alonetone radio: Popular
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This program was created for "The Mobcast", podcast of Mobtown Modern, as an introduction to the theme of our third season opening concert, "Loopy", at the Metro Gallery in Baltimore, 9/16, 8 pm.
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A big instrumental in about 3 minutes. Imagine the last few miles of a very long road trip.
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Wrangled in the string band to a play a pleasant little toe-tapper.
Instrumentation
Resonator Guitar
Resonator Bass
Banjo
Guitar Case
Clapping
Serrated Knife
Voice
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I recently bought a monstrous old Emu keyboard sampler, and this is the result.
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Proof that a cheap electric guitar can be a substitute for a drum kit.
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Again substituting a guitar for a drum kit but this time an acoustic.
Structurally, a more straight-forward piece, sounding more like a band than some of the other Ca Va? Oui, Ca Va! songs.
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Another one from back when I was tracking to actual tape. Was going to do a new version at some point, but decided I had lost interest. Sometimes there's no sense in recreating the past! Recorded probably the beginning of 2007
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Solo acoustic finger picking thing I've been working on for a while. Sometime around 1968 I started studying with Mr. George Bennett who taught me the rudiments of finger picking. Later when we played some gigs together he also taught me the rudiments…
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I don't have the source-files for this one, but I think it was made in 2004, probably in the winter
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A badly-tuned kalimba, a toy drum and a novelty stapler... Pop genius.
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I like the atmosphere, but the source is loong gone (ca 1998)
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Totally fake rap-vocals from totally fake indians, you could tell from the cornflakes
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This one was written after coming home in the harsh light of being out all night after learning someone I knew put a shotgun in his mouth and pulled the trigger. I write this from his perspective...
'Nuff said.
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Probably one of my better gtr riffs/rhythm parts in those days. The song is always borderline going off the tracks...but it was fun to play live.
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The close friend of mine who helped engineer this session said my gtr sounded like a swarm of angry bees. That's the best compliment I can think of. This was a mayhem producer when played live. I barely was able to keep it together in the studio…
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This one is a classic case of "Chasing The Demo".
In other words, I am not happy with it. The demo versions had a ton more feel and groove. This one sounds rushed and doesn't do the song justice. Oh well, such is life when you are on a budget…
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This song was written long before it was recorded, though it stayed pretty much the same from day one of its creation until the studio about 4 years later. My favorite part is my guitar riffs near the end. My least favorite part is my crappy singing.
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This song went through multiple iterations before coming out like this. It was a great song to play live. Did anyone catch the tip of the hat to "Fire and Rain" at the very end of the song?
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That twanging sound at the beginning of the song is me putting my acoustic through an amp with all knobs on 10. Acoustics feedback at 440mhz, which is an A note. The song is in A. It kind of sounds like a high tension electrical wire.
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First take guitar part that I just liked the feeling of, which sounds a bit like a haunting version of Jeff Buckley's 'Hallelujah'.
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Beat created from different strokes on an electric guitar, which is probably of no suprise. Pretty simple arrangement but a fairly strong melancholy-pop song.
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The only song I ever wrote about an actual person I knew. She's heard it and she now sings all corny and gets the words wrong.
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called this track 'dirty awakenings' because it sounds like dirty awakenings.
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A ballad about the perils of life.
Featuring Bugzee & Tragic
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Recorded August 28, 2009
Details: Martin D1 (DADFGC - capo II), Shure SM57, Audacity, Sound Forge.
After digging this tune up really I really wanted to try it again on acoustic (which I don't play much). This is a second take recorded in…
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Uncle Bobo needs his keys back, and he has a reward for the first person who finds them!
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This is the audio version of my blacksmithing lesson which can be found at http://ironangelforge.blogspot.com/
This webcast covers more detail on the blacksmith's forge.
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Nupitor, the planet of love. A Sluk & Xenos collaboration.
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Claudio Nuñez was born in Buenos Aires in 1959. He studied classical guitar during the 70s, composition with Hilda Dianda and obtained a choral conductor degree in 1980.
Claudio lived in the USA between 1981 and 2004. He has released 7 CDs…
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A field recording of multiple boomboxes playing doctored field recordings of Baltimore's Inner Harbor, played back at the Inner Harbor.
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Another Blacksmith Lesson, this time with intro musics! This episode explains how to build a coal forge out of a plastic bucket and some cat litter.
All of the written lessons, along with pictures to illustrate some of the lessons, can be found…
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The song was constructed around a field recording of Lacandon men paddling across the lake in Métzabok, Chiapas (Southern Mexico). The Lacandon speak "Hach T'an," which is a Mayan dialect-- this is the language you hear in the track. Unfortunately…
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It's the "do no harm" mix.
Because, theoretically you won't hear any difference between this and "technique 43".
Which is sad really, given how many hours I spent on it. Hours spent on the oh-so-exciting put-everything-in-Logic step…
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Written and Recorded August 29, 2009
Details: Martin D1 (DADGAD - capo V), Shure SM57, Audacity, Sound Forge.
Late night improvisation in remembrance of my father.
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Another quick little ditty. Wandering the no man's land between old timey and the 21st century
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a song about a beautiful woman who loves guitars and being happy :D
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Our dear friend Lynda is in hospice; we wanted to do a song for her - for all she has done for us. This is that song. k & w
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Written and Recorded August 29, 2009
Details: Martin D1 (DADGAD - capo V), Shure SM57, Audacity, Sound Forge.
I can't hide the fact that I've listened to Pierre Bensusan. Or that I've longed to return to Paris.
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Completely done with my microKORG. The organ sound is a preset, but the rest of the tracks are customized programs.
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I hereby name this the "bridge to nowhere" mix since it was the musical content of the bridge that I spent the most time on.
If you've heard the song before, I've provided a shortcut video that plays the bridge from last night's version vs. tonight…
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For our beautiful son Willem, in French Guillaume.
recorded in my livingroom, 16-7-2009.
I called the song Guillaume before because of the beautiful sound.
Since 2012 I changed the title of the song into : Willem.
Because that makes much…
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I made this simple song to try out playing an acoustic guitar with an ebow. It works, but it's quite quiet. The movement of the fingers on the fretboard is louder than the sounds. I didn't use any effects on the guitar tracks.
I recorded my voice…
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Something I was playing around with when I was working on another project. Just the guitar and some vocals with finger snaps thrown in.
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There's really nothing special about this... I didn't even mean to write it.
I was looking for a (free) way to make music that's more... expressive. Rosegarden doesn't have enough in the way of dynamics. I tried a bunch, and I ended up with LMMS…
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This one's for that little black and tan, Nahannah.
Lyrics:
I said nahnay nahnay nahnay hey
how'd you get so good
how'd you get so good
I said nahnay nahnay nahnay hey
how'd you get so good
how'd you get so good
first thing this…
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A tribute to Ted Kennedy. It was a little ambitious for part of a 24h project.
Lyrics:
the world was hurt today
with news scary to say
we lost another man
right when progression began
and I hate to see you go
I just wanted you to…
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Lyrics:
Caged as a bird
free will is such a bitch
it's your responsibility to stay alive
pay the bills etc, etc
but how you enslave yourself
whether or not you enslave yourself
it's up to you
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As another day ends, nightfall comes to the city.
I dedicate this song to my home, México City. This tune was inspired by its quiet and beautiful side and the remnants of nature still present on it.
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This was my first "serious" attempt to make something. Although very simple the final result was quite pleasant for me, hope it is for you too.
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Written by Sluk & Buzzy in 1988
Sluk - chicken scratch, first solo
Buzzy - Drums, bass
Frankie - vox
Rod Guitar - second solo
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Hey Kids! Bring some strangers... Uncle Bobo's bus is in car jail.
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That's right! The first of my pieces with a title!
It actually started as a little tune I whistled when I was getting my soccer stuff off after practice, and it hit me to record it, so I did... This is the outcome.
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This is my second experiment with "song form".
In this case I tried out probably the simplest form: "IABABCABE" where I - intro, A - verse, B - chorus, C - break, E - end.
Although I'm not sure if the verse is supposed to build into the…
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NOT FINISHED. another draft. just putting it up here so that i kick myself in the pants to flesh it out and write verses and whatnot and redo everything. great! this draft is continuously replaced with newer versions. check back, please! (oh yeah…
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Just working out some rhythms. Toucans come in at about 1 minute.. wish I could get the sound onto vinyl for some proper scratching. I used Sandbags' awesome generative sequencer Elysium for some of the ambient and lower pitched toucans. The lead…
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Shaken, not stirred please.
Experimenting more with sandbags' Elysium. This time I used it to trigger elephant samples for part of the percussion section.
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Sometimes we stay in a relationship because we grow comfortable, and we're scared to leave. The fear of being alone fuels us to settle for the wrong one. This song is my reflection of one situation that I was in. "Let Her Go"
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new song today on my player
written after finding out some horrible news from a friend about her rape and DV. i'm sick and tired of men thinking women are rag dolls to be tossed around.
love her - don't hit her
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(c) raik…
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HELL'S HOME GROUND
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(c) r.halstrom 2006
all rights reserved
you sent me on my way
on my way down
to the devil's carnival
on - hell's home ground
didn't need a heart on fire
in a loveless town
the band is there to welcome…
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Hold On was written and recorded in West Point Nebraska when I was doubting many things in my life. I wrote this as a reminder to always keep going even if things aren't looking as good as they could. You'll always find what your looking for…
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Uncle Bobo has some good news and some bad news for his fans. Tune in and find out.
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Written and recorded sometime in 2008.
I was a bit hesitant to upload this one, but I do think the melody is rather nice... :)
One of the first tunes I wrote and recorded with the RC-20 looper given to me by Kirk Lynch. Don't remember much…
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Just a spontaneous (and very rough) two hour tune. Written and recorded yesterday, edited and mixed today. I might as well get it uploaded now because I'll be spending the next two weeks preparing to move across the country.
Lyrics:
We…
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Interactive audio walking tour, a collaboration with artist Kianga Ford.
The Story of This Place is a series of site-specific narratives that offer a portable audio soundtrack that guides the listener through a site with a fictional narrative…
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Moon Rising recorded by Jack & Saxon back in 2003.
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Here's a partially-orchestrated preview of a song we're currently writing. Another big toe-tapper, this one, a lovely 6/4 piece, an ode to half-diminished sevenths, and minor ninths, wherever they may fall.
The title comes from a quote from…
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"Several individuals could each create a tape consisting of some number of documented pieces of ambient noise...and play these tapes simultaneously."
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A mass remix of all Gravity Rues tracks into one massive soundscape
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The second part of "building the bucket forge" which covers getting air into your bucket forge. A rather short bit overall, but useful quick and dirty ways to achieve this goal none the less.
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Using the microKORG, GarageBand drum kits, and a cheap acoustic guitar. Beware, it is far from done. The final version will likely be longer and less repetitive (if possible).
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A short piece, written and recorded by a few of the string players a while ago.
Instrumentation:
Resonator Guitar
Acoustic Guitar
Banjo
Bass
Light Piano
2 Clarinets
Drunken Crooning
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This lesson covers the basic construction of the wooden box needed to build the colonial style forge. Further lessons will expand on the project and should allow the listener to build a fully functional forge out of wood and clay.
The written…
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The berimbau is a brazilian percussion/string instrument that is the foundation for this tune.
Thanks to Dana (Alontoner) who added the sweet backup vocals to make this a much better piece.
And thanks also to K. Scot Sparks (Alonetoner…
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Publicado Bajo Autorizacion y sin animo de Lucro. www.carranga.org
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Publicado bajo autorizacion y sin animo de lucro. www.carranga.org
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latest track, Im really getting into the dubstep groove.
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for when you suddenly realise you've gone too far.
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a song about music, and with strangeness in its heart - as always -, ending with a contemplative moment with Aldous Huxley.
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From the basement, one of the first things I ever recorded at home. My attempt to be a bit jazzy...
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Another "jazzy" little number from the basement archives. Someone call the smooth jazz police before I ever do this again...
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Its a song that was inspired by a dream I had. In fact.. it was the soundtrack to the dream. The ending is purposely left with a feeling of being not finished, as I can't remember how the dream ended.
I hope you all like it :)
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Another guitar loop from 2008. Proof I can write "happy" music :)
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From 2006 or 2007. One of the first (and one of just a few) pieces I wrote using Reason. I was definitely listening to Patrick O'Hearne at the time...might have to buy some real piano samples.
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it is a little bang. a star explodes. matter becomes energy, light, and patterns. chaotic beauty. it is a cloud of color. it is a nebula.
artwork is here: http://i239.photobucket.com/albums/ff279/ic42experiment/nebulae.png
this music is an attempt…
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All done on the Ensoniq keyboard. Even the guitar was run through an after market disc, through the keyboard.
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they're down there and they're making a tunnel under my bedroom floor... all night i hear the scrape of tiny picks and shovels and i cant take much more. i don't who they are but i know what they want, and i aint nobody's fool... i got some gas…
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When I was younger all the girls my age may as well have been boys my age. I used to look up at the seniors sunbathing on the grass and every one of them seemed so beautiful. Now I am that age it seems all the beautiful girls are those a few years…
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Solo piano version of this great duke ellington tune
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This was written and recorded on 19th September 05
aka International Talk Like A Pirate Day 2005 ( a wet afternoon as I recall) and is posted here so you start to get the hint.
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horizontal lines, blue and yellow, dance at the periphery of my vision... now slowly converging, consuming all, until just a singularity remains. then nothing.
a fog, where shapes have no meaning and clouds consume bodies starting with the…
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yeah, that old inflatable demonic possession thing... comes to us all
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Guitar loop from 2008. First loop where I bounced between different tracks instead of building part upon part. Flawed, but for better or worse, I rarely record something twice (why I left in the pop in the initial bed loop, I have no idea - well…
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Simple theme from the audio sketch book. I used to try and write a melody or two a day, most of the time I just put them on paper...this one I happened to record.
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A couple of Irish jigs I wrote and recorded on piano (using either Reason or Cubase and EWQLSO, I really don't remember) a few years ago. The arrangement is incomplete and one I meant to add a little icing to. I may have to dig up the Reason file…
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