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Queen Lithium is a tyrant ruler, but a fair one..mean spirited, demanding, but deep & loyal..
demands attention 24/7, but invariably, is alone..
"midnite alone, with her, Solitaire'....
The road to camelot is sometimes a bumpy road, or…
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Well, screw the metronome, damn the torpedoes, and grab a capo!
Sometimes the best versions are the ones played fast and loose. Hope you enjoy this song adapted from one of my all-time favorite poems (I'm a bit biased since my dad wrote it…
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Norm and I in a room at his house. See the video for the reason for the name.
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Other layers may or may not be in the works, but I thought I'd let everyone have a listen so far.
HERE WE ARE TODAY
How can it be so clear
In my mind
The first night you were here
Like going back in time
Sweet as summer wine
Your whisper…
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With a little help from some of the lyrics of the Doors descriptions of the uncertainty of the 60's Reg has decided to do a kind of Punk song from both sides about the trouble in England which seems to be igniting the youth to set light and loot…
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Back to basics here. recorded with the Yeti mic.
Ramblin' round your city,ramblin' round your town
I never see a friend I know
As I go ramblin' round boys
As I go ramblin' round
My sweetheart and my parents I left in my old hometown…
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The Crystal City Aviators are:
Tristan Haze - guitar, vocals
Nathan Clinen - bass
Direz - drums
The White Weapons EP was recorded by Josh Gorman at Vienna Studios, Sydney, in 2010.
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Tristan Haze - guitar, vocals
Direz - bass
Recorded at Northbeach Studios in 2008-9. Mastered by Meredith Brooks at Soundwarp.
To see a loose performance of a song from this era entitled The Raven, go to www.youtube.com/watch?v=0ktyDRb0FKA
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Tom Higgins - lead vocals
Joe Silence - guitars and vocals
Mark Cook - Chapman Stick, fretless bass, synthesizers
Victor Romero - drums and percussion
Recorded in 1991 by Mark Cook and Joe Blair at The Crypt and Spit Recorders
Mixed by…
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Reg heard this collab (Quarter of a 60th Djörk (M.T.C.) and thought it brilliant, the music made it so easy to put the words to, a story of holiday romance.......with a bit of Tom Jonesing going on..........Thanks Djork and M.T.C for letting…
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I'm a part of an improv guitar trio called Strung, Drawn and Quartered, and we play gigs maybe once or twice a year. This one's from last night.
Darrin Kobetich - guitar
Bill Pohl - guitar
Kavin - guitar, loops
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When nostalgia and regret collide, we get "Bright Lights Shine".....
Lyrics:
Drove six hours, landed in Pittsburgh
Cold and tired, by the Alleghany…
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Me and Rihanna went on a date...That's my story and i'm sticking to it.
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Funny song about women who chase the thug life they see in music videos.
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All F&C music is designed to be listened to through headphones. You may not experience the desired auditory hallucination effect if played through a different medium.
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Loop idea recorded during gig rehearsal. Room miked so you can hear me stomping on pedals.
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Alternative Indie Electronic Rock song by Kazimierz. Surreal, Psychedelic, Political.
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A quick paced indie alternative song about the hopeless avoidance of love and misery, with a wry smile.
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Dark dreams and long stretches of road separated us from our loved ones. We broke hearts and had our hearts handed to us in fragments. Win or lose it, in the soul, love is long.
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Well, it IS!
lyrics for my Italian friends:
We're gonna be there in your wake
mending the seams when they start to break
make you do what you said that you would
and other words that rhyme with good
once so close why let it go, baby…
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Tom Higgins - lead vocals
Joe Silence - guitars and vocals
Mark Cook - Chapman Stick, fretless bass, synthesizers
Victor Romero - drums and percussion
Recorded in 1991 by Mark Cook and Joe Blair at The Crypt and Spit Recorders
Mixed by Joe Blair
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Tom Higgins - lead vocals
Joe Silence - guitars and vocals
Mark Cook - Chapman Stick, fretless bass, synthesizers
Victor Romero - drums and percussion
Recorded in 1991 by Mark Cook and Joe Blair at The Crypt and Spit Recorders
Mixed by Joe Blair
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Tom Higgins - lead vocals
Joe Silence - guitars and vocals
Mark Cook - Chapman Stick, fretless bass, synthesizers
Victor Romero - drums and percussion
Recorded in 1991 by Mark Cook and Joe Blair at The Crypt and Spit Recorders
Mixed by Joe Blair
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Tom Higgins - lead vocals
Joe Silence - guitars and vocals
Mark Cook - Chapman Stick, fretless bass, synthesizers
Victor Romero - drums and percussion
Recorded in 1991 by Mark Cook and Joe Blair at The Crypt and Spit Recorders
Mixed by Joe Blair
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Hey friends, it's been awhile! I just got back from Alpharetta, where I managed to get a few short hours hanging with my good friend Treefrog. We recorded a whole bunch of weird noises & then decided to do at least one "real" song. This is…
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From the album THE MAN FROM TAURED. Some spontaneous deconstruction that comes weirdly close to proper tunes on several occasions.
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the most evil piece of jew's harp you have ever heard! one take recording with Szilagyi in F with distortion over a tiny guitar speaker.
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Bit tricky trying to play guitar whilst hiding behind the sofa.
You'd of thought she would of herd it.
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This song is called "Atrum Sodalitas" which means "Dark Companionship" in Latin. This song will depict two people from different backgrounds that share the same, yet dark, goal. You will hear their story.
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If you like The Phantom of The Opera then you will love this. This song features the main theme from "The Phantom of The Opera". This is an arrangement using that theme and therefore I call it my "Phantom Rendition".The easiest way to describe…
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my friend beniko recorded this vocal on a hand held digital recorder with no key sig or tempo and asked me to do something with it for a japonese shadow theatre performance.....http://www.youtube.com/watch?v=YDCh2kirUqU&feature=share
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you the listener/s have all the description in your ears this time.
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A little something I've been toying with based on one of the chords from Free's "It's Alright Now".
Apologies for my rusty recording mojo...
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A peak into a glimpse of the first day of August 2011 and there's a nice storm to watch here in the Philadelphia area. Getting a little inspired here.
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Track 1 from MUTATE's side of a split tape with Thee Moths.
Listen to Thee Moths side here:
http://alonetone.com/theealex/playlists/thee-mothsmutate-split-c90
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Track 7 from the 'Space Opera' EP.
Download EP from:
http://www.archive.org/details/SpaceOperaem123
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Track 1 from the 'Space Opera' EP.
Download the EP here:
http://www.archive.org/details/SpaceOperaem123
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This is a composition that uses indeterminacy with respect to pitch (and instruments but since this is one recording that doesn't apply). However, all of the other musical elements are controlled. This performance occurred at the Praxis Xenharmonic…
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A collaboration of my original music
with Geoff Judges re lyrics and vocals
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I'm into doing faster songs at the moment. This is a Smiths song from 1983 with some cheeky lyrics.
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plokken is a very quiet and groovy piece of jew's harp music with. you cn nearly taste the saliva.
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jew's harp duet with dutch jew's harp maker Steven Stoop. www.jewsharper.com
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live @ Cafestival, Kargadoor, Utrecht, NL Jan 2011
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very old track (1999), one of my first jew's harp tracks
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I stumbled across a sample I took of a cd skipping, which is the base rhythm/pulse track for this.
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2nd of the 24 songs I have recently written. Simple fluff that started as something different. I could have done a better job on it but as I've said before "I'm lazy" and if it seems just "OK" I'll pop it up there. Hope y' like it!!
Using pointless…
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Just messin' around with some sound
Noah and the Guardians of the Sky is a Wildgeas Sci-Fi ambient project.
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A little instrumental I've been working on for a while. I'm considering doing a version with lyrics and vocals.
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re-done this one, now titled from make me perfect to "Perfect Machines" for upcoming slew of demos for the new album "pronounced : jez-my-us"
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I don't know the right words
To make a love song for you
I won't live enough days
To wait another one for you
I don't know any way
To make it clearer to you
All the things I don't say
When I don't know what to do
I'll carry this cross
To where…
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Some people are better staying in the past.
(Also- an awesome short story/collection by Joe Hill- check it out.)
LYRICS:
She calls herself a mother
Leaves her kids behind
Might be eyes on the back of her head
But the two in front are…
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I wish I could say that I had a story behind this but I have none :( Thanks to all those that put their input into this, particularly GCD, I cannot overstate how helpful this was.
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This started out with the rhythm, and then it took me a month to find a tune to go with it.
I used three synths: my Mopho, Matrix 1000, and a great deal more Roland JP8000 than I originally intended.
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normally would try to upload something like this to my Wizard of Drams account, but here it is on my original Jesmiaus account.
I remember listening to the vocal track after I recorded it and thinking wow I really do sound like I am singing…
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This is a cover of somebody from the 1970's... had a dream with a version like this in a post-dinner nap.
I recorded it as a laugh... but it is kind of interesting.
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This is my cover of "Blown Away" by Shiny Toy Guns: www.shinytoyguns.com
If you like it at all, I recommend checking them out. They're great.
All instruments, vocals, mixing, etc. performed by me.
Lyrics, for those who like them:
Days…
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Part of "Black Sun Music" Inspired by the Harry Crosby poem of the same name
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Just a fun random little ditty I like to play. Much of the syncopation has been stripped, leaving the basics of the song structure while I have fun sliding down the learning curve of Cakewalk...
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Towards the end of the recording/learning session, I should have checked the volume levels on the overdub. Again a much older tune that I have spruced up over the years, the original is much different.
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Very much a work in progress. I have not even decided what kind of effects to use and when. Again another 1-shot recording to capture the essence of this rambling piece.
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Another one-shot recording with an simple overdub. A much older song I started writing back in the 90's. There is much much more to the song than what is captured here, still getting used to the software...
As a side note, I really like the…
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Recorded with a Digitech GNX Workstation straight into my desktop with Cakewalk. Simple plug and play as I prepare to learn the software more and get accustomed to the idea of having to do everything myself. Just a fun jam, could possibly become…
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ok this is the center portion of the the tape transfer and remix so if you like the intro and end so on this just gets more intense that it is centered and focused some.
to create your own new work play the video and music together .. each time…
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This is a piece using 2 keyboards, an M-Audio 88es (vocal choir) and Alesis Q49 (brass choir) in 17 notes per octave. The objective was to use some functional xenharmonic chord progressions. I would be interested in knowing if you perceive the…
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This is a piece performed on an Alesis Q49 using Kontakt 4′s viola and gongs samples as the sound source. The violas are retuned to 10 notes per octave. This piece is concentrates more on melodic aspects. This is my first piece in 10 edo…
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I used to play around
I never wished to see you gone
I left the radio on
I never thought you'd hear the sound
So I wait for you to call
Still I wait for you to talk
Now I'm hearing that you're getting angry
Breathe in, breathe out
Before you…
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slightly different mix for sinbad multitrackstudioforum who suggested a vocal boost and some creepy Vincent Price reverb(i may have given it too much of a boost though)
sort of vaguely electroskank arrangement with some hints of klezmer &…
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"Fighters Inside"
I didn't always see myself from three feet away
Now my alter ego shadows me all day
There is no war out here tonight
All the fighters are inside
Disaster is apparently a natural state
The winner's tactic is to defy fate
Screaming…
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"Where Is My Woman?"
You've gone on
traded your soul
for a life that smells
of a flowery aroma
you're flying colours
flying cars
don't do anything
for the lives on Mars
crossing the Sahara
fixated on the poles
the meaning of…
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A fugue...sort of. Something I decided to try out.
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It's supposed to be a polka but you be the judge:D
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The Sailor gets a part time job in late-nite data entry-ing now that the offworld fishing industry is on the fritz...
how could I ever leave my poor little scuttlebug
so careless and free, she's my little scuttlebug
when the lights turning…
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reversion of my erin express song. has a bit of a Blues Me Wicked Number One feel to it :) cheers
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Reg was out tonight on the dance floor doing his thing and saw this beautiful women doing her thing......well if that doesn't make a song what does?
YOU GOT SOMETHING I NEED (Lyrics)
Baby you got something about you
You got something special…
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I Love Drum And Bass.
Grew up on the stuff..
Here is a Nostalgic one...
Peace
T
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It took a bit of doing and a lot of learning - I've built my first guitar
I have a video of all of the stills I took while making the guitar with some demonstration music.
The music has mistakes - but it is the first time I played it - I spent…
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Tried composing a love ballad sort of sad
with a 60 s flair and a kenny g sound. hope
u like this .......................best regards
NEIL SWANSON
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Reg was down the cellar earlier chatting to Elvis and he told Reg he was just having one of them days ..........so they made a song.............
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improvisation - in part to learn to ebow and strum at the same time.
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Jeez, it's been forever since we've posted anything. This is our latest instrumental. It's a very raw cut, but we liked how it turned out for the most part.
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Woodwinds and Harpsichord in John O'Sullivan's Blue JI tuning.
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This is a piece using Garritan World Sample Set (Tibet singing bowls and Tibet bells) and pianoteq. It also uses a non-octave tuning that is an infinite stack of just major seconds (scala file below).
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Cal Powers: Vocal/Guitar.
Tim McCoy: Bass.
Chris Elliott: Trumpet.
Jen Thayer: Sax.
David Nebbia: Drums.
Steve Canty: Lead Guitar.
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Guess who came down the cellar last night......Johnny's tune was playing on the juke box and nobody could stop him.......Thanks Johnny......
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Kept in the Cellar is a piece for piano, percussion, and processed street signs in 17 edo.
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I made this after listening on-end to DJ Fresh. No idea why
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This is a track from my retrospective album Heptadecaphilia.
Details, online play, PDF that has background on the music, images, and links to videos are to be found here:
http://chrisvaisvil.com/?p=1007
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Along with her magnificent harmonizing vocal tracks, Inge sent me one track which was crashed by her 2-year old son Willem. He pretty much takes over the whole operation at about 3:00.
In the background you can hear the original rough vocals…
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I called it this because that was the first thing that came into my mind when I played it back after writing it.
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from forthcoming release 'The Sun's Renegade Daughter'.
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Cal Powers: Vocals/Guitar.
Jon McCormack: Lead Guitar.
Jim Taylor: Bass.
Jeff Landrock: Strings.
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I was uh killing a mosquito in a shower house
I was uh swinging and uh swatting like a powerhouse
I was uh killing a mosquito in a bathroom stall
I was swinging at them like I was swinging at a racquet ball
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Unfinished. Got inspired by gated snare and all. I dig the little break, too.
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I saw discussion of Bleu tuning on the yahoo tuning groups – all of which were tempered to a pure octave. Embolden by Andrew Heathwaite’s 88 cent guitar I decided to try the tuning without tempering to make the octave pure. So I made a scala…
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The "hook" sums it up:
"Out of the darkness, won't you come?"
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Written & Recorded: July 1-2, 2011
DADGAD
First time I've picked up a guitar since February. Still not feeling it, though...
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Not the most accessible tuning - 13 edo splits the octave into 13 instead of 12 parts. So everything is guaranteed to sound different. That could be the charm or the problem for you. This piece focuses more on melody than most of mine.
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