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Spaghetti Party was our first foray into recording a complete song. MK came up with the idea of writing a song about her friend/co-worker who has "spaghetti parties" which involve him lying on his back on a couch in the basement by himself shoveling…
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Dedicated to my friend Anders Bech, who acted as a mentor when I started playing the piano in 1987 in Denmark.
Copyright © 2009 Tiago Castro Henriques, some rights reserved
http://creativecommons.org/licenses/by-nc-sa/3.0/
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Recorded: December 2004
Guitar: EBEGAD
Lap Steel: EBEEBE
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Recorded: December 2004
Guitar: EBEGAD
Lap Steel: EBEEBE
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In Memoriam Sara Custódio, 1990-2008
Copyright © 2008 Tiago Castro Henriques, some rights reserved http://creativecommons.org/licenses/by-nc-sa/3.0/
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This is an oldie that needs something. A personal touch but I haven't quite figured out what.
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From Alex B's Beat Tape Volume 1
www.alexbeats.com
www.1320records.com
www.myspace.com/pnuma
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Standing in the shower last summer one weekend when my family was out of town, missing them. It made me think about how empty life is without the ones I love most. Also worked in some imagery I've been toying with for a number of years--the river…
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This is another song snippet/idea that sort of sounds like it could be used as a theme song to something.
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I thought the hand claps were a bit weird but I wasn't running this dog and pony show. See more notes under "red cowboy" and "I left my toothbrush in St. Louis".
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This show was about the various ways we feel grooves - or don't feel them - and the different kinds of grooves we feel in music.
Composed for winter percussion - the indoor percussion equivalent of marching band, with a dash of theatrics.
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My brother Tomas recorded our Niece Clara improvising this tune, and in light of the lyrics then asked any one to join in and add to it.
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the most awesome thing ever recorded by anyone, anywhere, at anytime in the entire history of recorded things. It's true.
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One from a year ago or so. Never was happy with the recording quality, but never got around to re recording it. My attempt at a kind of late 70's Phil Keaggy thing
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it is a piece in threes. it is said that good things come in threes. it is in 3/4. it has three sections. it has three notes.
the 3 note sequence was generated, repeated, overlayed, slower and faster in software. it is a small piece. it comes…
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A cover of The Black Keys' track of the same name. Recorded Christmas 2008.
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Recorded: December 30, 2008
Guitar: DADGAD (Capo III)
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Some acoustic fun with a looper and too much delay!!
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A little experiment running straight guitar sounds and two synths. Live to 2 tracks
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Just one of my ambient "places to go live for a while" pieces
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Just finished my latest royalty free Instrumental Track. The whole track is ased on piano/violin samples from Evanscence (Jamglue) which I cut/sliced into melodic parts. For the Hook I used a rasta's Voice as it comes with the title "Party With…
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I got the idea for this song several weeks ago after spending some time on Bourbon Street in New Orleans. You can't swing a dead cat there without hitting a "Gentleman's Club," though I'm not exactly sure why anyone would be swinging a dead cat…
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The sad part of a violent robot operetta. SPOILER: the robot dies.
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Bass based contemporary blues (midiKeys bass). It is a game of rhythms. If I can get more creative, sometime, I'll come up with more varieties of melodies!
Until then, enjoy!
Ah yes... turn it up!
Doug
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i'm not sure if i like this song. it has a ruff sort of flow and recording. i was thinking of adding some mellow synth backing to help it sound full but i don't want to start that now, so i wont.
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This piece is my original almost-fugue-sounding arrangement of my favorite Ukranian “Christmas Carol”, Carol of the Bells, as if J.S. Bach had written it. Ingredients: Warmth, depth, complexity, eternal romance. Dedicated to my Belle. This was…
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Drive slowly and plan your route to ram into each of them.
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The title was partly inspired by Sgt. Pepper's Lonely Hearts Club Band, partly inspired by the circus sound it has.
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Esta Muestra hace parte del Metodo para Tocar Musica Carranguera de www.carranga.org . Publicado con fines educativos y sin animo de lucro.
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Answering the question of whether or not overdone reverb has been uncool for so long that it is now cool again. The answer: no, still uncool.
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This is a short prelude for piano and cello I wrote for my son
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Publicado Bajo Autorizacion y sin animo de lucro. www.carranga.org
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Originally a very different song, slowed to a dragging pace and laced with dense moans of twisted agony. There's a little bit of John MacDonald on lead guitar in the build too.
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a musical landscape,made of the noble sarod,played with bottleneck,and absynth..
passing from the known to other shores....
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for any one who has a friend or loved one that makes you hope for the best, and fear the worst... this song is for a friend that I have had a long dialog with(years)... he's very self destructive... you don’t care about winning the argument, you…
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it is a winter blanket of snow. it smothers life. it attempts to silence all sound. however, small ghosts of music escape. they always find each other. every winter they dance together. they are the notes of christmas past. 0x0
hw: quicksilver…
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This is the first real attempt at recording this properly and its got some way to go. It needs a guitar solo and vocoders and so on. But this is some of what I did in my 24 hour slot. I battled with my vocoders and lost :(
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An electric monk is a device which believes in things for you so you don't have to (Dirk Gently). This is a quick little rif.
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Recorded December 17, 2008
Guitars: DADGAD and DADGBE
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"We Know Everything (A Requiem for a Rock Band) is just what it says. It's a requiem for a rock band. We all knew, and most of us were in, that greatest rock band that no one ever heard.
Those stories are full of sad clichés like the deal…
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"Burning Anna Rose" is a murder ballad. it's about a man who's love takes him out to get him drunk and in so doing, seals her own fate. Despite killing here on a snowy, winter afternoon he knows they'll always be together.
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One night after three month of no rain, as we were driving home from singing at Gringos in Grapevine a splash of water hit the windshield.
I said to myself, "Sweet Rain."
I went home and wrote the song. It's on the soundtrack of a movie called…
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I went into the studio to record something I wrote... I came out to find out that 32 students had been gunned down... I already had the mandolin song and melody with a writing direction... and this senseless evil really derailed the whole thing…
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Jeff Archer - Guitar
Joe Lafata - Keyboard Bass
Matt Stahl - Drums
This is my personal favorite of the 5 jams.
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Jeff Archer - Guitar
Joe Lafata - Keyboard Bass
Matt Stahl - Drums
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Jeff Archer - Guitar
Joe Lafata - Keyboard Bass
Matt Stahl - Drums
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some think urkel was funny or stupid.
i know the truth.
he was living in pain.
now the world can know too.
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an experimental piece,exploring the musical landscape,which is a palindrome,given that the second track is the first,reversed
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At the end of this piece there is a hidden track.
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The tabla percussion loops are from the great Zakir Hussein.
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Look out for the random Cliff Richard arse abuse references. if he ever records anotha xmas song..su gonna hunt im down. :)
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it is zajjy and offbeat. it is almost a tao of tonality. it is dizzy. it is not gillespie. do not follow its path too closely. it knows not its destination. generative music.
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like the title says. departure from the norm for one of the BNS lads
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almost everything that i write starts on acoustic guitar... I wrote this one as I was driving... so by the time that I got to my studio, i really heard the whole thing finished (both lyrics and the music)... and it was more of a NY bluesy piano…
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an exposition,traditional of the raga,bilaskani todi,transformed into a slightly ,dark ambient piece of music,exploring musical landscapes,with a scenario,as if for film music,which my pieces normally are.
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an exposition,traditional,of the raga ,bilaskani todi,transformed into a slightly dark ambient piece of music,exploring musical landscapes,inspired by a scenario,as if for a film,which my music normallt is.
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I decided to tap into my latent '80s Depeche Mode subconscious, and this bouncy tune popped out! Ian Beardsley heard an earlier version of this and immediately detected Spanish flamenco hidden in the techno dance chords. I opened up the stage…
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Just a mellow track I whipped up last night before bed. The field recording is from the Peruvian Amazon- I forget which habitat it was recorded in, but my guess is near bamboo... during the morning.
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