alonetone radio: Popular
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Words by Michael Thomas
Music by Chris Mitchell & Michael Thomas
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What Word came out of a play on 'what word is God' and Jesus is the word (John 1:1). It's a rough demo. I'm going to see if I can flesh it out later on. feedback/suggestions via private message would be greatly appreciated!
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Opened for Hentai Improvising Orchestra at 1919 Hemphill in Fort Worth. A 26 minute piece, I had to edit it down to this because of some nasty noise spikes on the louder bits. So whats left is a very sleepy piece.
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Another electronica styled piece for Ocarina of Time's Lost Woods. I think I made the melody too low, what do you think. Other then that I think I captured the ecentricity of the song through this mix. Also the choi adds a bit of fidelity I think.
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Another experiment with Reichenbach, my phase-shited looping ensemble for Reaktor 5. This time I fed it a sample from the [Rekkerd.org](http://rekkerd.org/downloads/) mixed bag selection #2 called `106_sandylines_01.wav`.
I let the sample play…
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From Music for MOBA: a collection of pieces inspired by paintings from The Museum of Bad Art.
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From Music for MOBA: a collection of pieces inspired by paintings from The Museum of Bad Art.
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From Music for MOBA: a collection of pieces inspired by paintings from The Museum of Bad Art.
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A friend sent me a loop he made on Reason, and I added a 2nd bass track and about 4 vocal tracks in various stages of aural legibility.
In the song I try to give a friend advice about how to stop his spiral downward. Starting with practical…
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This song basically relates to all of us in our "growing up stage" but also relates to us always growing up.......so basically everything we look at in our past that is positive we miss it.
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This track is off the third CD. The title is related to playing style which is centered around tappping. Recorded with my Huss and Dalton MJC in open D tuning
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Soon to be released on Amber's CD Album "Forever"
"When daylight stills to grey and all the world is silent, we listen to the stillness sounds..." Written just for Amber by Susan Evans McCloud and Richard W. Smith this paints a picture of a family…
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Background Soundtracks for Personalized Super Triliminal Recordings at:
http://www.personalized-super-triliminals.webs.com
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Background Soundtracks for Personalized Super Triliminal Recordings at:
http://www.personalized-super-triliminals.webs.com
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Background Soundtracks for Personalized Super Triliminal Recordings at:
http://www.personalized-super-triliminals.webs.com
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I've ben away from most of ya, and I'm sorry for that. Thing's have slowed down, and I can't wait
to hear everyone's new music, to try and be an artist, a full time employee and ect....it can be
awfully frustrating. I can't wait to listen and…
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"As we grow up, we always carry our inner child with us. Wonder and curiosity... there are so many things the child sees. However, this is a view from above. We are now adults with good and bad experiences of life, looking inward. It is time…
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title is self-explanatory, past tense however.
i really wanted a song that had the flow, emotional intensity and unpredictability of an ocean. perhaps that's a bit cliche.
done over the period of two months in a little dark room with an…
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Slack key guitar and tenor ukulele. Hula version.
This song is about a home in Lahaina, on the island of Maui. Surrounded by fragrant flowers, coconut trees and the ocean shore, it is filled with happiness. The meaning of the two words Pua…
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story: wings of chaos, wings of beauty. h.g. wells awakens from cyber-sleep in the "Chrysalis". the steam-driven moth-ship is now traveling slowly across an immense nebula. the engine's motoric rhythm generates the soundtrack to the view from…
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Measuring Desert by Lena & Irina Panfilova is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 Unported License.
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Crying Angels by Lena & Irina Panfilova is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 Unported License.
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I never get tired of playing this song.
Written by Leonard Cohen.
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it is midnight of halloween. it blinks 12 at the landfill. the electric blue light awakens the dying electronics. a cracked blackberry dances slowly with an unrecognized newton, palm to palm. woofers gather around the hammond organ to boost the…
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Field recording from SE Peru. Came across this pissed off spider monkey and decided to record a few minutes of this vocal bout. I'm not sure what elicited such a vocal temperament, and of course, at the time, I was worried it was a large cat…
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This is my 2007 Pirate Day song, written and recorded September 19th 2007. I like the innuendo, but maybe it's too subtle - nobody else seems to notice ;~)
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Similar in feel to the other Fragile Moment track. Mostly acoustic guitars recorded sitting in my shop on the H4N and then finished up in Cubase just this morning. September 9 09. Maybe a nice one for bedtime
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This is a feature I produced for public radio from the Brevard Music Center in Brevard, NC this past July. Listen for the goose.
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Its a song that was inspired by a dream I had. In fact.. it was the soundtrack to the dream. The ending is purposely left with a feeling of being not finished, as I can't remember how the dream ended.
I hope you all like it :)
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That twanging sound at the beginning of the song is me putting my acoustic through an amp with all knobs on 10. Acoustics feedback at 440mhz, which is an A note. The song is in A. It kind of sounds like a high tension electrical wire.
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This song went through multiple iterations before coming out like this. It was a great song to play live. Did anyone catch the tip of the hat to "Fire and Rain" at the very end of the song?
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This song was written long before it was recorded, though it stayed pretty much the same from day one of its creation until the studio about 4 years later. My favorite part is my guitar riffs near the end. My least favorite part is my crappy singing.
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This one is a classic case of "Chasing The Demo".
In other words, I am not happy with it. The demo versions had a ton more feel and groove. This one sounds rushed and doesn't do the song justice. Oh well, such is life when you are on a budget…
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The close friend of mine who helped engineer this session said my gtr sounded like a swarm of angry bees. That's the best compliment I can think of. This was a mayhem producer when played live. I barely was able to keep it together in the studio…
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Probably one of my better gtr riffs/rhythm parts in those days. The song is always borderline going off the tracks...but it was fun to play live.
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Recorded July 2009. Song originally by The Black Keys.
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This song is about someone giving you a lift, and while they drive you there you fall in love with them by watching their eyes in the rear view mirror. It had like five verses but I cUt it down to two with one repeated. In cutting those verses…
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This is one track where I can say, without reservation, that I am really happy with how it came out.
I worked up a beat I liked with 3 Stylus RMX parts making good use of chaos and time designer for the breaks.
For the first time I really…
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Glu guides you through an instructional song, revealing secrets along the way.
Instrumentation: Director's comments included! beat boxing, real swords, acoustic guitar, synthesizer, vocals, drum programming, tabla, and tambourine. My apologies…
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One of four tracks I did for the August 2009 24 hour challenge. This was the last track I did, and it shows.
I was pretty tired after finishing 3am chill, and had to mess round for ages mangling loops and trying out different things before…
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One of four tracks I did for the August 2009 24 hour challenge. This was the second track I did.
I'm an old trance head, so I had to have a go at making a trance tune during the 24 hours. This had the advantage that I could stretch out the breakdown…
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So I was sitting on some wanker's loungesuite watching Across The Universe in a big orange woolly jumper and it came to me! What do i want to say to you? " ??? You're Very Pretty". It just stemmed from that line, but instead of revealing your…
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The journey through the static continues.
This one changed quite a bit from start to finish product.
I hope you all like it.
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Recorded by Ger in our manky cellar at the end of May 2005
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From Brazil: the title music from Animal Crossing.
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5. The 'Hidden" track, appears after a lengthy pause on the CD version. The little artsy trick that all prog albums must have at the end.
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4. The prog album's musical climax, with full orchestral treatment. I did NOT get the London Symphony to come to the session, alas.
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3. This is the "preferred" track from the 2008 challenge, and I think it stands well by itself. It is the narrative climax to the piece. Thanks, Mick!
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IV. While the space colonists are sleeping, the alien creatures descend on their camp. A battle between space bugs and the interstellar Orkin man ensues. The space pioneers beat a hasty retreat from the supercharged bugs.
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I remember when we were young
I remember waiting for the sun
you said you loved me
you said you need me
you said you want me
and that was forever
I remember the stories of our days
I remember the tears in your eyes
you said…
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Rasta Pirate pleas with colonial hottie to guide him to her treasure vault. Rough demo for now.
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For this I wanted to create some longing sounding atmosphere. To create the (somewhat annoying) guitar part in the second half I used an ebow.
"
you stand a long time at the door
observe the lighting on the floor
you are not welcome anymore
no…
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This is pretty experimental for me, and even I feel it is way out there. This is a chronicle of a man descending into madness after discovering the truth in the words he has said and deeds he has committed.
Really to me it sounds like cheesy…
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Sudara sent me a guitar piece he was working on... So I added a song. And it didn't turn out at all as I expected.
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Glu and Sister Savage bring you these remixes!
Original track by Sister Savage:
http://alonetone.com/sistersavage/tracks/little-england
This one is pure pop. Voice pitched 1/2 step up.
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the first multi track piece that I actually finished "in the box" in Cubase. An ambient kinda thing that grew out of playing around with the Line 6 DL4. Not sure I like the bow parts, but I may re do it later
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My cover of Gumbo Stu's (Stuart Walker) Blind In One Eye. Originally on his 2009 RPM Challenge Album, and available here on alonetone. Thanks Stu!
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This is a collaboration between Endicott Road and Sister Savage. Hope you enjoy it.
ER
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This is a live recording of a set I did with guitarist Mike Levine on a University of New Hampshire radio show. This is one of the 'songs' we did. It is a 5-tune Irish fiddle set that was previously done by the great Irish fiddle player Martin…
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Worked on this track at the end of January.. Then the RPM came and it did not fit with the other tunes... so I decided to get off my behind and upload it for you all to enjoy. Takes place at the zoo,
the plot is, of course, two chimps in love...
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My instrumental compositian for the great state of Louisiana.
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My song honoring the only man lost during the journey of the Corps of Discovery.
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My song about the hazards of the Missouri River.
A snag is an above water branch and a sawyer is a below water log or branch. Hence, "Tom Sawyer," from Mark Twain (Samuel Clemens).
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My story song about an indian site on the Missouri River near Boone county Mo.
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My story song in honor of Pierre Cruzatte, the one eyed fiddler of the Corps of Discovery.
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This is a live in the rehearsal studio recording direct to Zoom H2 of our band Airport Seven. See myspace. The "playa" refers to the desert where Burning Man happens. If that's news to you - google it and go.
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The first version.
This is the first and only song I wrote on [arrsuarez](http://alonetone.com/arrsuarez)'s Christmas gift to me, a mbira that he lovingly crafted by hand.

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*Missing one person is worse than missing everyone. "Julia" by* **_Eurythmics._** *Scratchy records remind me of rain.* **_Gary Numan's_** *"The Seed of a Lie".*
When I awake, you are gone
And the poison memories bubble up, one by one
Of…
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Grew out of my frustration at having to sing, play all the instruments, and engineer my own recording...
Baby, Would You Be My Engineer?:
Baby, would you be my engineer
and keep my headphones sounding clear?
I desperately need someone…
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This is a track from our album "Fallen They Be" submitted as a part of the RPM Challenge 2009.
Guitar - James Blair
Guitar, Drums - Jason Hannah
Vocals, Keyboards - Casey J. Payne
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*Rap/Hip-hop with glitchy electronic beats.*
It's 20 years since this started up
Let me tell you how it was:
a 4-track Radio Shack tape deck
Hissing overdubs
I tried to get it down
Record what I had to say
I thought I had all the time…
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A song that ended up in an entirely different place than from where it began. It was meant to have a dark 'David Gray' kind of feel, but ended up being the love child of 'Love and Rockets' and 'Stars on 45.'
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