM 2009 album. It seemed to be a meditation on everyday life so I decided that I'd whistle for the solo as it's the kind of thing I do when walking down…
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reading too much sci-fi makes you paranoid and using too many effects pedals can make your songs repetitive, loud, and long.
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loop pedal + fuzz pedal + wah-wah = instrumental noise madness.
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This is a random, ambient, minimal and free music.
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*Cover of* **_Shriekback_** *song from their album "Oil and Gold".*
*Mixed with Ken Kessie. Backing vocals by Anne Kadrovich.*
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Folk waltz with great harmony
The video is live acoustic in my living room
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Created for the CHiLL is five compilation, 28 November 1999.
My first or second CHiLL release. I don't love it.
Ambient. Synthesizers.
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Created for the CHiLL release Resolutions, released 15 February 2004.
The Tunguska Event occurred near the Podkamennaya Tunguska River in Russia on June 30, 1908. Experts generally agree it was caused by Nikola Tesla firing a prototype particle…
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Folky song about a mans life at sea. written a few years ago.
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This was done using a vocal track that Imogen Heap put up. This is my music to back that up. 90% of it was done using a roland guitar synth, the gr20
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Another song for the RPM 2009 Challenge. This is sort of an interlude that reminds me of Penguin Cafe Orchestra but with a sort of industrial edge. Vocoder is featured.
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A model of the Solar System which whirls and turns all the planets in their correct orbits at the correct relative speeds
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A classically-inspired track that totally does not fit in with the rest of the album. Incidentally, Ctesiphon was a capital of the Parthian Empire.
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Tartessos (possibly the "Tarshish" of the Bible) was a fabulous city in Southern Spain that the Greeks and Phoenecians often visited. I wanted to evoke a sense of adventure.
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The first track begun, the last one finished. My attempto write a techno-middle eastern fugue!
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Aural and astral travel to fabled lands and back.
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this songs was written after robbie was left at a bar after a fight with his girlfriend and sounds like it too
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about a ex girlfriend pretending to be someone shes not
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A dark ambient/ritual track.
From the 2009 Alchemist Corpse Rite entry in the RPM Challenge: "A True and Faithful Relation"
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Goth/folk...Vocals and lyrics by Laura Aalto
This is a companion piece to "Vision in Gold"
From the 2009 Alchemist Corpse Rite entry in the RPM Challenge: "A True and Faithful Relation"
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Instrumental goth/industrial
From the 2009 Alchemist Corpse Rite entry in the RPM Challenge: "A True and Faithful Relation"
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A dark ambient/ritual track.
From the 2009 Alchemist Corpse Rite entry in the RPM Challenge: "A True and Faithful Relation"
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Instrumental goth/industrial
From the 2009 Alchemist Corpse Rite entry in the RPM Challenge: "A True and Faithful Relation"
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Instrumental goth/industrial
From the 2009 Alchemist Corpse Rite entry in the RPM Challenge: "A True and Faithful Relation"
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A dark ambient/ritual track.
From the 2009 Alchemist Corpse Rite entry in the RPM Challenge: "A True and Faithful Relation"
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Goth/folk...Vocals and lyrics by Laura Aalto
This is a companion piece to "Vision in Silver"
From the 2009 Alchemist Corpse Rite entry in the RPM Challenge: "A True and Faithful Relation"
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If David Bowie played lots of Legend of Zelda as a kid...
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i have replaced the old file with this as it is more compatible num
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Rhythmic groove with bass and "guitars". In addition to the obvious bass track, the two distorted "guitar" tracks are actually also basses, EQ'ed and altered with various effects to sound less bassy and more guitary.
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My re-imagining of a piece by kjwise as a Harold Budd/Brian Eno-ish collaboration.
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A rewrite and expansion of one of my original songs, from a time when I was distrustful of things like drum samples and dynamics. ;P I don't mind discouraging those ninety-nine out of a hundred listeners with noisy glitchiness if it suits the…
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(5 of 5 in "Tree Haus" cycle) The conclusion of my mid-album epic. The last two minutes or so were highly influenced by Muse - years ago I spent a lot of time listening to their album, "The Origin of Symmetry" and it has affected both my singing…
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(4 of 5 in "Tree Haus" cycle) That's an ASCII picture of a Kuriboh, those lovable, useless fluffballs from Yu-Gi-Oh. I don't watch the show but I played some of the games for the GBA and the things's just so cute.
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(3 of 5 of "Tree Haus" cycle) This was meant to be a 30 second interlude but grew into a song of its own; now I find it one of the two "perfect" tracks on the album.
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(2 of 5 in "Tree Haus" cycle) I wrote this song, originally to be called "Tree House", years and years ago, piece by piece, just by jamming away on my keyboard and wailing. It never acquired lyrics, but then, the only thing I find less important…
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(1 of 5 in "Tree Haus" cycle) I regret not doing more about the stodginess of this song - it's the lowpoint of the album to me. Perhaps you disagree but I still wince my way through this. Alas.
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Here's the first time you hear the "Love ZZZV" theme reprised in a slightly different way. Then we morph into a style someone described to me as being medieval. Me, I'm not convinced they liked noise interludes all those centuries ago...
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A very simple experiment with layered electric guitars and some laidback beats.
Copyright © 2009 Tiago Castro Henriques, some rights reserved (http://creativecommons.org/licenses/by-nc-sa/3.0/).
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*A true story. Marasmus. The Duke University Talent Identification Program.* **_Chris Fudurich_** *played some guitar and gave some good guidance on this track*
In 1969 an experiment was devised
20 babies were kept alive
All alone
They…
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