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Folk waltz with great harmony
The video is live acoustic in my living room
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A work in progress. I like singer songwriter ftuff but also like to play around with trance and the like.
This has a way to go yet but maybe you could give a little feedback
Thanks
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Created for the CHiLL is five compilation, 28 November 1999.
My first or second CHiLL release. I don't love it.
Ambient. Synthesizers.
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Created for the CHiLL release Resolutions, released 15 February 2004.
The Tunguska Event occurred near the Podkamennaya Tunguska River in Russia on June 30, 1908. Experts generally agree it was caused by Nikola Tesla firing a prototype particle…
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Another song for the RPM 2009 Challenge. This is sort of an interlude that reminds me of Penguin Cafe Orchestra but with a sort of industrial edge. Vocoder is featured.
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A model of the Solar System which whirls and turns all the planets in their correct orbits at the correct relative speeds
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A classically-inspired track that totally does not fit in with the rest of the album. Incidentally, Ctesiphon was a capital of the Parthian Empire.
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I believe the recording in the background is from a spy station. The other is a Spanish sonnet.
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I could not turn off certain synthesizers while I was programing this one, so I kept it as it was. Desperate sounding, I thought.
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Tartessos (possibly the "Tarshish" of the Bible) was a fabulous city in Southern Spain that the Greeks and Phoenecians often visited. I wanted to evoke a sense of adventure.
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The first track begun, the last one finished. My attempto write a techno-middle eastern fugue!
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Aural and astral travel to fabled lands and back.
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this songs was written after robbie was left at a bar after a fight with his girlfriend and sounds like it too
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about a ex girlfriend pretending to be someone shes not
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A dark ambient/ritual track.
From the 2009 Alchemist Corpse Rite entry in the RPM Challenge: "A True and Faithful Relation"
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Goth/folk...Vocals and lyrics by Laura Aalto
This is a companion piece to "Vision in Gold"
From the 2009 Alchemist Corpse Rite entry in the RPM Challenge: "A True and Faithful Relation"
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Instrumental goth/industrial
From the 2009 Alchemist Corpse Rite entry in the RPM Challenge: "A True and Faithful Relation"
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A dark ambient/ritual track.
From the 2009 Alchemist Corpse Rite entry in the RPM Challenge: "A True and Faithful Relation"
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Instrumental goth/industrial
From the 2009 Alchemist Corpse Rite entry in the RPM Challenge: "A True and Faithful Relation"
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Instrumental goth/industrial
From the 2009 Alchemist Corpse Rite entry in the RPM Challenge: "A True and Faithful Relation"
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A dark ambient/ritual track.
From the 2009 Alchemist Corpse Rite entry in the RPM Challenge: "A True and Faithful Relation"
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Goth/folk...Vocals and lyrics by Laura Aalto
This is a companion piece to "Vision in Silver"
From the 2009 Alchemist Corpse Rite entry in the RPM Challenge: "A True and Faithful Relation"
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If David Bowie played lots of Legend of Zelda as a kid...
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i have replaced the old file with this as it is more compatible num
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Written and performed quickly (approx 2 hours) during a "dark day". This is not a political song but rather a song about the "helpless feeling" during the current strange economic times.
When I used to get down I'd put on an old song I loved…
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Dreamy instrumental with piano, middle eastern percussion, and deep bass. Inspired by William Orbit.
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Bluegrass banjo, southern rock drums, goofy synths, vocoded chorus, and DnB rhythms. Technically has a NSFW word in the lyrics, but probably not discernable.
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My re-imagining of a piece by kjwise as a Harold Budd/Brian Eno-ish collaboration.
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*Instrumental electronic hip-hop with electric piano*
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Written on a temporary absence from the internet, this is me retreating into my shell (and taking half damage.)
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(5 of 5 in "Tree Haus" cycle) The conclusion of my mid-album epic. The last two minutes or so were highly influenced by Muse - years ago I spent a lot of time listening to their album, "The Origin of Symmetry" and it has affected both my singing…
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(4 of 5 in "Tree Haus" cycle) That's an ASCII picture of a Kuriboh, those lovable, useless fluffballs from Yu-Gi-Oh. I don't watch the show but I played some of the games for the GBA and the things's just so cute.
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(3 of 5 of "Tree Haus" cycle) This was meant to be a 30 second interlude but grew into a song of its own; now I find it one of the two "perfect" tracks on the album.
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(2 of 5 in "Tree Haus" cycle) I wrote this song, originally to be called "Tree House", years and years ago, piece by piece, just by jamming away on my keyboard and wailing. It never acquired lyrics, but then, the only thing I find less important…
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(1 of 5 in "Tree Haus" cycle) I regret not doing more about the stodginess of this song - it's the lowpoint of the album to me. Perhaps you disagree but I still wince my way through this. Alas.
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Here's the first time you hear the "Love ZZZV" theme reprised in a slightly different way. Then we morph into a style someone described to me as being medieval. Me, I'm not convinced they liked noise interludes all those centuries ago...
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Thanks for listening to my album, "Love ZZZV"! This opening track is still my favourite of the nine because it features nothing I'd call a mistake and still leaves me in wonder just as to how I wrote it. The extended, classic tracker-style soloing…
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A very simple experiment with layered electric guitars and some laidback beats.
Copyright © 2009 Tiago Castro Henriques, some rights reserved (http://creativecommons.org/licenses/by-nc-sa/3.0/).
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*Hanging out with the young people. I don't get this music. Stolen loops. A Korg PolySix. This is the best of 3 complete versions of this track I recorded.*
I grow more obsolete with each passing day
I used to be so bright when I knew how…
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*A true story. Marasmus. The Duke University Talent Identification Program.* **_Chris Fudurich_** *played some guitar and gave some good guidance on this track*
In 1969 an experiment was devised
20 babies were kept alive
All alone
They…
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This song started with just the title. I think unappeasable is a fantastic word.
Unappeasable:
She’s so unappeasable
I don’t think that she’s feasible.
Oh, I’ve tried to be reasonable
but she can’t see my point of view.
She’s blind…
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I was thinking about a guy that I met one time in the street in Montreal who was just kind of aimlessly wandering about Canada following the death of his son...
Manitoba:
I’m on my way, on my way,
On my way back to Dufresne…
I remember…
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A song about the lost art of the mix-tape and knowing that someone is trouble but doing it anyway...
Compilation Tapes:
Did I mention that I think that you’re a real fine dancer and I like the way you dress?
I’ve known a number of girls…
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This is a track from our album "Fallen They Be" submitted as a part of the RPM Challenge 2009.
Guitar - James Blair
Guitar, Drums - Jason Hannah
Vocals, Keyboards - Casey J. Payne
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The original was called "Opportunity." Here's the accompanying words. Hope you like it!
Doug
Winter comes and goes.
Spring between winters.
Boots crunch dry lichens.
Walking on gray stone,
The roots of the earth pulled up through the skin…
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This is a track from our album "Fallen They Be" submitted as a part of the RPM Challenge 2009.
Guitar - James Blair
Guitar, Drums - Jason Hannah
Vocals, Keyboards - Casey J. Payne
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This is a track from our album "Fallen They Be" submitted as a part of the RPM Challenge 2009.
Guitar - James Blair
Guitar, Drums - Jason Hannah
Vocals, Keyboards - Casey J. Payne
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This is a track from our album "Fallen They Be" submitted as a part of the RPM Challenge 2009.
Guitar - James Blair
Guitar, Drums - Jason Hannah
Vocals, Keyboards - Casey J. Payne
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Saw a dude outside Tesco giving a good old religious rant. It was actually pretty decent advice, not fire and brimstone stuff. So I recorded him and made this.
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Been listening to far too much Black Devil. This is my tribute.
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Was learning a Chaimaria song and getting better at palm muting. This is the result.
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it is a short experiment in automatic music creation. a choice is made to use a major pentatonic scale. this happy creature is born. he is young, and small. however he has big feet. it is comical music? it makes you smile?
it is bigger version…
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This track is an outtake from my Mellotronic EP. It was originally going to be the lead track on that EP, but as the concept for the EP gelled, this track just didn't seem to fit (despite the Mellotron). It's currently under consideration as the…
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*Rap/Hip-Hop with electric piano*
I start off each morning with my favorite drug
Cook it up in the kitchen and take a slug
Coffee so black it helps me to wake
Prepared to attack the problems I face
Maybe it's keeping my blood pressure high…
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*Rap/Hip-Hop with electronics and glitchy beats*
I had a friend with a problem that everyone ignored
Pretending not to notice when he fell onto the floor
Never asked a question when he showed up late
Lacerations from a situation
Bruises…
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*Electronic rock. Sounds like* **_IAMX_** *and* **_Depeche Mode_**
This is much better than it’s ever been before
Much more real
More rich
More speed
More more
I feel like I could go forever and it only hurts when I stop
This is much…
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*Electronic rock with jungle/drum-and-bass influence*
I've never really felt that I was ever good enough
But even I can be improved if I just stay tough
My teeth are metal reinforced
My eyes are plastic lens
And daemons run inside my head…
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Started recording this with no idea what to do with the sound. Wound up with three different vocal takes to choose from, didn't like any of them, used all of them.
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Original working title was something like, "And after six years I finally understood why they sing in the streets here, and could go home." It's sort of about anonymity in the modern city. If that sounds pretentious, that's because it is.
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I am concerned with the values of my generation.
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One of my darker tracks. This tracks epitomises how RPM felt for me; A progressive struggle where I just got my head down and got stuck in with the thing. In a phrase, this track says to me "Just fucking get on with it."
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Easily my favourite track on the album. This was a real forced number at the start of it's life; I was well behind my song quota (5 finished on the 23rd... time to worry) and I needed to knock something out at least. Something clicked about an…
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Side 2 of my virtual record. It's a long, mostly instrumental suite (a 'Lounge Suite' - I know that's corny but I just cant resist:)
The different sections run as follows:
Opposite Attractions
Sloppy Jo
Too Many Martinis
Prefix/Suffix
A Cup of…
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A song that really crept out of nowhere and one that I don't entirely understand its meaning. Some things in the song I can pinpoint the origin, but some I haven't a clue. I'm really happy with the way it turned out - semi-ok vocal and all.
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A blatant attempt at exploiting the deep well of The Jesus and Mary Chain/Pixies/Raveonettes/House of Love. A lovingly loud, shiny and guitar-laden paean to those great bands.
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The Aliens are landing and a doomsaying prophet is declaring it the end of the world!
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Instrumental love song for a groovy space chick!
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*Memories, memories before the end.
Sounds like* **_David Sylvian_** *and* **_Fennesz._**
*Ambient guitar and vocals*
I remember sunshine
I remember you
I remember laughing
Do you remember
I do
I remember driving
I remember the…
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*The boat left without me.
Sounds like* **_David Sylvian, Fennesz, The Cure_**.
*Ambient guitar and vocals*
Stayed under too long
I guess
I lost track of time
Why didn’t you think to check
If I was alright?
There’s not too much sun…
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*My take on something like a* **_Neil Young_** *song ("After The Goldrush" meets "Revolution Blues"?)*
*Dark modern electronic guitar rock*
Well I woke in a cold sweat from a dreamless sleep
The winds were blowing papers through the empty…
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*Dark modern electronic guitar rock*
You can hear it just below the blowing wind
Feel it in the nerves beneath your skin
Catch a glimpse as you drift away at night
But you can’t decode the meaning inside
Distant shrieking sets your teeth…
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*"We all live in a little Village...your Village may be different from other people's Villages, but we are all prisoners." -* **_Patrick McGoohan_**
Modern electronic guitar rock.
One day you awaken in a different place
Where the names…
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A Bonus track for "Summer Twilight on Triton;" more of the same, but shorter.
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I read Carla Zilbersmith's blog, carlamuses.blogspot.com, which inspired the song. She's rather inspiring herself.
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A totally sheltered and unable to cope middle-class white kid screws up really badly and is on the run. I don't think he'll make it. Do you?
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from the RPM 2009 album, "Spilt Hony"
This was an experiment to write a song using one sentence. I ended up with 3 small ones.
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I was just imagining a morning at the Waits household.
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you tell me what you want
you tell what you need
i cant give you nothing honey
but this pretty little seed
where has the sun gone
and is it gone forever
will it come back someday
should we just give it some time
i ask you what…
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start here at the airport
feels like im going blind
middle of the day in a dark bar
1000 miles away from peace of mind
im tring to remember
when i was a kid
did the sun set in my back yard
i think it did
what comes before and goes on…
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Another attempt at a Carol Kaye-bassline, slightly more succesfull. I quite like how this turned out although it's kinda slick and not something I could really use in another context (it just sounds like I didn't make it myself which I quite like…
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This started sounding quite Nick Caveish and at the same time I wanted to do something with Joe Meek; so it's a murderballad-variation on Johnny Remember me. There's stylophone and theremin in there. The theremin is quite effective at some points…
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