alonetone radio: Popular
Popular
Archtop song... usually I play this faster... Vocoder for the lyrics... Drums BFD2.
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Vocoder song about AI, strange loops and consciousness. Synths. E. Guitar.
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Started with three blind mice clav bassline. Added RS9 strings, vocoder. same strange loops...
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Ha.. slowed down a punk song I wrote and added some anthem synth line for a indie rock feel I guess.
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Last song of RPM album. I'm particularly fond of the last ten seconds. :D
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Soothing and sad, a synthesized tune for the lovelorn and loveless. And just those with a perennial tear in their eyes.
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A song celebrating the animator for The Teller of the Tale. Music is post-avantgarde neo-progressive rock.
New version uploaded 12 Dec 2010
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This is the 3rd of the trio of UU auction songs. A love song was requested, so I wrote one based on my wife's favorite china pattern.
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No, not those kind of angels. Hope in the dark.
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There is a whole class of songs by singer songwriters who gush in various ways about taking the big chance, following your bliss, following your heart, living your dreams, yada yada. These songs are ALL from the point of view of those who are…
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Another downer, what can I say? Oddly enough though, it makes me smile.
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Probably the single saddest song I ever wrote. This album is kind of a combination of hope and longing and loss. This one is definitely about loss.
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This song is musically and thematically related to an earlier tune from an older album called "house of strangers." That song was a plea from one partner to another about a marriage that was failing. This song comes when it becomes obvious that…
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i just want to push through
but i keep seeing your favorite foods.
i can't get you out of my head
so i bring up some sweet epitaph
and when i said i would love you forever i meant it
but now i also love someone else
and i need to stop living…
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life is always better with a little bit of tension.
i think that we will make good friends
because my life’s complex
and you’re already taken.
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you take me as is
you don't mind a work in progress
you say my flaws make me attractive
you take me as is
(thank you wikipedia)
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I wrote it for a friend of a friend. It was originally about a woman, but although I liked the music a lot, the words didn't quite satisfy me. On a whim, I changed a pronoun here and there, and the song became a story.
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i'm not afraid of being alone
i just like the company
in a forest with no one around
tears are dry and wounds don't bleed
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cheating is the main way
bad communicators chose to end it
and since we’re not taught to talk
it is an epidemic
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I was thinking about Haiti...
i don't know what to say
i don't know how to feel
when i'm way over here
and things are going well
my house is standing still
my friends are still alive
the smell of spring is in the air
and i just can't connect…
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Another free jam, stream of consciousness type thang
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One of only two tracks on the album where loops were used more than instruments, or at least as much.
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Many of the most harmful things seem small and/or innocuous.
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I have a love for solid, well-crafted love songs. Unfortunately, that's not what you're going to get here!
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Daft Punk and Wire hire Le Tigre for an homage to Bert Convy.
And the password IS 'raincoat.'
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This is a song from my ill-fated 2010 RPM Challenge album. I really don't like much about this except the drums, I'll probably use them to make an entirely new track.
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A track from my 2010 RPM album. This is the 2nd installment of the Fear Trilogy.
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Another track from 2010 RPM Album. This is the first track in the Fear Trilogy. I wish I had the time to edit it down a bit more but I still think it would make great background music for a haunted house display or Halloween party...
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Album: The End of Happy Endings
Year: 2010 (RPM)
Written by: Marc Poirier
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Men don't collect dolls. They collect action figures.
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Trying to be a better man.
Featuring the vocal talents of Clarke McMurray.
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I miss the smell of your hands
Your breath
The feel of your skin
We didn’t have to talk
Just understood
What the other was
We are of the same
But we knew
The end would come
Time is no friend
We are not healed
The pain is old
But feels new…
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This was made with the help of the dinosaur-obsessed Laura Turner who wrote the lyrics, and Chris Harrison who played the blistering guitar solo \m/
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You’re taking me down
Breaking me down again
Circling around
Spinning toward the bottom
It’s a place we know
Where we always go
We can’t get lost
We know the way
Do we crave the dark
Long for misery
Embrace the end
To only rise again
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This song is made entirely from samples from Left 4 Dead 2. Valve, please don't sue!
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Like a Persian rug, only less cosy on the feet. Watch out for shamanic encroachings!
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One serious track. It's not like me at all, but there it is.
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I was listening to Leonard Cohen a lot this winter, and these lyrics sort of came out from there...don't know what they really mean, i was more interested in trying to see if I could mimic Leonard's style, which of course I can't, but this was…
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this was my last rpm song...i had a little mandolin riff and threw on the kazoo (which broke in the last verse), and it reminded me a happy bee buzzing around...and there you have it!
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This is one of the tracks that ties into the theme from my RPM 2009 album [Like A Dark Mirror Keeping Its Secrets].
A fall from grace. Every up has its down. Every down has its up. There's definitely a "ying and yang" thing at work here.
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The most challenging track to record during the RPM Challenge this year. I like how a lot of it turned out, but there were so many clashing pieces, that I was pulling my hair out trying to assemble it.
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Anyone read Ink Exchange by Melissa Marr - my daughter lent it to me - teenage Faery novel about addiction - pretty creepy at times.
This is the one act musical version.
I wanted a 'deranged in our neighbourhood' kind of feel to it.
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Written, more or less, after sitting in a car for four hours, after attending Laurie's Last.
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Low-frills bass and piano piece. Not my usual fare (whatever that is), but still fun to create.
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Written for the "My First Sing-A-Long Dictionary" RPM 2010 project.
See myfirstdictionary.blogspot.com/
Daddy's away
Posted abroad
Sending home pay
All he can afford
Mummy pretends
But I notice that something has changed
The letters…
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Finally a good cut of this one. Named after Daniel Burnham of Chicago's Burnham Plan, this song is about the downfall of western capitalism. I'm completely unprepared for it myself -- I have no idea what I'll wear.
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A song about the five stages of grieving, as devised by the (late) Elizabeth Kubler-Ross. Unfortunately knowing these stages does not help you get over them.
You've been managing expectations
Consultations end in tears
Even if you're optimistic…
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For String Orchestra. First performed in Grassington in North Yorkshire, a place of outstanding natural beauty.
This version is computer generated I'm sorry but it sounds ok!
Thanks
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Lyrics @ http://wave.transmit-music.com/sinkingdrowning.html
Wave 2010 (RPM)
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From RPM 2010. It's entirely analog synthesizer, drum machine, and my voice. Effects, too, of course. It's pretty repetitive, but I find it kinda catchy.
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Of course, the title also reeks of jealousy because I couldn't create an IDM track even if I tried. So instead, here's a heavy, layered electronica track that reeks of faux glitchery and IDM-ishness.
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So I just figured out that the EXS24 sampler instrument in Logic Pro (the DAW I use) can also import SoundFont2 files, which I happened to have a bunch of from a previous life as a Cakewalk user. All the tracks in this tune were played using old…
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Welcome to your first lesson in post-apocalyptic ballroom dancing for Martians and Manhunters alike. The track is not really cha-cha, but more like futurejazz, or 1960s mood music done by robots and mutants. 1-2-cha cha cha!
First draft in 2006…
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This was the first track i demo'd for this year's RPM but i just got round to tidying it up and adding the third verse. A bit of a feel good record!
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Track 12 from "They Are Killers" ... originally to be #11, but I decided this was a better one to go out on.
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Track 11... I have to stop writing parts that I can't cleanly play.
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Dang, everyone except Rob (and Laura) (and me) liked the previous version! (Cupid's Own Knife)
Only i did this with the lyrics so maybe one can be a bonus track ...
aargghh ... why didn't i write a *different* song?
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Lyrics @ http://wave.transmit-music.com/softlikeyou.html
Wave 2010 (RPM)
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lullaby featuring piano (but of course!)
Notes:
Today I learned how to add an insert effect to the master channel. The song was way quiet so it got boosted via a limiter. Hurray.
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This is the most hopeful of the songs on the new album. I just decided one day to say "to hell with it, they're not gonna get me down!".
ER
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Well i gues i was just sitting bored at home in new years even and i came up with the hook , then just worked on it on and off, and ended up with this.
Hope you enjoy it :)
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This time around it's the unique combination of bass clarinet and Bebot, the iPhone synthesizer.
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An instrumental piece featuring classical guitar and bass.
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I mostly wanted to make music with a funky clav line I'd come up with, so this is it. For the voiceover, I unabashedly used an awesome monologue by Ken Nordine.
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Lyrics @ http://wave.transmit-music.com/seethrough.html
Wave 2010 (RPM)
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Moody, ambient track with a bit of clicky rhythm to it. This is what happens when I compose music when I've got a headache.
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well its been a while this is a divertion from my usual even "singing".... (not really happy but after about 100 takes i gave up and will go on to do something else n see if it gets better with time.....
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I unleash my secret weapon!
Guest vocalist Shaka brings the icing to this rather haunted version of the first chapter of Cold Mountain by Charles Frazier!
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An ebow strained thru octave pedal and pitch shifter.
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Featuring Otis Maly on Organ.
Maybe it’s a trick of the light
The way your eyes shine at me
I don’t want to fight and I can’t take flight
Somethin’ tells me I’m gonna see
Just what spell you put on me
I can’t let you out of my sight…
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A folksy number inspired by the stories my nan told me many moons ago about her uncle Herbie..
Herein lies the story, of a man named Herbie Jones.
Not a million miles away from a man you might have known.
A miner in the twenties, blue scars…
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Admital - the main guitar part for this was written and recorded for last RPM (shock horror!)but I had to give up on it when the file corrupted. Managed to salvage the audio though so rebuilt it around that. This year I managed to mix down just…
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The sound of a creaking door closing very, very slowly.
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This song displays some of Barry Morgan's work on the keys. Mixed and mastered in his home studio.
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A jazz tune featuring flute, sax, and one slightly out of whack Fender. All instruments played by Barry Morgan and the song was mixed and mastered in his home studio.
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this is a song about zombies and zombie movies...this is also a rough demo version and its unfinished we are taking a different approach to recording it this time. if you are interested in seeing us live and live in or around chicago, look us…
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Transient texture experiment; also reverb envelopes. RPM number 10.
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This is something I came up with for the 2010 RPM Challenge.
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An odd tune - took time to grow on me but I like it. Still a little sick, hence the froglike vocals and negligent production.
A song about the Rock of Gibraltar
All done on the Boss Micro BR
Long Goodbyes
You say your life is disgusting…
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A little something I recorded on a Zoom H4n, acoustic was recorded from built in condensors, strat was recorded plugged into bottom jack using only onboard effects, mixed in Reaper and mastered in Soundforge.
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Gear used: Dark Energy, Micron and Dr.202
I post the lyrics as well as they are probably hard to understand:
earth they tell you
has a problem
they suggest us
to be monsters
i don't believe
their theories
too many lies
scaremongering…
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“Melodious compositions in dancing style for YOU!” - A.W.E.
My first album «ZigZag» (2010) :
http://www.rhapsody.com/awe/zigzag http://www.amazon.com/Zigzag/dp/B002X39FFI/ref=sr_1_9?ie=UTF8&s=dmusic&qid=1263239993&sr=1-9
http…
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We call this Beat-box ghosts (the prog-fu mix). A fun collab between Osckilo and myself. Osckilo had this song he did called Ghosts, all done beat-box. I had to ask him what beat-box meant, I had no idea. I took his original track (just his…
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Where's all this sappy music coming from? The Olympics were on. I must have been watching too much figure skating or something.
Unmastered track from my 2010 RPM Challenge submission.
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Again i'd love some feedback
I like the feel and the mix
do the lyrics work?
recorded t'night in an hour after trying all day to get the verse lyrics rammed into another tune
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This started as a simple piano piece from Osckilo, I took that as a beginning point and added the rest (synth, guitar, drums from Boss microBR), turning it into a prog-rock instrumental.
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An acoustic guitar instrumental inspired by the sound of a rainy day.
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here's a song about food.
the extravagantly long and noisy intro doesn't really fit the subject matter, or the tone of the last minute, but hey, it's my song. i'll do what i want. :)
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Flying above the buildings and trees feeling free.
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I wanted to play more directly with noise of various kinds so this piece focuses less on techniques and fancy plugins and more on selection & arrangement of sounds.
I spent many hours going through Reaktor ensembles I've downloaded searching…
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This is a far from finished version of a new song. I have lyrics for it, but haven't recorded any vocals yet. I'll repost it when it's a little more completed. For now though, I'm anxious to post it even as it is. Hope you can dig on it.
-Rain
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This track is inspired by the movie "Seven Pounds".
Gear used: Alesis Micron, Dr202, Mic
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Sometimes it's better to keep your mouth shut.
Gear used: pure Alesis Micron into Audacity, no post-processing
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